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The German architect Konrad Wachsmann (1901–80) played a major role in the development of industrialized building production, notably through his collaboration with Walter Gropius on a "Packaged House System" for prefabricated homes that could be assembled in under nine hours (Wachsmann was also known for the summer house he designed for Albert Einstein). This catalog(...)
The art of joining: designing the universal connector. Bauhaus Taschenbuch 23
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The German architect Konrad Wachsmann (1901–80) played a major role in the development of industrialized building production, notably through his collaboration with Walter Gropius on a "Packaged House System" for prefabricated homes that could be assembled in under nine hours (Wachsmann was also known for the summer house he designed for Albert Einstein). This catalog collects research conducted at the Bauhaus in 2018 focusing on the decisive and historic importance of the universal wedge connector, one of Wachsmann’s key contributions that radically expanded the capacity for industrialized home production in its deceptively simple design, saving considerable time and cost. The collected texts by scientists and designers position the connector as "the cornerstone of an industrialized building system," and elaborately trace the historical contexts of postwar modernism and industrial design that led to the development of this decisive piece of technology.
Modernism
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Modern is the most comprehensive study of Modern Movement architecture in Britain ever published. Shortlisted for the RIBA Bookshops International Book Award of 2005, this critically acclaimed publication is now available in paperback for the first time. Encyclopedic in scope and structure, it covers the work of such renowned architects as Walter Gropius, Marcel Breuer,(...)
Modernism
July 2007, London, New York
Modern : The modern movement in Britain
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Modern is the most comprehensive study of Modern Movement architecture in Britain ever published. Shortlisted for the RIBA Bookshops International Book Award of 2005, this critically acclaimed publication is now available in paperback for the first time. Encyclopedic in scope and structure, it covers the work of such renowned architects as Walter Gropius, Marcel Breuer, Maxwell Fry, Ernö Goldfinger, Berthold Lubetkin and others who changed the vocabulary of architecture in Britain between the wars. Specially commissioned photographs document all the major surviving buildings, from private houses and apartment blocks to schools and factories.
Modernism
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned(...)
Visionary Architecture: Blueprints of the modern imagination
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned but not built. For the past six decades, architects have created an astonishing range of constructs and urban utopias that have influenced generations of practitioners. Architects such as Libeskind, Koolhaas, Eisenman, Hadid, and many others, whose works were once considered too experimental or controversial to construct, are creating cultural icons the world over. This definitive history of experimental architecture since 1945 provides a thematic overview of the most important and far-reaching work produced in the last sixty years; a survey of contemporary experimental practices, shown through case studies; and an illustrated glossary of ideas, movements, people, and terms. 450+ illustrations, 250 in color.
Modernism
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
Bauhau Dessau : architecture, design, concept
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
Modernism
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life.(...)
Modernism
June 2007, New York
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period. In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
Modernism
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Architect, designer, and architectural critic, George Nelson (1908�1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings(...)
Building a new europe : Portraits of modern architects
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Architect, designer, and architectural critic, George Nelson (1908�1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings together for the first time. The subjects of Nelson�s essays include figures both major (Mies van Der Rohe and Le Corbusier) and minor (Helweg-Moeller and Ivar Tengbom). All of these architects would soon be affected by World War II�they would be put out of work or seek new careers abroad. Nelson�s essays spark fascinating questions about the canon of modernism: how would circumstances in the pre-war years cause some architects to rise and others to fall? Accompanied by a comprehensive introduction and a wide selection of archival photographs, many never before published, this unique study is a significant contribution to the history of modern architecture. George Nelson served as the design director of Herman Miller from 1946 to 1972. His books include Chairs: 20th Century Landmarks in Design and Tomorrow�s House.
Modernism
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Depuis sa première édition en langue anglaise en 1980, "L'Architecture moderne : une histoire critique", est devenu un classique. L'ouvrage de Kenneth Frampton mêle en effet le ton pédagogique et accessible d'un enseignant invité dans les universités et écoles d'architecture et le point de vue d'un chercheur et critique profondément engagé dans les débats de son temps.(...)
L'architecture moderne : une histoire critique
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Depuis sa première édition en langue anglaise en 1980, "L'Architecture moderne : une histoire critique", est devenu un classique. L'ouvrage de Kenneth Frampton mêle en effet le ton pédagogique et accessible d'un enseignant invité dans les universités et écoles d'architecture et le point de vue d'un chercheur et critique profondément engagé dans les débats de son temps. L'auteur retrace les origines tant culturelles qu'urbaines et techniques de l'architecture moderne en remontant jusqu'au tout début du XIXe siècle. Il examine ensuite en des chapitres clairement délimités - où bâtiments et théories architecturales sont toujours éclairés par leur contexte social, politique, économique et technique - les principaux mouvements, développements nationaux ou périodes de création des grands concepteurs du XXe siècle. Enfin, en critique avisé de l'époque actuelle, il détecte et explique certains traits de l'architecture contemporaine, notamment à l'aide des concepts de " régionalisme critique " et de " pratique réflexive ". Son analyse de l'aspect plus particulièrement tectonique de certaines œuvres architecturales est à la fois originale et féconde. Une version française de la première édition de ce livre était parue en 1985, et introuvable depuis de nombreuses années. Le présent ouvrage, qui reprend la troisième et dernière édition anglaise, bénéficie d'une nouvelle traduction ainsi que d'une bibliographie revue et augmentée. Ses 377 illustrations viennent appuyer avec précision le propos de l'auteur.
Modernism
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This(...)
Albers and Moholy-Nagy : from the Bauhaus to the new world
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. This book presents four decades of works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design. With contributions by Hal Forster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, and Michael White.
Modernism
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this(...)
Modernism
May 2006, München / Berlin / London / New York
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this book. Engels' photographs show many buildings in their newly restored conditions and reflect the full range of Bauhaus architecture, one of the most influential schools of architecture in the twentieth century.
Modernism
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L'auteur aborde à la fois les dimensions pratiques, esthétiques et sociales de l'architecture, tout en en privilégiant les aspects formels et symboliques. Pour cette troisième édition - la première à paraître en français -, le texte a été entièrement révisé et enrichi, en tenant compte des nouvelles connaissances et en reconsidérant l'architecture moderne dans sa variété(...)
L'architecture moderne depuis 1900
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L'auteur aborde à la fois les dimensions pratiques, esthétiques et sociales de l'architecture, tout en en privilégiant les aspects formels et symboliques. Pour cette troisième édition - la première à paraître en français -, le texte a été entièrement révisé et enrichi, en tenant compte des nouvelles connaissances et en reconsidérant l'architecture moderne dans sa variété et sa complexité. Sept chapitres ont été ajoutés, dont trois, à la fin de l'ouvrage, concernent l'évolution mondiale récente. La bibliographie et les notes ont également été augmentées et actualisées.
Modernism