Lewis Baltz: common objects
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'Common Objects' revisits Lewis Baltz's most remarkable series from The Prototype Works (1967-1976) to Ronde de Nuit (1992-1995), and interrogates for the first time the influence of European cinema (Antonioni, Godard, Hitchcock) on his work. Baltz's seminal series The Prototype Works, The Tract Houses (1969-1971), Candlestick Point (1987-1989), Sites of Technology(...)
Lewis Baltz: common objects
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'Common Objects' revisits Lewis Baltz's most remarkable series from The Prototype Works (1967-1976) to Ronde de Nuit (1992-1995), and interrogates for the first time the influence of European cinema (Antonioni, Godard, Hitchcock) on his work. Baltz's seminal series The Prototype Works, The Tract Houses (1969-1971), Candlestick Point (1987-1989), Sites of Technology (1989-1991) and Ronde de Nuit are presented in dialogue with stills from several films: Alfred Hitchcock's Saboteur and Psycho, Michelangelo Antonioni's Zabriskie Point, La Notte and Red Desert and Jean-Luc Godard's Les Carabiniers.
Photography monographs
books
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In The Aesthetics of Disappearance, Paul Virilio traces out the relationship of biological optics to the technological ''production of appearance.'' In the perceptual gaps demanding illusions of continuity, Virilio posits a hyper-opportunity for the production of art in speed. Jumping from Old Testament parable to the history of contemporary cinema, to the history of(...)
The aesthetics of disappearance
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In The Aesthetics of Disappearance, Paul Virilio traces out the relationship of biological optics to the technological ''production of appearance.'' In the perceptual gaps demanding illusions of continuity, Virilio posits a hyper-opportunity for the production of art in speed. Jumping from Old Testament parable to the history of contemporary cinema, to the history of philosophy and contemporary technology, Virilio teleports among an irregular constellation of high-speed artifice where love is a motion faster than light and the paradoxes of empiricism mire science in ''motion without mobility.''
books
May 2009
Critical Theory
Idea 320 Medium-Specific
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IDEA NO. 320 : Medium-Specific Special feature: Medium-Specific - things and thoughts on printed matter Nobuhiro Yamaguchi, Kazuya Kondo, Daishiro Mori, Hideki Nakajima / Nouvelle Vague 'Bande a part' Artwork Revisited Dylan Kendle & Julie Verhoeven / Designers and the political - An interview with Daniel van der Velden / "Zine Library" No.12 gallery and Nieves Books(...)
Idea 320 Medium-Specific
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IDEA NO. 320 : Medium-Specific Special feature: Medium-Specific - things and thoughts on printed matter Nobuhiro Yamaguchi, Kazuya Kondo, Daishiro Mori, Hideki Nakajima / Nouvelle Vague 'Bande a part' Artwork Revisited Dylan Kendle & Julie Verhoeven / Designers and the political - An interview with Daniel van der Velden / "Zine Library" No.12 gallery and Nieves Books presents: Taro Hirano and Benjamin Sommerhalder / design mannerism vol.7 "Typus Typographicum" Text by Hiroshi Takayama / On Hand Lettering vol.5 Chapter II "Fascination of letters - hand lettering for cinema advertising " Part 2 Koga Hirano, Naomichi Kawahata and Osamu Torinoumi
Graphic Design and Typography
KesselsKramer: A new kilo
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A new kilo collects five years of work from communications agency KesselsKramer. It is the slightly lighter follow-up to 2 kilo, which showed the work of the company’s first ten years. This book picks up where its predecessor left off, with the last five years worth of KesselsKramer’s existence detailed down to every last flyer, sticker and T-shirt. Also featured are(...)
KesselsKramer: A new kilo
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A new kilo collects five years of work from communications agency KesselsKramer. It is the slightly lighter follow-up to 2 kilo, which showed the work of the company’s first ten years. This book picks up where its predecessor left off, with the last five years worth of KesselsKramer’s existence detailed down to every last flyer, sticker and T-shirt. Also featured are mammoth TV and cinema commercials, advertisements that look less like ads and more like short films, and a bunch of websites, designs and assorted category-defying oddities.
Graphic Designers, Monographs
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In this collection of 100 manifestos from the last 100 years, Alex Danchev presents the contradictory and echoing spirits of such diverse movements as Vorticism, Feminism, Dogme, Surrealism, Communism and Cannibalism, taking in along the way cinema, architecture, fashion and cookery. Written by a wide range of artists including Wassily Kandinsky, Wyndham Lewis,(...)
100 Artists' Manifestos: from the Futurists to the Stuckists
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In this collection of 100 manifestos from the last 100 years, Alex Danchev presents the contradictory and echoing spirits of such diverse movements as Vorticism, Feminism, Dogme, Surrealism, Communism and Cannibalism, taking in along the way cinema, architecture, fashion and cookery. Written by a wide range of artists including Wassily Kandinsky, Wyndham Lewis, Claes Oldenburg, Derek Jarman, Gilbert and George, Rem Koolhaas, Werner Herzog, Takashi Murakami and Billy Childish, the revolutionary spirit is clear in each manifesto, as they promote and critique every aspect of Art from fun and fearlessness to violence and freedom.
Art Theory
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This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and(...)
Audiovisuology compendium: see this sound
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This publication brings together texts on the various art forms that have combined sound and image. The full spectrum of audiovisual art and phenomena is addressed in 35 dictionary entries, and in-depth essays treat overarching aesthetic issues, while individual works--including projects by John Cage and Chicks on Speed--are represented in audiovisual documentation and scientific comment. The list of definitions and terms elucidated by various prominent authors includes gesamtkunstwerk, music theatre, animation film, light shows, music videos, sound art, expanded cinema, text-image analogies, synchronization, electronic transformation and software.
Acoustics
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Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They(...)
Speculative everything : design, fiction, and social dreaming
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Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology.
Design Theory
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links(...)
Urban Theory
March 2003, London / New York
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links the suppression of the creative, liberal Weimar Berlin in the 1931 film "Berlin Alexanderplatz" to the rise of the Nazi regime and the end of one of the great eras of modernist experimentation in German visual culture; Jessie Labov considers Kieslowski’s treatment of the Warsaw housing blok in "Dekalog" in terms of Solidarity’s strategy of resisting totalitarianism in 1980's Poland; Allan Siegel examines the motif of the city in a broad range of American and international cinema to demonstrate how film and society since the 1960's have been driven by the fading of mass political radicalism and the triumph of privatization and capital; Paula Massood uses the socially illuminating theories of Mikhail Bakhtin to examine the representation of the ghetto and urban underclass in recent African-American films such as "Menace II Society"; and Matthew Gandy examines the focus on disease in Todd Haynes’s "[Safe]" as a metaphor for social and spatial breakdown in contemporary Los Angeles.
Urban Theory
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
Contemporary Art Monographs
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Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of Lucha Libre the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's(...)
Lucha Libre: masked superstars of Mexican wrestling
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Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of Lucha Libre the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's penentrating study of Mexican professional wrestling culture features more than 500 photographs of luchadores like Blue Demon, Santo, The Witch, Adorable Rub', El Solitario and Hurricane Ramirez, as well as pictures of their families, friends and fans--onstage, backstage and even at home.
Fashion Design