4501 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1947-2006
1947-2006
Title:
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1947-2006
1947-2006
People:
Form:
photographs
photographs
Title:
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
Reference number:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
People:
Subject:
architecture, engineering
architecture, engineering
Date:
ca. 1864-1869
ca. 1864-1869
Title:
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Various views of ports, bridges, castles, churches and villages in Brittany and Vendée, France
Actions:
PH1980:0987.01:001-028
Description:
Album containing several views of ports, monuments and villages of Brittany, France: Saint-Nazaire; transatlantic boats from the Ligne des Antilles; the Scala Sancta of Ste-Anne; the chapel of Ste-Anne d'Auray; Vannes; Belle-Isle; the Champ des Martyrs; Auray; the church tower of Hennebont; Port de Lorient; Quimperlé (ville haute et ville basse); Quimper; Chateaulin and Port-Launay. Also, two photographs in Vendée, France: Chateau de Clisson and Chateau de la Jumellière (Cte de Maillé).
Form:
photographs
photographs
Date:
ca. 1864-1869
ca. 1864-1869
People:
Subject:
architecture, engineering
architecture, engineering
Form:
exhibitions
exhibitions
Title:
Cedric Price: Mean Time
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 October 1999 to 27 February 2000
19 October 1999 to 27 February 2000
Title:
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Cedric Price: Mean Time
Actions:
Description:
British architect Cedric Price draws upon the collection of the CCA to develop the complex relationships between time, movement, and space in the built environment. Looking at structures and building elements through the ages, including some of Price’s own projects, Mean Time presents photographs of an ancient Aztec sun dial, a railroad switching yard, a shot tower, and a(...)
Form:
exhibitions
exhibitions
Date:
19 October 1999 to
27 February 2000
19 October 1999 to
27 February 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP192
Synopsis:
The Morphosis Hypo Alpe-Adria Center project records, 1996 – 2016, consist of over 14,000 born-digital files that document the design and construction of the Austrian Hypo Alpe-Adria Bank group’s headquarters in Klagenfurt, Austria. Series 1, Competition and design, includes files showing early conceptualization of the project through the final design documentation. Series 2, Construction documentation, largely contains drawings and photographs which demonstrate the progress of the project in the built environment over time. Formats chiefly include CAD files (PowerCAD, PowerDraw, Microstation, DXF, AutoCAD, PLT), 3D models (Form*Z, STL), images, and text.
AP192
Synopsis:
The Morphosis Hypo Alpe-Adria Center project records, 1996 – 2016, consist of over 14,000 born-digital files that document the design and construction of the Austrian Hypo Alpe-Adria Bank group’s headquarters in Klagenfurt, Austria. Series 1, Competition and design, includes files showing early conceptualization of the project through the final design documentation. Series 2, Construction documentation, largely contains drawings and photographs which demonstrate the progress of the project in the built environment over time. Formats chiefly include CAD files (PowerCAD, PowerDraw, Microstation, DXF, AutoCAD, PLT), 3D models (Form*Z, STL), images, and text.
People:
Date:
1996 - 2016
1996 - 2016
Title:
Morphosis Hypo Alpe-Adria Center project records
Actions:
AP192
Synopsis:
The Morphosis Hypo Alpe-Adria Center project records, 1996 – 2016, consist of over 14,000 born-digital files that document the design and construction of the Austrian Hypo Alpe-Adria Bank group’s headquarters in Klagenfurt, Austria. Series 1, Competition and design, includes files showing early conceptualization of the project through the final design documentation. Series 2, Construction documentation, largely contains drawings and photographs which demonstrate the progress of the project in the built environment over time. Formats chiefly include CAD files (PowerCAD, PowerDraw, Microstation, DXF, AutoCAD, PLT), 3D models (Form*Z, STL), images, and text.
Morphosis Hypo Alpe-Adria Center project records
Actions:
AP192
Synopsis:
The Morphosis Hypo Alpe-Adria Center project records, 1996 – 2016, consist of over 14,000 born-digital files that document the design and construction of the Austrian Hypo Alpe-Adria Bank group’s headquarters in Klagenfurt, Austria. Series 1, Competition and design, includes files showing early conceptualization of the project through the final design documentation. Series 2, Construction documentation, largely contains drawings and photographs which demonstrate the progress of the project in the built environment over time. Formats chiefly include CAD files (PowerCAD, PowerDraw, Microstation, DXF, AutoCAD, PLT), 3D models (Form*Z, STL), images, and text.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1996 - 2016
1996 - 2016
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
People:
Date:
1996-2002
1996-2002
Title:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Level of archival description:
Project
Project
Date:
1996-2002
1996-2002
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
People:
Date:
1995-1996
1995-1996
Title:
Alliance Communications, Toronto (1995-1996)
Actions:
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
Alliance Communications, Toronto (1995-1996)
Actions:
AP056.S1.1995.PR10
Description:
This project series documents new offices for entertainment company Alliance Communications in Toronto from 1995-1996. The office identified the project number as 9514. This project began with an investigation into the feasibility of renovating an existing six-storey building located at 1155 Yonge Street. The site was eventually changed to 121 Bloor Street East, where three consecutive floors of the existing high-rise were renovated for the new offices. The 16th floor contained executive offices with reception at the 15th floor and the major production department below that on the 14th. The office interiors consisted of wood veneer paneling, steel and stone. These materials, along with rubber flooring and glass panels added to the loft style of the open office space.[1] At the ground-level of the office tower, a screening room, restaurant and patio were proposed, although it is unclear if these renovations were ever completed. The project is recorded through drawings and some accompanying notes dating from 1995-1996. There are a large number of drawings for the proposed offices on Yonge Street, which include sketches, plans, elevations, sections and perspectives. These drawings are arranged before the Bloor Street materials are distinguished in the file-level descriptions. The Bloor Street office drawings include sketches, plans, elevations, sections, perspectives, details and furnishings. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 116-119.
Level of archival description:
Project
Project
Date:
1995-1996
1995-1996
People:
Form:
photographs
Quantity:
10 photograph(s)
photographs
Quantity:
10 photograph(s)
Title:
Photographs of Chandigarh
Photographs of Chandigarh
Actions:
Reference number:
ARCH269673
Description:
Group consists of photographs of Chandigarh, India, including: - Bas-relief of a tree in concrete - Bas-relief of the "Modulor Man" in concrete - The Assembly tower in construction in the Capitol Complex - Detail of the Assembly cornice (2 photographs) - Workers in a scaffolding - Women carrying a basket in their hands - The administration building at the Panjab University in sector 14 - Children and a baby sleeping in a basket - Le Corbusier, Pierre Jeanneret and Parmeshwari Lal Varma discussing in front of the Chandigarh general layout model
ARCH269673
Description:
Group consists of photographs of Chandigarh, India, including: - Bas-relief of a tree in concrete - Bas-relief of the "Modulor Man" in concrete - The Assembly tower in construction in the Capitol Complex - Detail of the Assembly cornice (2 photographs) - Workers in a scaffolding - Women carrying a basket in their hands - The administration building at the Panjab University in sector 14 - Children and a baby sleeping in a basket - Le Corbusier, Pierre Jeanneret and Parmeshwari Lal Varma discussing in front of the Chandigarh general layout model
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Photographs of Chandigarh
Actions:
ARCH269673
Description:
Group consists of photographs of Chandigarh, India, including: - Bas-relief of a tree in concrete - Bas-relief of the "Modulor Man" in concrete - The Assembly tower in construction in the Capitol Complex - Detail of the Assembly cornice (2 photographs) - Workers in a scaffolding - Women carrying a basket in their hands - The administration building at the Panjab University in sector 14 - Children and a baby sleeping in a basket - Le Corbusier, Pierre Jeanneret and Parmeshwari Lal Varma discussing in front of the Chandigarh general layout model
Photographs of Chandigarh
Actions:
ARCH269673
Description:
Group consists of photographs of Chandigarh, India, including: - Bas-relief of a tree in concrete - Bas-relief of the "Modulor Man" in concrete - The Assembly tower in construction in the Capitol Complex - Detail of the Assembly cornice (2 photographs) - Workers in a scaffolding - Women carrying a basket in their hands - The administration building at the Panjab University in sector 14 - Children and a baby sleeping in a basket - Le Corbusier, Pierre Jeanneret and Parmeshwari Lal Varma discussing in front of the Chandigarh general layout model
