14843 Results
Form:
photographs
photographs
Actions:
Reference number:
AP178.S1.1993.PR06.019.1
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
AP178.S1.1993.PR06.019.1
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
People:
Date:
1993
1993
Title:
Panoramas of the existing buildings, Museu J. Paul Getty, Malibu (folder 1 of 2)
Actions:
AP178.S1.1993.PR06.019.1
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
Panoramas of the existing buildings, Museu J. Paul Getty, Malibu (folder 1 of 2)
Actions:
AP178.S1.1993.PR06.019.1
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
photographs
photographs
Actions:
Reference number:
AP178.S1.1993.PR06.019.2
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
AP178.S1.1993.PR06.019.2
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
People:
Date:
1993
1993
Title:
Panoramas of the existing buildings, Museu J. Paul Getty, Malibu (folder 2 of 2)
Actions:
AP178.S1.1993.PR06.019.2
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
Panoramas of the existing buildings, Museu J. Paul Getty, Malibu (folder 2 of 2)
Actions:
AP178.S1.1993.PR06.019.2
Description:
Original file title: The J. P. Getty Museum Levantamento Fotográfico do existente Siza's office numbered photographs in this file JPGM142 JPGM153 Siza also appears on some photographs.
Form:
photographs
photographs
Date:
1993
1993
People:
Form:
events
events
Title:
Learning from... Saadiyat
Learning from... Saadiyat
Actions:
Description:
Saadiyat Island is a “dreamscape” created by Tourism Development Investment Company just half a kilometer from downtown Abu Dhabi. It is an amalgam of luxury residential areas, 5-star resorts and golf courses crowned by a Cultural District containing a hallucinatory collection of museums designed by five Pritzker Prize winners. Is this the future of private(...)
Saadiyat Island is a “dreamscape” created by Tourism Development Investment Company just half a kilometer from downtown Abu Dhabi. It is an amalgam of luxury residential areas, 5-star resorts and golf courses crowned by a Cultural District containing a hallucinatory collection of museums designed by five Pritzker Prize winners. Is this the future of private(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
21 August 2014 , 6pm
21 August 2014 , 6pm
Title:
Learning from... Saadiyat
Actions:
Description:
Saadiyat Island is a “dreamscape” created by Tourism Development Investment Company just half a kilometer from downtown Abu Dhabi. It is an amalgam of luxury residential areas, 5-star resorts and golf courses crowned by a Cultural District containing a hallucinatory collection of museums designed by five Pritzker Prize winners. Is this the future of private(...)
Learning from... Saadiyat
Actions:
Description:
Saadiyat Island is a “dreamscape” created by Tourism Development Investment Company just half a kilometer from downtown Abu Dhabi. It is an amalgam of luxury residential areas, 5-star resorts and golf courses crowned by a Cultural District containing a hallucinatory collection of museums designed by five Pritzker Prize winners. Is this the future of private(...)
Form:
events
events
Date:
21 August 2014
6pm
21 August 2014
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
drawings, textual records
drawings, textual records
Title:
Project documentation and drawings, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
Project documentation and drawings, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
Actions:
Reference number:
AP178.S1.1998.PR07.066
Description:
Original file title: Ibere Camargo Building program, reprographic copies of the models, reprographic copies of sketches draw by Miranda Giraldino, and documentation about the visual identity of the museum.
AP178.S1.1998.PR07.066
Description:
Original file title: Ibere Camargo Building program, reprographic copies of the models, reprographic copies of sketches draw by Miranda Giraldino, and documentation about the visual identity of the museum.
People:
Date:
2000-2006
2000-2006
Title:
Project documentation and drawings, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
Actions:
AP178.S1.1998.PR07.066
Description:
Original file title: Ibere Camargo Building program, reprographic copies of the models, reprographic copies of sketches draw by Miranda Giraldino, and documentation about the visual identity of the museum.
Project documentation and drawings, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
Actions:
AP178.S1.1998.PR07.066
Description:
Original file title: Ibere Camargo Building program, reprographic copies of the models, reprographic copies of sketches draw by Miranda Giraldino, and documentation about the visual identity of the museum.
Form:
drawings, textual records
drawings, textual records
Date:
2000-2006
2000-2006
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
People:
Date:
1996-2002
1996-2002
Title:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Level of archival description:
Project
Project
Date:
1996-2002
1996-2002
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
People:
Date:
2002-2010
2002-2010
Title:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Level of archival description:
Series
Series
Date:
2002-2010
2002-2010
People:
Form:
drawings
drawings
Reference number:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
People:
Date:
November 1991
November 1991
Title:
Sketchbook 323: Bar Serralves - Barcelona - Haia
Actions:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
Sketchbook 323: Bar Serralves - Barcelona - Haia
Actions:
AP178.S2.1991.010
Description:
This sketchbook includes sketches for the Santa Maria church and parish centre, the Galician Centre of Contemporary Art, the Serralves Museum. It about contains portraits of people and notes of Chiado.
Form:
drawings
drawings
Date:
November 1991
November 1991
People:
Form:
photographs
photographs
Reference number:
AP178.S1.1993.PR06.009
Description:
Original file title: The J. Paul Getty Museum California © Teresa Siza - Negativos April 2012 - Nota: 2 rolos Siza's office numbered photographs in this file JPGM039- JPGM061
AP178.S1.1993.PR06.009
Description:
Original file title: The J. Paul Getty Museum California © Teresa Siza - Negativos April 2012 - Nota: 2 rolos Siza's office numbered photographs in this file JPGM039- JPGM061
People:
Date:
2012
2012
Title:
Negatives of models, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.009
Description:
Original file title: The J. Paul Getty Museum California © Teresa Siza - Negativos April 2012 - Nota: 2 rolos Siza's office numbered photographs in this file JPGM039- JPGM061
Negatives of models, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.009
Description:
Original file title: The J. Paul Getty Museum California © Teresa Siza - Negativos April 2012 - Nota: 2 rolos Siza's office numbered photographs in this file JPGM039- JPGM061
Form:
photographs
photographs
Date:
2012
2012
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Chuck Hoberman fonds
Chuck Hoberman fonds
Reference number:
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
People:
Date:
circa 1980-2006
circa 1980-2006
Title:
Chuck Hoberman fonds
Actions:
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Chuck Hoberman fonds
Actions:
AP165
Synopsis:
The Chuck Hoberman fonds documents Hoberman’s work in transformable design throughout the first part of his career, from 1980 to 2006, as well as the operations of his company Hoberman Associates Inc. Materials relate to the research and development of design concepts, the patenting of inventions, detailed drawings for certain unfolding structures, the workings and movements of mechanisms, public presentations at fairs and exhibitions, and media coverage.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1980-2006
circa 1980-2006
People:
Form:
photographs
photographs
Title:
Slides of various projects
Slides of various projects
Actions:
Reference number:
ARCH274333
Description:
Project slides, Bank of Montreal, including site photographs, aerial views of model, analysis of site and general problem areas. Binder also includes slides of Royal Ontario Museum site.
ARCH274333
Description:
Project slides, Bank of Montreal, including site photographs, aerial views of model, analysis of site and general problem areas. Binder also includes slides of Royal Ontario Museum site.
People:
Date:
1971-1974
1971-1974
Title:
Slides of various projects
Actions:
ARCH274333
Description:
Project slides, Bank of Montreal, including site photographs, aerial views of model, analysis of site and general problem areas. Binder also includes slides of Royal Ontario Museum site.
Slides of various projects
Actions:
ARCH274333
Description:
Project slides, Bank of Montreal, including site photographs, aerial views of model, analysis of site and general problem areas. Binder also includes slides of Royal Ontario Museum site.
Form:
photographs
photographs
Date:
1971-1974
1971-1974
People:
