33366 Results
Form:
drawings, textual records
drawings, textual records
Reference number:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
People:
Date:
1919-1920
1919-1920
Title:
Material from Bruno Taut mostly for Die gläserne Kette
Actions:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
Material from Bruno Taut mostly for Die gläserne Kette
Actions:
DR1988:0023:001-017
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. This group includes both text and drawings from Die gläserne Kette, as well as other correspondence. Texts are mostly reprographic copies of letters, with a few typescripts and manuscripts. The documents were accessioned as received in a grey folder inscribed with Taut's name and pseudonum and including a smaller paper folder inscribed "Not published."
Form:
drawings, textual records
drawings, textual records
Date:
1919-1920
1919-1920
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
People:
Date:
1960s
1960s
Title:
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Photographs of buildings and sculptures in Chandigarh, India
Actions:
ARCH280828
Description:
Group consists of photographs of various buildings and sculptures in Chandigarh, India. There is a photograph of an unidentified commercial building, a photograph of the cinema in sector 17 (designed by Pierre Jeanneret), a photograph of the Central State Library in sector 17 (designed by Pierre Jeanneret) and a photograph of the new Architects' Office in sector 9 (designed by Jeet Malhotra). There are also two photographs of the Modulor Man sculpture and photographs of an unidentified concrete sculpture in sector 10.
Form:
photographs
photographs
Date:
1960s
1960s
People:
Form:
textual records
textual records
Reference number:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
People:
Date:
circa 1962-2016
circa 1962-2016
Title:
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Kenneth Frampton writings (SI-V) and notebooks
Actions:
AP197.S1.SS9.019
Description:
The box contains drafts, articles, correspondence, interviews, keynote addresses, lectures, and notes by Kenneth Frampton. The materials are organized in alphabetical order, from SI-V. The largest portion of the box consists of drafts, articles, correspondence and notes on Alvaro Siza, James Stirling and Jorn Utzon. Other subjects and architects explored include: reflections on postmodernism and architecture; Manuel de Solà; Alejandro de la Sota; Southeast Asia; the status of man and his objects; MacKay-Lyons Sweetapple; Rimo Tami; technology; Giordino Tironi; Tyrolean regionalism; O.M. Ungers; and Georges Vantongerloo.
Form:
textual records
textual records
Date:
circa 1962-2016
circa 1962-2016
People:
Form:
events
events
Title:
Learning from... Beirut
Learning from... Beirut
Actions:
Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 March 2010 , 7pm
11 March 2010 , 7pm
Title:
Learning from... Beirut
Actions:
Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Learning from... Beirut
Actions:
Description:
Hashim Sarkis, Aga Khan Professor at Harvard University and Director of the Aga Khan Program at the Harvard Graduate School of Design (GSD), proposes an alternative reading of urban issues in Beirut that considers elements beyond the city’s post-war reconstruction and identity politics. Through a series of specific architectural and urban analyses, the lecture proposes(...)
Form:
events
events
Date:
11 March 2010
7pm
11 March 2010
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
research
research
Title:
Visiting Scholars 2009
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Date:
23 March 2009 to 30 October 2009
23 March 2009 to 30 October 2009
Title:
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Visiting Scholars 2009
Actions:
Description:
Esra Akcan, University of Illinois, Chicago, United States Topic: Modernity in Translation: Geopolitical Interactions in Residential Culture Christopher Drew Armstrong, University of Pittsburgh, Pittsburgh, United States Topic: Julien-David LeRoy and the Making of Architectural History Christina Cogdell, College of Santa Fe, Gainesville, United States Topic: Emergent(...)
Form:
research
research
Date:
23 March 2009 to
30 October 2009
23 March 2009 to
30 October 2009
Form:
exhibitions
exhibitions
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 September 2018 to 19 May 2019
21 September 2018 to 19 May 2019
Title:
Scripts for a new world
Actions:
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Scripts for a new world
Actions:
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Form:
exhibitions
exhibitions
Date:
21 September 2018 to
19 May 2019
21 September 2018 to
19 May 2019
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Location:
Main galleries
Main galleries
Date:
18 March 1998 to 24 May 1998
18 March 1998 to 24 May 1998
Title:
Montréal Métropole, 1880–1930
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Montréal Métropole, 1880–1930
Actions:
Description:
This exhibition looks at the transformation of Montréal from a nineteenth century merchant city to the metropolis of Canada. It examines the elements that made Montréal a political, social, and economic centre and explores the unique character of its architecture. The exhibition brings together some 350 objects, including drawings from the CCA collection by Montréal(...)
Form:
exhibitions
exhibitions
Date:
18 March 1998 to
24 May 1998
18 March 1998 to
24 May 1998
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
People:
Date:
1926
1926
Title:
Competition Design Rotterdam Exchange (New Stock Exchange), Rotterdam, Netherlands (1926)
Actions:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Competition Design Rotterdam Exchange (New Stock Exchange), Rotterdam, Netherlands (1926)
Actions:
CI005.S1.1926.PR1
Description:
In 1925 committee members from trade, shipping and commerce, in partnership with Rotterdam city council, initiated the competition for the design of a new stock exchange building. The jury consisted of three architects, as well as two members of the Exchange committee. Oud's submission to the Rotterdam Exchange competition included designs for the new building and surrounding urban area, although his entry was unsuccessful. Oud created a functional and non-symbolic design based on a three-dimensional grid (Taverne et al. 2001, 350-354). Project series includes drawings of plans for the exchange as well as photographs of the drawings.
Level of archival description:
project
project
Date:
1926
1926
People:
Level of archival description:
Series
Series
Actions:
Reference number:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
People:
Date:
1954-2004
1954-2004
Title:
Senneville Barn Dome, Senneville, Québec
Actions:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
Senneville Barn Dome, Senneville, Québec
Actions:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
Level of archival description:
Série
Série
Date:
1954-2004
1954-2004
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
People:
Date:
1988-2005
1988-2005
Title:
Hans Hollein. Opere 1960-1988 (1988)
Actions:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Hans Hollein. Opere 1960-1988 (1988)
Actions:
AP207.S2.SS06
Description:
The sub-series documents the exhibition "Hans Hollein. Opere 1960-1988", curated by Pettena and presented at the Accademia delle Arti del Disegno in Florence, in 1988. The exhibition consisted of an anthological exhibition on Austrian architect Hans Hollein's work, such as his architectural and design projects but also his more experimental work. The sub-series contains research material on Hans Hollein and his projects, such as articles and photocopies of publications. It also contains correspondence and image selections for the exhibition publication, two video recordings of a discussion between Hollein and Pettena, and a transcript of an interview by Pettena with Hans Hollein.
Level of archival description:
Subseries
Subseries
Date:
1988-2005
1988-2005
People:
