Bay lexicon
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'Bay Lexicon', a field guide to San Francisco's shoreline, is a case study in establishing a working language for hybrid landscapes. Centred on a walk along the edge of the iconic San Francisco Bay, it documents, deciphers, and classifies the places and phenomena a person encounters - and the forces, histories, and interactions that underlie what is visible. In a unique(...)
Bay lexicon
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'Bay Lexicon', a field guide to San Francisco's shoreline, is a case study in establishing a working language for hybrid landscapes. Centred on a walk along the edge of the iconic San Francisco Bay, it documents, deciphers, and classifies the places and phenomena a person encounters - and the forces, histories, and interactions that underlie what is visible. In a unique synthesis of text and drawing, Jane Wolff applies analytical and representational tools based in design and documentary work to findings from the fields of geography, environmental and cultural history, public policy, urban ecology, and landscape studies. As our cities face increasing pressure caused by climate change, we will need to reimagine them in terms that do justice to their complexity. This publications's methods for building landscape literacy are meant for translation, adaptation, and use far beyond San Francisco Bay. Through activist scholarship that cuts across disciplinary boundaries and levels of expertise, this book examines how the landscape at the water's edge works, documents its historical evolution, brings its citizens' values to light, and frames conversations about how and why it might change.
Landscape Theory
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on(...)
Contemporary Art Monographs
December 2021
Keith Haring: 31 subway drawings
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Celebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars. Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. ''Keith Haring: 31 subway drawings'' reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.
Contemporary Art Monographs
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Le point de départ de ce projet se situe dans la jungle de Calais, à la veille de l'évacuation du bidonville en 2016. Jean-Michel André a poursuivi ce travail photographique pendant trois ans, en France, en Italie, en Espagne et en Tunisie. Partout, il a rencontré des réfugiés qui cherchaient un abri. Des femmes, des enfants et des hommes réunis dans l'espoir de réaliser(...)
Borders
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Le point de départ de ce projet se situe dans la jungle de Calais, à la veille de l'évacuation du bidonville en 2016. Jean-Michel André a poursuivi ce travail photographique pendant trois ans, en France, en Italie, en Espagne et en Tunisie. Partout, il a rencontré des réfugiés qui cherchaient un abri. Des femmes, des enfants et des hommes réunis dans l'espoir de réaliser la dernière traversée. Ce projet nous invite à un cheminement, celui de l'exil, de l'errance mais aussi de l'espérance et de la résistance. L'écriture de Jean-Michel André et de Wilfried N'Sondé questionne le rapport à l'autre et interroge les notions de frontière réelle et imaginaire. / A poetic photographic record of the European migrant crisis, between France, Italy, Spain and Tunisia. Bridging documentary photography and lyrical prose, this volume includes pictures by French photographer Jean-Michel André (born 1976) and French Congolese author Wilfried N’Sondé (born 1968), which together probe the tragedies of displacement and exile for migrants across the Mediterranean region today.
Photography monographs
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
Sámi media and Indigenous agency in the Arctic North
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Social
The lives of documents
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How do photographers select, order, and display their images to make visual arguments about built and natural environments? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents — Photography as Project prompts reflections on the idea of the documentary as an(...)
The lives of documents
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How do photographers select, order, and display their images to make visual arguments about built and natural environments? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents — Photography as Project prompts reflections on the idea of the documentary as an embedded quality of photography. Tracing the research materials, archiving practices, and production processes of diverse authors, photographers Bas Princen and Stefano Graziani highlight a selection of photographic projects that model our visible world by investigating notions of landscape and its destruction, global infrastructure, intimacy and interiority, and conditions of urban and domestic space and life. This publication follows Princen and Graziani’s travels to understand how artists use photography as a tool for their artistic research and how they conceive of their projects as evolving and expanding explorations. Bringing together studio visit images, artist interviews, and Princen and Graziani’s own reproduction of photographic projects, it emphasizes how photography reveals and expresses lived and built realities in ways that traditional architectural tools fail to represent or communicate.
CCA Publications
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Over the past six years, documentary photographer and architectural historian Julia Reyes Taubman has taken more than 30,000 photographs across the sprawled terrain of Detroit, ambitiously mapping out a comprehensive survey of a major American city. Photographing on the ground, in the buildings and by air and water, Reyes Taubman believes that when buildings and landscape(...)
Julie Reyes Taubman: Detroit, 138 squares miles
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Over the past six years, documentary photographer and architectural historian Julia Reyes Taubman has taken more than 30,000 photographs across the sprawled terrain of Detroit, ambitiously mapping out a comprehensive survey of a major American city. Photographing on the ground, in the buildings and by air and water, Reyes Taubman believes that when buildings and landscape are manipulated by nature and time they become more visually compelling than almost any architectural intervention.As Reyes Taubman scrutinizes this 138-square-mile metropolis in transition, she pays particular attention to the scale and the solidity of the buildings that characterized the former “Motor City” at the height of its industrial wealth and power. More than a photographic saturation job of a single city, Detroit: 138 Square Miles provides contextual perspective in an extended caption section in which Reyes Taubman collaborated with University of Michigan professors Robert Fishman and Michael McCulloch to emphasize the social imperatives driving her documentation. An essay by native Detroiter and bestselling author Elmore Leonard addresses the social and cultural significance of the post-industrial condition of this metropolis. The volume's spine is specially treated with black ink to evoke the industrial character of its subject.
Photography monographs
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TASS posters were created by a large collective of Soviet writers, printers, and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy, and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve(...)
Windows on the war: soviet TASS posters at home and abroad 1941-1945
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TASS posters were created by a large collective of Soviet writers, printers, and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy, and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve as international cultural "ambassadors," rallying Allied and neutral nations to the Soviet cause. Drawn from the Art Institute of Chicago''s collection, as well as other private and public holdings, these TASS posters have not been seen since World War II. An international team of scholars presents the TASS posters both as unique historical objects and as artworks that reveal how preeminent artists of the day used unconventional technical and visual means to contribute to the war effort, marking a major chapter in the history of design and propaganda. Generously illustrated, the book presents photographs, documentary materials, and memorabilia in meaningful juxtapositions with images of the TASS posters. Also included are documents illuminating the expression of Russian cultural life in the United States during the war, opening a fascinating window onto the war along the Eastern Front.
Printed Matter
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for(...)
Peter Fischli / David Weiss : 800 views of airports
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Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel : the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
Theory of Photography
The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As(...)
The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As a filmmaker, his work has been shown at film festivals throughout North America and Europe, including the Cannes Film Festival and the Toronto Festival of Festivals. In "The North End", Paskievich returns to his first love, photography. His lyrical black and white photographs chronicle a community closer to home, the iconic Winnipeg neighbourhood in which he grew up. Winnipeg’s North End is the great Canadian melting pot, the place "north of the tracks" that welcomed waves of immigrants from central and eastern Europe at the turn of the last century. It is a place that spawned some of Canada’s greatest cultural events and personalities, from the Winnipeg General Strike to the Guess Who. Paskievich captures the vibrancy and conflicts of the North End and other urban spaces like it, places where history, poverty, and resilience come together.
Photography monographs
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After the Second World War, talented young architects including several from Switzerland, turned to the task of promoting the ideals of Modernism. Their main interest lay in furthering the new design and construction methods which were then being made possible by industrial prefabrication and montage, eve considering and incorporating them at the design stage. The time(...)
Architecture since 1900, Europe
April 2002, Basel
Post-war modernity in Switzerland : architecture by Werner Frey, Franz Füeg, Jacques Schader, Jakob Zweifel
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After the Second World War, talented young architects including several from Switzerland, turned to the task of promoting the ideals of Modernism. Their main interest lay in furthering the new design and construction methods which were then being made possible by industrial prefabrication and montage, eve considering and incorporating them at the design stage. The time has now come to review this chapter of recent architectural history. This publication focuses on four architects: Werner Frey (1912-1989), Franz Füeg (born 1921), Jacques Schader (born 1917) and Jacob Zweifel (born 1921). This group of Zurich architects created buildings which can be seen to embody the typical features of the architecture emerging from the late 1950s, 1960s, and early 1970s : fastidious construction methods, a structural approach to designing brought about by increased use of prefabricated parts, an awareness of different social needs of the individual and the group which were subsequently reflected in the designs. Using a wealth of historical illustrations together with photographs by Doris Fanconis and 8 documentary films by Georg Radanowicz, visually interpreting the architecture from a contemporary viewpoint, this book is an invaluable documentation and analysis of those buildings which are of consequence for today's architecture.
Architecture since 1900, Europe