Form:
photographs
Quantity:
10 photograph(s)
photographs
Quantity:
10 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
People:
Form:
born digital
Quantity:
284 digital file(s)
born digital
Quantity:
284 digital file(s)
Actions:
Reference number:
AP174.S1.2001.D1.006
Description:
Contains STL and Rhinoceros files used to create the 3D printed models of Carbon Tower printed by 3D Systems, as well as related correspondence, information, model assembly guides, and agreements with vendors. Also included are photographs of a carbon fiber 3D printed model printed by Windform in Italy and STL files used in the production of the Windform model. Original directory name: "3D PRINTS". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, DS_store file (MAC), AutoCAD Drawing, JPEG File Interchange Format
AP174.S1.2001.D1.006
Description:
Contains STL and Rhinoceros files used to create the 3D printed models of Carbon Tower printed by 3D Systems, as well as related correspondence, information, model assembly guides, and agreements with vendors. Also included are photographs of a carbon fiber 3D printed model printed by Windform in Italy and STL files used in the production of the Windform model. Original directory name: "3D PRINTS". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, DS_store file (MAC), AutoCAD Drawing, JPEG File Interchange Format
People:
Date:
2004-2006
2004-2006
Title:
Working files and correspondence relating to 3D printed models
Actions:
AP174.S1.2001.D1.006
Description:
Contains STL and Rhinoceros files used to create the 3D printed models of Carbon Tower printed by 3D Systems, as well as related correspondence, information, model assembly guides, and agreements with vendors. Also included are photographs of a carbon fiber 3D printed model printed by Windform in Italy and STL files used in the production of the Windform model. Original directory name: "3D PRINTS". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, DS_store file (MAC), AutoCAD Drawing, JPEG File Interchange Format
Working files and correspondence relating to 3D printed models
Actions:
AP174.S1.2001.D1.006
Description:
Contains STL and Rhinoceros files used to create the 3D printed models of Carbon Tower printed by 3D Systems, as well as related correspondence, information, model assembly guides, and agreements with vendors. Also included are photographs of a carbon fiber 3D printed model printed by Windform in Italy and STL files used in the production of the Windform model. Original directory name: "3D PRINTS". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, DS_store file (MAC), AutoCAD Drawing, JPEG File Interchange Format
Form:
born digital
Quantity:
284 digital file(s)
born digital
Quantity:
284 digital file(s)
Date:
2004-2006
2004-2006
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
People:
Date:
1995-2013
1995-2013
Title:
ONL [Oosterhuis_Lénárd] NSA Muscle project records
Actions:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
ONL [Oosterhuis_Lénárd] NSA Muscle project records
Actions:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-2013
1995-2013
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
People:
Date:
2001-2016
2001-2016
Title:
New York Times Building, New York City, New York (2001)
Actions:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
New York Times Building, New York City, New York (2001)
Actions:
AP075.S1.2001.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape for the two gardens for the New York Times Building, in New York. The office tower, located on 8th Avenue between 40th and 41st Streets, was designed by Renzo Piano Building Workshop in association with Fox & Fowle (subsequently FXFowle) and opened in 2007. HM White Site Architects and Cornelia Hahn Oberlander collaborated on the design of the building's courtyard and rooftop gardens. The project series also includes another landscaping project for the New York Times Building Loby Garden in the first half of 2010s. Oberlander worked on this project as landscape architect with Henry M White III from HM White Site Architects firm. The project series contains design development, presentation drawings, and working drawings, including landscape sections and details, site plans, planting plans, irrigation plans, and plant schedule. The drawings also includes sets of plans of the building used as reference by Oberlander. The project is also documented through textual records, such as research material, correspondence with contractors, clients and architects, contracts, and specifications. The project series also contains documents related to the restoration of the Garden Court, such as scope of work, landscape specifications, and correspondence with contractors. A few documents also relates to the project for the Loby Garden of the building, including digital photographs of the plant selection, digital photographs of the complete landscape work, physical and digital files of an application for ASLA award and proposal for a 2016 addition of trees.
Level of archival description:
Project
Project
Date:
2001-2016
2001-2016
People:
