29336 Results
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
People:
Date:
circa 1968-2015
circa 1968-2015
Title:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Level of archival description:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
People:
Date:
circa 1999
circa 1999
Title:
Sottsass Associati 1980-1999 frammenti (1999)
Actions:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
Sottsass Associati 1980-1999 frammenti (1999)
Actions:
AP207.S3.SS04
Description:
The sub-series documents the two chapters "Area di progetto" and "Dai radicali a Memphis" written by Pettena for the publication "Sottsass Associati 1980-1999 frammenti" published by Rizzoli in 1999. The book focuses on the work of Ettore Sottsass' design consultant studio Sottsass Associati from 1980 to 1999. The publication accompanied an exhibition of the same name. The sub-series contains reference material on Ettore Sottsass Associatti, draft texts for Pettena's chapters, promotional material for the exhibition, and photographs of the exhibition.
Level of archival description:
Subseries
Subseries
Date:
circa 1999
circa 1999
People:
Level of archival description:
Sub-series
Sub-series
Title:
Richard Meier (1981)
Richard Meier (1981)
Reference number:
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
People:
Date:
circa 1981
circa 1981
Title:
Richard Meier (1981)
Actions:
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
Richard Meier (1981)
Actions:
AP207.S2.SS03
Description:
The sub-series documents the exhibition "Richard Meier", curated by Pettena and presented at the Accademia delle Arte del Disegno, in Florence, in 1981. The exhibition presented the work of American contemporary architect and artist Richard Meier. The sub-series contains research material on Richard Meier, such as articles and photocopies of publications. It also contains materials related to the production of the exhibition catalogue, including descriptions of architectural projects by Richard Meier selected for the catalogue, photographs of Meier projects and reproductions of the plans for selection.
Level of archival description:
Subseries
Subseries
Date:
circa 1981
circa 1981
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.1999.PR11
Description:
This project series documents the exhibition stand "Horm" at the Fiera del Mobile in Milan, Italy. While the records were held in the office’s archives this work was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the dates 1999-2000 for this exhibition work. This project consisted of a stand for the furniture design brand Horm at the Fiera del Mobile (furniture fair). The materials document the built stand through a small number of photographs.
AP178.S1.1999.PR11
Description:
This project series documents the exhibition stand "Horm" at the Fiera del Mobile in Milan, Italy. While the records were held in the office’s archives this work was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the dates 1999-2000 for this exhibition work. This project consisted of a stand for the furniture design brand Horm at the Fiera del Mobile (furniture fair). The materials document the built stand through a small number of photographs.
People:
Date:
circa 2000
circa 2000
Title:
Stand "Horm" Fiera del Mobile ["Horm" stand for Fiera del Mobile], Milano (1999-2000)
Actions:
AP178.S1.1999.PR11
Description:
This project series documents the exhibition stand "Horm" at the Fiera del Mobile in Milan, Italy. While the records were held in the office’s archives this work was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the dates 1999-2000 for this exhibition work. This project consisted of a stand for the furniture design brand Horm at the Fiera del Mobile (furniture fair). The materials document the built stand through a small number of photographs.
Stand "Horm" Fiera del Mobile ["Horm" stand for Fiera del Mobile], Milano (1999-2000)
Actions:
AP178.S1.1999.PR11
Description:
This project series documents the exhibition stand "Horm" at the Fiera del Mobile in Milan, Italy. While the records were held in the office’s archives this work was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the dates 1999-2000 for this exhibition work. This project consisted of a stand for the furniture design brand Horm at the Fiera del Mobile (furniture fair). The materials document the built stand through a small number of photographs.
Level of archival description:
Project
Project
Date:
circa 2000
circa 2000
People:
Level of archival description:
Sub-series
Sub-series
Title:
Printed materials
Printed materials
Reference number:
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
People:
Date:
1951-1966
1951-1966
Title:
Printed materials
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
Printed materials
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
Level of archival description:
file(s)
file(s)
Date:
1951-1966
1951-1966
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
People:
Date:
1953-1962
1953-1962
Title:
Goldsmith - Ferris Portfolios
Actions:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Goldsmith - Ferris Portfolios
Actions:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Level of archival description:
File 1
File 1
Date:
1953-1962
1953-1962
People:
Form:
articles
articles
Issue:
Ideas of living
Ideas of living
Level of archival description:
Sub-series
Sub-series
Title:
Correspondence
Correspondence
Actions:
Reference number:
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
People:
Date:
1967-1995
1967-1995
Title:
Correspondence
Actions:
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
Correspondence
Actions:
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
Level of archival description:
File 5
File 5
Date:
1967-1995
1967-1995
People:
Level of archival description:
Project
Project
Reference number:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
People:
Subject:
exhibition design
exhibition design
Date:
1971-1972
1971-1972
Title:
United States One (1971-1972)
Actions:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
United States One (1971-1972)
Actions:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
Level of archival description:
File 54
File 54
Date:
1971-1972
1971-1972
People:
Subject:
exhibition design
exhibition design
Level of archival description:
Series
Series
Title:
Research
Research
Actions:
Reference number:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
People:
Date:
1929-1993
1929-1993
Title:
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Level of archival description:
Series
Series
Date:
1929-1993
1929-1993
People:
