7178 Results
Form:
drawings
Quantity:
111 dessin(s) d'exécution
drawings
Quantity:
111 dessin(s) d'exécution
Reference number:
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
People:
Title:
dessins, Installation Lumière artificielle
Actions:
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
dessins, Installation Lumière artificielle
Actions:
ARCH262280
Description:
27 July, 2002 (10 dessins) 3 June, 2002 (10 dessins) 12 May, 2002 (Final) (9 dessins) 12 May, 2002 (Prelim) (8 dessins) 3 May, 2001 (Final (8 dessins 3 May, 2002 (prelim) (8 dessins) 30 April, 2002 (7 dessins) 29 April, 2002 (set 1) (9 dessins) 29 April, 2002 (set 2 (8 dessins) 29 April, 2002 (set 3 (6 dessins) 7 March, 2002 (Final) (6 dessins) 7 March, 2002 (prelim) (6 dessins) 5 March, 2002 (9 dessins) 18 February, 2002 (3 dessins) Misc dwgs (4 dessins)
Form:
drawings
Quantity:
111 dessin(s) d'exécution
drawings
Quantity:
111 dessin(s) d'exécution
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
People:
Date:
1948-1953
1948-1953
Title:
Grebbeberg National Army Memorial, Rhenen, Netherlands (1948-1953)
Actions:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Grebbeberg National Army Memorial, Rhenen, Netherlands (1948-1953)
Actions:
CI005.S1.1948.PR2
Description:
The Grebbeberg National Army Memorial was designed as a commemoration to the soldiers who lost their lives in the battle at Grebbeberg in 1940 during the Second World War. During the German occupation, the mayor of Rhenen Bosch van Rosenthal, organized a secret collection of bronze cents and used part of this collection to fund the memorial. The Grebbeberg National Army Memorial Foundation commissioned Oud for its design in 1947. The bronze coins were also melted down to create the bell for the monument that was completed by Dutch foundries in 1953. The war memorial project resulted in modification of the Grebbeberg cemetery and the design of a new monument. Oud designed a monument with a central cross flanked by two stone lions on an inscribed pedestal. At the other end of the memorial, segmented walls surrounded a raised amphitheatre for speeches and commemorations. The centre held the tower and the bronze bell. Modification of the cemetery began in 1949. Construction for the memorial started in 1952 and its official dedication was held in May 1953 (Taverne et al. 2001, 453-456). Project series includes plans and sections for the bell tower and monument.
Level of archival description:
project
project
Date:
1948-1953
1948-1953
People:
Level of archival description:
Project
Project
Reference number:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
People:
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Title:
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Level of archival description:
File 31
File 31
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
People:
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Title:
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Level of archival description:
series
series
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
People:
Level of archival description:
Series
Series
Title:
Publications
Publications
Actions:
Reference number:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
People:
Date:
1992-2018
1992-2018
Title:
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Publications
Actions:
AP207.S3
Description:
The series documents Pettena’s activities as a writer and a critic of contemporary architecture from 1973 to the end of the 2010s. The series documents only a few of the many articles, essays, monographs, and book chapters written by Pettena. The series contains materials for two of Pettena’s writings about Ettore Sottsass and Ettore Sottsass Jr’s work written at the end of the 1990s and early 2000s, and a monograph on steel structure in contemporary architecture. This predominantly consists of research materials, draft texts, and documents related to the image selection process for three publications: “Il linguaggio dell'acciaio" (1992), “Sottsass Associati 1980-1999 frammenti” (1999), and "Sottsass e Sottsass" (2001). The series also contains scans of two earlier books by Pettena: “L’anarchitetto” (1973) and “La citta' invisibile. Architettura sperimentale 1965/75” (1983), and of a later one “Vienna e dintorni. Abraham, Hollein, Peintner, Pettena, Pichler, Sottsass" (2013). The series also documents publications and articles written on Pettena’s work. This material mainly consists of scans of articles and pages from publications, as well as some texts. Finally, the series contains material related to the development of Pettena’s professional website, such as texts and image selection.
Level of archival description:
Series
Series
Date:
1992-2018
1992-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.2000.PR01
Description:
This project series documents additions and alterations to St. Andrew's College in Aurora, Ontario from 2000-2003. The office identified the project number as 2000-21. This project, headed by Marianne McKenna, consisted of the addition of a middle school wing onto an existing building, a parking lot and outdoor spaces and alterations to the existing college, originally constructed in 1926. These changes to the private boy's school were in response to a task force that identified deficiencies in the campus for a curriculum of the 21st century. While a new gymnasium was added to the middle school, the old gym in Dunlap Hall was converted into a three-storey art facility. The existing Ketchum Auditorium was also restored and renovated for the drama program.[1] The master plan study predating this project was completed under a different project number (see project series AP056.S1.1999.PR02 described in this fonds). This project is recorded through drawings dating from 1999-2001. The drawings are mostly originals and consist of sketches, presentation drawings, plans, elevations, sections, details and axonometric drawings. [1]"St. Andrew's College" KPMB. Accessed August 1, 2019. http://www.kpmb.com/project/st-andrews-college/
AP056.S1.2000.PR01
Description:
This project series documents additions and alterations to St. Andrew's College in Aurora, Ontario from 2000-2003. The office identified the project number as 2000-21. This project, headed by Marianne McKenna, consisted of the addition of a middle school wing onto an existing building, a parking lot and outdoor spaces and alterations to the existing college, originally constructed in 1926. These changes to the private boy's school were in response to a task force that identified deficiencies in the campus for a curriculum of the 21st century. While a new gymnasium was added to the middle school, the old gym in Dunlap Hall was converted into a three-storey art facility. The existing Ketchum Auditorium was also restored and renovated for the drama program.[1] The master plan study predating this project was completed under a different project number (see project series AP056.S1.1999.PR02 described in this fonds). This project is recorded through drawings dating from 1999-2001. The drawings are mostly originals and consist of sketches, presentation drawings, plans, elevations, sections, details and axonometric drawings. [1]"St. Andrew's College" KPMB. Accessed August 1, 2019. http://www.kpmb.com/project/st-andrews-college/
People:
Date:
1999-2001
1999-2001
Title:
St. Andrew's College, Aurora, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR01
Description:
This project series documents additions and alterations to St. Andrew's College in Aurora, Ontario from 2000-2003. The office identified the project number as 2000-21. This project, headed by Marianne McKenna, consisted of the addition of a middle school wing onto an existing building, a parking lot and outdoor spaces and alterations to the existing college, originally constructed in 1926. These changes to the private boy's school were in response to a task force that identified deficiencies in the campus for a curriculum of the 21st century. While a new gymnasium was added to the middle school, the old gym in Dunlap Hall was converted into a three-storey art facility. The existing Ketchum Auditorium was also restored and renovated for the drama program.[1] The master plan study predating this project was completed under a different project number (see project series AP056.S1.1999.PR02 described in this fonds). This project is recorded through drawings dating from 1999-2001. The drawings are mostly originals and consist of sketches, presentation drawings, plans, elevations, sections, details and axonometric drawings. [1]"St. Andrew's College" KPMB. Accessed August 1, 2019. http://www.kpmb.com/project/st-andrews-college/
St. Andrew's College, Aurora, Ontario (2000-2003)
Actions:
AP056.S1.2000.PR01
Description:
This project series documents additions and alterations to St. Andrew's College in Aurora, Ontario from 2000-2003. The office identified the project number as 2000-21. This project, headed by Marianne McKenna, consisted of the addition of a middle school wing onto an existing building, a parking lot and outdoor spaces and alterations to the existing college, originally constructed in 1926. These changes to the private boy's school were in response to a task force that identified deficiencies in the campus for a curriculum of the 21st century. While a new gymnasium was added to the middle school, the old gym in Dunlap Hall was converted into a three-storey art facility. The existing Ketchum Auditorium was also restored and renovated for the drama program.[1] The master plan study predating this project was completed under a different project number (see project series AP056.S1.1999.PR02 described in this fonds). This project is recorded through drawings dating from 1999-2001. The drawings are mostly originals and consist of sketches, presentation drawings, plans, elevations, sections, details and axonometric drawings. [1]"St. Andrew's College" KPMB. Accessed August 1, 2019. http://www.kpmb.com/project/st-andrews-college/
Level of archival description:
Project
Project
Date:
1999-2001
1999-2001
People:
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
People:
Date:
1956-2001
1956-2001
Title:
Photographs of various projects by Melvin Charney and reference photographs of artworks
Actions:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Photographs of various projects by Melvin Charney and reference photographs of artworks
Actions:
DR2012:0012:155:002
Description:
Binder containing duplicates slides of photographs and photographic artworks taken in the following locations: - Montreal, 1956, 1964, 1972, 1975 (5 slides); - Italy, 1960-1961 (3 slides); - Turkey, 1961 (2 slides and 4 negatives); - New York City, room 202, P.S. 1 1979 (1 slide); - Canadian prairies, 1985 (11 slides, 3 slides appear to be duplicates); - Tel Aviv, 1993 (57 slides, 38 slides appear to be duplicates); - Jerusalem, 1994 (31 slides, 24 slides appear to be duplicates); - Paris, 1994-1995 (buildings) and 1998-1999 (trees) (45 slides, 26 slides appear to be duplicates); - Brussels, 1994-1995 (34 slides, 27 slides appear to be duplicates); - Maine, 2000-2001 (3 slides, 2 slides appear to be duplicates); - Rome, 2000-2001 (17 slides, 13 slides appear to be duplicates). Projects: - Parc des Buttes Chaumont, Paris, 1988; - Variations, rue Beranger, Paris, 1996-1997; - Variations, rue Charlot, Paris, 1996-1997; - Origins of a white city... no. 2, 1994-1995; - Origins of a white city... no. 3, 1994-1995; - Monuments: Zachariah's tomb, Kidron Valley, Jerusalem, 1993; - Tel Aviv series ... the white city revisited, 1993; - Grain elevators, Wellington, south of Lethbridge, 1985; - Milk River, Alberta, 1985; - House and store, Milk River, Alberta, 1985. Ring binder labelled: PHOTOG DUP SLIDES / 1
Form:
photographs
photographs
Date:
1956-2001
1956-2001
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Peter Rose fonds
Peter Rose fonds
Actions:
Reference number:
AP046
Synopsis:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
AP046
Synopsis:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
People:
Date:
1983-1989
1983-1989
Title:
Peter Rose fonds
Actions:
AP046
Synopsis:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Peter Rose fonds
Actions:
AP046
Synopsis:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1983-1989
1983-1989
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Hejduk fonds
John Hejduk fonds
Reference number:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
People:
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
Title:
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1947-2000, predominant 1947-1996
1947-2000, predominant 1947-1996
People:
Level of archival description:
Project
Project
Title:
Un dictionnaire
Un dictionnaire
Actions:
Reference number:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
People:
Date:
1970-2001
1970-2001
Title:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Level of archival description:
Project
Project
Date:
1970-2001
1970-2001
People:
