4478 Results
Form:
exhibitions
exhibitions
Title:
Starting From... The Suburbs
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Location:
Hall cases
Hall cases
Date:
16 February 2012 to 10 June 2012
16 February 2012 to 10 June 2012
Title:
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Form:
exhibitions
exhibitions
Date:
16 February 2012 to
10 June 2012
16 February 2012 to
10 June 2012
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Title:
Tokyo: Yasuhiro Ishimoto
Tokyo: Yasuhiro Ishimoto
Actions:
Description:
After spending most of his life in the United States, photographer Yasuhiro Ishimoto (1921–2012) settled in Tokyo in 1961 and began a study of the city distinct from the street photography of his contemporaries. For the next fifty years, the shifting spaces and people of Tokyo made up the core of Ishimoto’s work. Tokyo: Yasuhiro Ishimoto features a selection of(...)
After spending most of his life in the United States, photographer Yasuhiro Ishimoto (1921–2012) settled in Tokyo in 1961 and began a study of the city distinct from the street photography of his contemporaries. For the next fifty years, the shifting spaces and people of Tokyo made up the core of Ishimoto’s work. Tokyo: Yasuhiro Ishimoto features a selection of(...)
Location:
Hall cases
Hall cases
Date:
28 June 2012 to 21 October 2012
28 June 2012 to 21 October 2012
Title:
Tokyo: Yasuhiro Ishimoto
Actions:
Description:
After spending most of his life in the United States, photographer Yasuhiro Ishimoto (1921–2012) settled in Tokyo in 1961 and began a study of the city distinct from the street photography of his contemporaries. For the next fifty years, the shifting spaces and people of Tokyo made up the core of Ishimoto’s work. Tokyo: Yasuhiro Ishimoto features a selection of(...)
Tokyo: Yasuhiro Ishimoto
Actions:
Description:
After spending most of his life in the United States, photographer Yasuhiro Ishimoto (1921–2012) settled in Tokyo in 1961 and began a study of the city distinct from the street photography of his contemporaries. For the next fifty years, the shifting spaces and people of Tokyo made up the core of Ishimoto’s work. Tokyo: Yasuhiro Ishimoto features a selection of(...)
Form:
exhibitions
exhibitions
Date:
28 June 2012 to
21 October 2012
28 June 2012 to
21 October 2012
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Location:
Octagonal gallery
Octagonal gallery
Date:
27 September 2019 to 19 January 2020
27 September 2019 to 19 January 2020
Form:
exhibitions
exhibitions
Date:
27 September 2019 to
19 January 2020
27 September 2019 to
19 January 2020
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Location:
Octagonal gallery
Octagonal gallery
Date:
7 February 2020 to 4 October 2020
7 February 2020 to 4 October 2020
Form:
exhibitions
exhibitions
Date:
7 February 2020 to
4 October 2020
7 February 2020 to
4 October 2020
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Location:
Octagonal gallery
Octagonal gallery
Date:
7 June 2019 to 8 September 2019
7 June 2019 to 8 September 2019
Form:
exhibitions
exhibitions
Date:
7 June 2019 to
8 September 2019
7 June 2019 to
8 September 2019
Location:
Octagonal gallery
Octagonal gallery
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0015:025:028
Description:
File containing documents in French (predominant) and English, including correspondence related to Melvin Charney's membership in the related to the Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada (SODRAC). Original folder inscribed in graphite: SODRAC - Copyright Request 2011
DR2012:0015:025:028
Description:
File containing documents in French (predominant) and English, including correspondence related to Melvin Charney's membership in the related to the Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada (SODRAC). Original folder inscribed in graphite: SODRAC - Copyright Request 2011
People:
Date:
2010-2012
2010-2012
Title:
Correspondence related to Melvin Charney's membership in the Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada
Actions:
DR2012:0015:025:028
Description:
File containing documents in French (predominant) and English, including correspondence related to Melvin Charney's membership in the related to the Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada (SODRAC). Original folder inscribed in graphite: SODRAC - Copyright Request 2011
Correspondence related to Melvin Charney's membership in the Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada
Actions:
DR2012:0015:025:028
Description:
File containing documents in French (predominant) and English, including correspondence related to Melvin Charney's membership in the related to the Société du droit de reproduction des auteurs, compositeurs et éditeurs au Canada (SODRAC). Original folder inscribed in graphite: SODRAC - Copyright Request 2011
Form:
textual records
textual records
Date:
2010-2012
2010-2012
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
People:
Date:
1971-2017
1971-2017
Title:
Vestirsi Di Siede [Wearable Chairs] (1971)
Actions:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Vestirsi Di Siede [Wearable Chairs] (1971)
Actions:
AP207.S1.1971.PR04
Description:
This project series documents Pettena's performance "Vestirsi Di Siede", also know in English as "Wearable Chairs". The performance was carried out between 3 pm and 5 pm on February 12, 1971, in the streets of Minneapolis by ten students of Pettena at the Minneapolis College of Art and Design. The students, each wearing a portable chair harnessed on their back, wandered around the city, either by foot or by bus, and than returned to the college. "In this performance, it was the body that activated and gave meaning to the object: the chair only taking on meaning when carried, otherwise, it became disjointed." [1] The chairs were then put on display at the Minneapolis Institute of Art. A second edition of the performance was also carried out with the students from Nuova Accademia di Belle Arti (NABA) in Milan, 2011, and an installation of the chairs was presented at the exhibition "Un art pauvre" at the Centre Pompidou in 2016. The project series contains photographs of the performance by the students of the Minneapolis College of Art and Design and photographs of the exhibit at the Minneapolis Institute of Art in 1971. It also contains three sketches for the chairs, a drawing of the performance and a statement about the perfomance. The project series also includes photographs of the performance of the NABA students in 2011. Source: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/wearable-chairs-verstirsi-siede-317.html?authID=148&ensembleID=1286 (last accessed 11 November 2019)
Level of archival description:
Project
Project
Date:
1971-2017
1971-2017
People:
Form:
photographs
photographs
Reference number:
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
People:
Date:
2010-2011
2010-2011
Title:
Gordon Matta Clark: Dai Primi Lavori Ai Tagli Architecttonici
Actions:
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
Gordon Matta Clark: Dai Primi Lavori Ai Tagli Architecttonici
Actions:
PH2012:0006
Description:
Thèse de Rebecca Cavallari sur les premières découpes architecturales de Gordon Matta-Clark exécutée dans le cadre de son dipôme à "Accademia di Belle Arti di Brera, Milano; Dipartimento di Communicazione e Didattica dell'Arte, Corso di Diploma di Secondo livello in Communicazione e Organizzazione per l'Arte Contemporanea; Anno Accademico 2011-2012". 187 p., ill.
Form:
photographs
photographs
Date:
2010-2011
2010-2011
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
People:
Date:
2015-2017
2015-2017
Title:
Project proposal and presentation by landscape architects, documentation and correspondence with landscape architects, Zonda Nellis studio and store, Vancouver, British Columbia
Actions:
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
Project proposal and presentation by landscape architects, documentation and correspondence with landscape architects, Zonda Nellis studio and store, Vancouver, British Columbia
Actions:
AP075.S1.2014.PR02.002
Description:
Also includes a promotional leaflet showing Enns Gauthier Landscape Architects projects in collaboration with Cornelia Hahn Oberlander. It includes: Van Dusen Botanical Garden, Vancouver, British Columbia (2009) Telus Garden Presentation Centre, Vancouver, British Columbia, Canada (2011) Zonda Nellis studio and store, Vancouver, British Columbia, Canada (2014) Villa Maris, West Vancouver, British Columbia, Canada (2015)
Form:
textual records
textual records
Date:
2015-2017
2015-2017
People:
Level of archival description:
Project
Project
Title:
Mother Nature (2012)
Mother Nature (2012)
Actions:
Reference number:
AP207.S1.2012.PR01
Description:
The project series documents the digitally created installation "Mother Nature" by Pettena in 2011. The project consists of a photograph of a rock formation on the edge of the water which was digitally modified to include a human figure nested in. "What is presented here in an almost didactic manner, by inserting a human figure into a setting prepared by nature, is the natural imbalance between the former and the infinite potentialities of the environment, which can only be known in part by someone who, accepting this situation of inferiority, makes use of it to acquire the capacity for a more conscious observation." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-mother-nature-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR01
Description:
The project series documents the digitally created installation "Mother Nature" by Pettena in 2011. The project consists of a photograph of a rock formation on the edge of the water which was digitally modified to include a human figure nested in. "What is presented here in an almost didactic manner, by inserting a human figure into a setting prepared by nature, is the natural imbalance between the former and the infinite potentialities of the environment, which can only be known in part by someone who, accepting this situation of inferiority, makes use of it to acquire the capacity for a more conscious observation." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-mother-nature-2012-1/ (last accessed 27 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Mother Nature (2012)
Actions:
AP207.S1.2012.PR01
Description:
The project series documents the digitally created installation "Mother Nature" by Pettena in 2011. The project consists of a photograph of a rock formation on the edge of the water which was digitally modified to include a human figure nested in. "What is presented here in an almost didactic manner, by inserting a human figure into a setting prepared by nature, is the natural imbalance between the former and the infinite potentialities of the environment, which can only be known in part by someone who, accepting this situation of inferiority, makes use of it to acquire the capacity for a more conscious observation." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-mother-nature-2012-1/ (last accessed 27 January 2020)
Mother Nature (2012)
Actions:
AP207.S1.2012.PR01
Description:
The project series documents the digitally created installation "Mother Nature" by Pettena in 2011. The project consists of a photograph of a rock formation on the edge of the water which was digitally modified to include a human figure nested in. "What is presented here in an almost didactic manner, by inserting a human figure into a setting prepared by nature, is the natural imbalance between the former and the infinite potentialities of the environment, which can only be known in part by someone who, accepting this situation of inferiority, makes use of it to acquire the capacity for a more conscious observation." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-mother-nature-2012-1/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
