2494 Results
Form:
books
books
Holdings:
Description:
x, 65 pages ; 18 cm
Description:
x, 65 pages ; 18 cm
Title:
Mediators : aesthetics, politics, and the city / Reinhold Martin.
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Description:
x, 65 pages ; 18 cm
Mediators : aesthetics, politics, and the city / Reinhold Martin.
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Description:
x, 65 pages ; 18 cm
Form:
books
books
Publication:
Minneapolis : University of Minnesota Press, [2014]
Minneapolis : University of Minnesota Press, [2014]
Form:
books
books
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Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Author:
Subject:
- Monville, François Nicolas Henri Racine de, 1734-1797 Homes and haunts France Chambourcy.,
- Monville, François Nicolas Henri Racine de, 1734-1797,
- Gardens, English France Chambourcy History 18th century.,
- Jardins anglais France Chambourcy Histoire 18e siècle.,
- Gardens, English,
- Homes,
- Désert de Retz (Chambourcy, France),
- France Chambourcy,
- France Chambourcy Désert de Retz,
- History,
- Typefaces (Type evidence) Cochin (Monotype)
(See more)
Publication:
San Francisco : Arion Press, 1990.
San Francisco : Arion Press, 1990.
Title:
Le Désert de Retz : le jardin pittoresque de Monsieur de Monville = a late eighteenth-century French folly garden / by Diana Ketcham.
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Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Le Désert de Retz : le jardin pittoresque de Monsieur de Monville = a late eighteenth-century French folly garden / by Diana Ketcham.
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Description:
113 pages : illustrations, maps, plans ; 26 x 41 cm
Form:
books
books
Publication:
San Francisco : Arion Press, 1990.
San Francisco : Arion Press, 1990.
Subject:
- Monville, François Nicolas Henri Racine de, 1734-1797 Homes and haunts France Chambourcy.,
- Monville, François Nicolas Henri Racine de, 1734-1797,
- Gardens, English France Chambourcy History 18th century.,
- Jardins anglais France Chambourcy Histoire 18e siècle.,
- Gardens, English,
- Homes,
- Désert de Retz (Chambourcy, France),
- France Chambourcy,
- France Chambourcy Désert de Retz,
- History,
- Typefaces (Type evidence) Cochin (Monotype)
(See more)
Form:
books
books
Title:
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
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Description:
xx, 343 pages : illustrations ; 28 cm
Description:
xx, 343 pages : illustrations ; 28 cm
Subject:
- Asian Development Bank,
- Architecture, Modern.,
- Architecture History.,
- Architecture Histoire.,
- Architecture,
- Architektur,
- Gaststätte,
- Geschäftshaus,
- Industriebau,
- Kulturgebäude,
- Sozialeinrichtung,
- Typologie,
- Bouwkunst.,
- Machtsvertoon.,
- Bautypus Geschichte Neuzeit,
- Architektursemiotik,
- Gesellschaft,
- Arquitetura moderna.,
- Historia.,
- Architecture, Modern History.,
- Architecture moderne Histoire.,
- Fonctionnalisme (architecture),
- 18e siècle-19e siècle,
- Sociologie,
- fonctionnalisme (art),
- History,
- Books.
(See more)
Publication:
London ; New York : Routledge, 1993.
London ; New York : Routledge, 1993.
Title:
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
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Holdings:
Description:
xx, 343 pages : illustrations ; 28 cm
Buildings & power : freedom and control in the origin of modern building types / Thomas A. Markus.
Actions:
Holdings:
Description:
xx, 343 pages : illustrations ; 28 cm
Form:
books
books
Publication:
London ; New York : Routledge, 1993.
London ; New York : Routledge, 1993.
Subject:
- Asian Development Bank,
- Architecture, Modern.,
- Architecture History.,
- Architecture Histoire.,
- Architecture,
- Architektur,
- Gaststätte,
- Geschäftshaus,
- Industriebau,
- Kulturgebäude,
- Sozialeinrichtung,
- Typologie,
- Bouwkunst.,
- Machtsvertoon.,
- Bautypus Geschichte Neuzeit,
- Architektursemiotik,
- Gesellschaft,
- Arquitetura moderna.,
- Historia.,
- Architecture, Modern History.,
- Architecture moderne Histoire.,
- Fonctionnalisme (architecture),
- 18e siècle-19e siècle,
- Sociologie,
- fonctionnalisme (art),
- History,
- Books.
(See more)
Form:
books
books
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Description:
xiii, 249 pages : illustrations ; 25 cm
Description:
xiii, 249 pages : illustrations ; 25 cm
Subject:
Publication:
Ithaca, N.Y. : Cornell University Press, 1990.
Ithaca, N.Y. : Cornell University Press, 1990.
Title:
The "lower sort" : Philadelphia's laboring people, 1750-1800 / Billy G. Smith.
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Holdings:
Description:
xiii, 249 pages : illustrations ; 25 cm
The "lower sort" : Philadelphia's laboring people, 1750-1800 / Billy G. Smith.
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Holdings:
Description:
xiii, 249 pages : illustrations ; 25 cm
Form:
books
books
Publication:
Ithaca, N.Y. : Cornell University Press, 1990.
Ithaca, N.Y. : Cornell University Press, 1990.
Form:
books
books
Actions:
Holdings:
Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Subject:
- Commercial art Cuba.,
- Graphic arts Cuba.,
- Design Cuba History 20th century.,
- Art publicitaire Cuba.,
- Arts graphiques Cuba.,
- Design Cuba Histoire 20e siècle.,
- Commercial art,
- Design,
- Graphic arts,
- Grafikdesign,
- Werbung,
- Cuba History 1933-1959.,
- Cuba Histoire 1933-1959.,
- Cuba,
- Kuba,
- Cuba 1933-1959.,
- History,
- Books.
(See more)
Publication:
New York City : Princeton Architectural Press, ©2002.
New York City : Princeton Architectural Press, ©2002.
Title:
Cuba style : graphics from the golden age of design / Vicki Gold Levi & Steven Heller.
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Holdings:
Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Cuba style : graphics from the golden age of design / Vicki Gold Levi & Steven Heller.
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Holdings:
Description:
168 pages : chiefly illustrations (all color) ; 23 cm
Form:
books
books
Publication:
New York City : Princeton Architectural Press, ©2002.
New York City : Princeton Architectural Press, ©2002.
Subject:
- Commercial art Cuba.,
- Graphic arts Cuba.,
- Design Cuba History 20th century.,
- Art publicitaire Cuba.,
- Arts graphiques Cuba.,
- Design Cuba Histoire 20e siècle.,
- Commercial art,
- Design,
- Graphic arts,
- Grafikdesign,
- Werbung,
- Cuba History 1933-1959.,
- Cuba Histoire 1933-1959.,
- Cuba,
- Kuba,
- Cuba 1933-1959.,
- History,
- Books.
(See more)
Form:
books
books
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Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
Subject:
Publication:
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
Title:
La Sainte-Chapelle / par Louis Grodecki ... [publié par la] Caisse nationale des monuments historiques et des sites.
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Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
La Sainte-Chapelle / par Louis Grodecki ... [publié par la] Caisse nationale des monuments historiques et des sites.
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Holdings:
Description:
68 pages : illustrations (some color) ; 15 x 16 cm.
Form:
books
books
Publication:
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
[Paris] : Caisse nationale des monuments historiques et des sites, 1975.
Form:
books
books
Holdings:
Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
Subject:
- Yale Center for British Art Exhibitions.,
- Yale Center for British Art,
- Landscape prints, British Exhibitions.,
- Prints Connecticut New Haven Exhibitions.,
- Romanticism in art Exhibitions.,
- Estampe de paysages britannique Expositions.,
- Estampe Connecticut New Haven Expositions.,
- Romantisme dans l'art Expositions.,
- Landscape prints, British,
- Prints,
- Romanticism in art,
- Connecticut New Haven,
- Exhibition catalogs
(See more)
Publication:
[New Haven, Conn.] : [Yale Center for British Art], [2002]
[New Haven, Conn.] : [Yale Center for British Art], [2002]
Title:
The romantic landscape print: "the chiaroscuro of nature."
Actions:
Holdings:
Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
The romantic landscape print: "the chiaroscuro of nature."
Actions:
Holdings:
Description:
28 unnumbered pages : illustrations ; 14 x 22 cm
Form:
books
books
Publication:
[New Haven, Conn.] : [Yale Center for British Art], [2002]
[New Haven, Conn.] : [Yale Center for British Art], [2002]
Subject:
- Yale Center for British Art Exhibitions.,
- Yale Center for British Art,
- Landscape prints, British Exhibitions.,
- Prints Connecticut New Haven Exhibitions.,
- Romanticism in art Exhibitions.,
- Estampe de paysages britannique Expositions.,
- Estampe Connecticut New Haven Expositions.,
- Romantisme dans l'art Expositions.,
- Landscape prints, British,
- Prints,
- Romanticism in art,
- Connecticut New Haven,
- Exhibition catalogs
(See more)
Form:
books
books
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Description:
159 pages : illustrations ; 18 cm
Description:
159 pages : illustrations ; 18 cm
Subject:
- McLuhan, Marshall 1911-1980,
- Mass media History.,
- Technology and civilization.,
- Médias Histoire.,
- Technologie et civilisation.,
- 05.30 mass communication and mass media: general.,
- Mass media,
- Kommunikation,
- Medien,
- Massenmedien,
- Information,
- Wahrnehmung,
- Gesellschaft,
- Beeinflussung,
- Massamedia.,
- History
(See more)
Publication:
Berkeley, CA : Gingko Press, 2001., ©1967
Berkeley, CA : Gingko Press, 2001., ©1967
Title:
The medium is the massage : an inventory of effects / Marshall McLuhan, Quentin Fiore ; produced by Jerome Agel.
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Holdings:
Description:
159 pages : illustrations ; 18 cm
The medium is the massage : an inventory of effects / Marshall McLuhan, Quentin Fiore ; produced by Jerome Agel.
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Holdings:
Description:
159 pages : illustrations ; 18 cm
Form:
books
books
Publication:
Berkeley, CA : Gingko Press, 2001., ©1967
Berkeley, CA : Gingko Press, 2001., ©1967
Subject:
- McLuhan, Marshall 1911-1980,
- Mass media History.,
- Technology and civilization.,
- Médias Histoire.,
- Technologie et civilisation.,
- 05.30 mass communication and mass media: general.,
- Mass media,
- Kommunikation,
- Medien,
- Massenmedien,
- Information,
- Wahrnehmung,
- Gesellschaft,
- Beeinflussung,
- Massamedia.,
- History
(See more)
Form:
books
books
Price:
$59.95
(available to order)
Summary:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
$59.95
(available to order)
Summary:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of(...)
Title:
The artist as producer : Russian Constructivism in revolution
Actions:
Price:
$59.95
(available to order)
Summary:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
The artist as producer : Russian Constructivism in revolution
Actions:
Price:
$59.95
(available to order)
Summary:
"The Artist as Producer" reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s - the Institute of Artistic Culture (INKhUK) in Moscow - Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form - the spatial construction - and of their subsequent shift to industrial production. "The Artist as Producer" upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. "The Artist as Producer" offers provocative new perspectives on three critical issues - formalism, functionalism, and failure - that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
Form:
books
books
Publication:
January 1900, Berkeley
January 1900, Berkeley
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Actions:
Price:
$82.50
(available to order)
Summary:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50(...)
$82.50
(available to order)
Summary:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50(...)
Title:
Shock of the old : Christopher Dresser's design revolution
Actions:
Price:
$82.50
(available to order)
Summary:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50 manufacturers to produce an enormous variety of reasonably priced, widely available consumer products. This book is published to accompany the first comprehensive exhibition devoted to his career.
Shock of the old : Christopher Dresser's design revolution
Actions:
Price:
$82.50
(available to order)
Summary:
Christopher Dresser (1834-1904) was the first industrial designer of the modern era. A true radical, he favored form over ornament, and his stylish, spare, and astonishingly modern designs contrast sharply with the highly ornate work of his Victorian contemporaries. Believing that good design could be popularized through industry, Dresser worked with more than 50 manufacturers to produce an enormous variety of reasonably priced, widely available consumer products. This book is published to accompany the first comprehensive exhibition devoted to his career.
Form:
books
books
Publication:
March 2004, New York
March 2004, New York
Subject:
Design Monographs
Design Monographs
