Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links(...)
Urban Theory
March 2003, London / New York
Screening the city
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In this provocative collection of essays, films as diverse as "The Man with a Movie Camera", "Annie Hall", "Street of Crocodiles", "Boyz N the Hood", "Three Colors Red", and "Crash" are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early twentieth century. Peter Jelavich, for example, links the suppression of the creative, liberal Weimar Berlin in the 1931 film "Berlin Alexanderplatz" to the rise of the Nazi regime and the end of one of the great eras of modernist experimentation in German visual culture; Jessie Labov considers Kieslowski’s treatment of the Warsaw housing blok in "Dekalog" in terms of Solidarity’s strategy of resisting totalitarianism in 1980's Poland; Allan Siegel examines the motif of the city in a broad range of American and international cinema to demonstrate how film and society since the 1960's have been driven by the fading of mass political radicalism and the triumph of privatization and capital; Paula Massood uses the socially illuminating theories of Mikhail Bakhtin to examine the representation of the ghetto and urban underclass in recent African-American films such as "Menace II Society"; and Matthew Gandy examines the focus on disease in Todd Haynes’s "[Safe]" as a metaphor for social and spatial breakdown in contemporary Los Angeles.
Urban Theory
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work(...)
Phllip Metten: Five works
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Combining a genuine interest in contemporary and historical architecture with a desire to make sculpture functional, these five projects form a distinct body of work within Philip Metten’s practice: ‘Bar’ (2013), ‘153. Stanton’ (2015), ‘The Corner Show’ (2015), ‘Cinema’ (2017), and ‘Essen’ (2016–2021). Wouter Davidts’s analysis of ‘Untitled’ (2014) sets the tone, a work that seems to anticipate the complex interplay between drawing, sculpture, and architecture apparent in Metten’s other projects, where he gives spaces with a distinct social programme and scale a sculptural transformation. With photos by Jan Kempenaers and drawings by Kris Kimpe and Samyra Moumouh.
Contemporary Art Monographs
Italy of the Cities
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A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's(...)
Italy of the Cities
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A veritable film on paper, this catalog has been designed to re-create this innovative installation. At the Shanghai World Expo 2010, 30 000 visitors walked through an experiment in ‘architectural cinema’ that magically transported the audience to countless Italian towns in only a few minutes. This catalog has been designed to recreate in its pages the installation's composite structure. The reader is encouraged to take part in this pleasure trip along the book's pages, amongst signs and colours, words and images, yielding in to curiosity and a visual feast as well as to a refined narration.
Contemporary Art Monographs
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be(...)
Archphoto 2.0 00: 1861-2011
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archphoto 2.0 is a print magazine spawned by the now well-established Archphoto.it, a digital webzine started in 2002 as a critical review of architecture and design issues in connection with visual arts- and social sciences-related disciplines. This new venture aims at consolidating the critical thought expressed on the web by Archphoto, that will go on and will be complemented by the print magazine’s new contributions. A debate on the theoretical discussion of the issues related to architecture and society seen from the multiple points of view of the disciplines that complement architecture: contemporary art, anthropology, sociology, photography, cinema, literature, music, design.
Magazines
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One of the first built projects of Eduardo Souto Moura, Casa das Artes was designed in the early 1980s and completed construction in 1991. The building is located in the gardens of a neoclassical mansion in Porto, dating from the beginning of the 20th century. The competition programme proposed a cinema, auditorium, an exhibition gallery, and required that the(...)
Eduardo Souto Moura: Casa das Artes
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One of the first built projects of Eduardo Souto Moura, Casa das Artes was designed in the early 1980s and completed construction in 1991. The building is located in the gardens of a neoclassical mansion in Porto, dating from the beginning of the 20th century. The competition programme proposed a cinema, auditorium, an exhibition gallery, and required that the surroundings be preserved as they were. According to the architect, ''Work was not allowed to interfere with the garden. Omitting was more important than proposing, deleting was more important than designing, and simplicity more important than composition'' This monograph reflects his very minimalistic approach.
Architecture Monographs
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In this special issue, famed Dutch architects Winy Maas, Jacob van Rijs and Nathalie de Vries, collectively known as MVRDV, take centre stage. Based in Rotterdam, the office has had its fingers on the pulse of global solutions to contemporary issues in architecture and urbanism for two decades and counting. Featuring detailed profiles of more than 20 top projects,(...)
El Croquis 173: MVRDV (2003-2014)
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In this special issue, famed Dutch architects Winy Maas, Jacob van Rijs and Nathalie de Vries, collectively known as MVRDV, take centre stage. Based in Rotterdam, the office has had its fingers on the pulse of global solutions to contemporary issues in architecture and urbanism for two decades and counting. Featuring detailed profiles of more than 20 top projects, including Copenhagen’s Gemini Residences, Busan Cinema Complex, Gangnam Shopping Centre, the new Market Hall in Rotterdam and Parkrand Apartments in Amsterdam, plus an essay by Aaron Betsky and a conversation with MVRDV and Charles Bessard and Nanne de Ru of Powerhouse Company.
El Croquis
Alexandra Leykauf
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Alexandra Leykauf studied audio-visual media and photography, and is based in Berlin. In her work, she appropriates the gender-oriented or feminine cultural gaze via the medium of photography, playing with varying degrees of appropriation in order to reveal the superficiality of images. Leykauf often deconstructs various features of photography and cinema, thereby(...)
Alexandra Leykauf
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Alexandra Leykauf studied audio-visual media and photography, and is based in Berlin. In her work, she appropriates the gender-oriented or feminine cultural gaze via the medium of photography, playing with varying degrees of appropriation in order to reveal the superficiality of images. Leykauf often deconstructs various features of photography and cinema, thereby revealing the complexity inherent to the construction of images. This substantial artist’s book presents numerous of these appropriations and deconstructions, along with critical texts by Dominikus Müller, Jonathan Pouthier, Robert Barry, and Maria Barnas. A conversation with Leykauf completes this in-depth analysis.
Photography monographs
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Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of Lucha Libre the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's(...)
Lucha Libre: masked superstars of Mexican wrestling
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Take one part Mexi-Monster cinema, one part Teenage Mutant Ninja Turtles, throw in a little Zoro, the WWF and the knit-costume-wearing performance art collective Forcefield, and you come up with the raw, vivid, and psychologically unhinged world of Lucha Libre the sports-entertainment phenomenon that first swept Mexico and now the world. Photographer Lourdes Grobet's penentrating study of Mexican professional wrestling culture features more than 500 photographs of luchadores like Blue Demon, Santo, The Witch, Adorable Rub', El Solitario and Hurricane Ramirez, as well as pictures of their families, friends and fans--onstage, backstage and even at home.
Fashion Design
Hollis Frampton (nostalgia)
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Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new(...)
Hollis Frampton (nostalgia)
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Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history—when (nostalgia) confirmed both the essence and fragility of cinema itself. Rachel Moore is Lecturer in International Media for the Media and Communications Department at Goldsmiths, University of London.
Art Theory
Bollywood posters
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On the streets of the vibrant and anarchic city of Mumbai, the film poster is a familiar splash of colour. It is an invitation to the pleasures of Bollywood, the world's largest film industry. This most democratic of art forms meets one of the world's most exciting cinema industries and the result is an explosion of colour, form and typography. Bollywood's film posters(...)
April 2008, London, New York
Bollywood posters
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On the streets of the vibrant and anarchic city of Mumbai, the film poster is a familiar splash of colour. It is an invitation to the pleasures of Bollywood, the world's largest film industry. This most democratic of art forms meets one of the world's most exciting cinema industries and the result is an explosion of colour, form and typography. Bollywood's film posters have had a long and glorious history that is only now being recognized and noted, and is brilliantly celebrated here in this lavish volume. "Bollywood Posters" is a must-have for film buffs, graphic designers and art-lovers.