5777 Results
Level of archival description:
Series
Series
Title:
Exhibitions
Exhibitions
Reference number:
AP143.S6
Description:
Series documents exhibitions of the projects of Peter Eisenman and the successive firms: Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Exhibitions venues included New York City, New York, Minneapolis, Minnesota, Frankfurt, Germany, Venice and Milan, Italy, and Vienna, Austria. Material in this file was produced between 1966 and 2007. Series contains conceptual drawings, design development drawings, photographic material, publication drawings, reference drawings, presentation drawings, schematic drawings, and working drawings. Series is arranged by exhibition project.
AP143.S6
Description:
Series documents exhibitions of the projects of Peter Eisenman and the successive firms: Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Exhibitions venues included New York City, New York, Minneapolis, Minnesota, Frankfurt, Germany, Venice and Milan, Italy, and Vienna, Austria. Material in this file was produced between 1966 and 2007. Series contains conceptual drawings, design development drawings, photographic material, publication drawings, reference drawings, presentation drawings, schematic drawings, and working drawings. Series is arranged by exhibition project.
People:
Date:
[1966]-2007
[1966]-2007
Title:
Exhibitions
Actions:
AP143.S6
Description:
Series documents exhibitions of the projects of Peter Eisenman and the successive firms: Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Exhibitions venues included New York City, New York, Minneapolis, Minnesota, Frankfurt, Germany, Venice and Milan, Italy, and Vienna, Austria. Material in this file was produced between 1966 and 2007. Series contains conceptual drawings, design development drawings, photographic material, publication drawings, reference drawings, presentation drawings, schematic drawings, and working drawings. Series is arranged by exhibition project.
Exhibitions
Actions:
AP143.S6
Description:
Series documents exhibitions of the projects of Peter Eisenman and the successive firms: Peter D. Eisenman, Architect; Eisenman/Robertson Architects; Design Development Resources, Limited Partnership; Esienman/Trott Architects; and Eisenman Architects. Exhibitions venues included New York City, New York, Minneapolis, Minnesota, Frankfurt, Germany, Venice and Milan, Italy, and Vienna, Austria. Material in this file was produced between 1966 and 2007. Series contains conceptual drawings, design development drawings, photographic material, publication drawings, reference drawings, presentation drawings, schematic drawings, and working drawings. Series is arranged by exhibition project.
Level of archival description:
Series 6
Series 6
Date:
[1966]-2007
[1966]-2007
People:
Level of archival description:
Series
Series
Title:
Exhibitions
Exhibitions
Actions:
Reference number:
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
People:
Date:
1994-2007
1994-2007
Title:
Exhibitions
Actions:
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
Exhibitions
Actions:
AP075.S2
Description:
This series documents exhibitions that exhibited Cornelia Hahn Oberlander's work as well as exhibitions for which Oberlander was a guest curator. Materials in this series range from the mid 1990s to the mid 2000s. The series includes records for "Art and Design Canada 2000" at the Royal Canadian Academy of Arts where some of Oberlander’s landscape projects were exhibited and records for an exhibition at the Vancouver Art Gallery for which Oberlander was a guest curator. The series includes predominantly administrative records for the planning of the exhibitions, including correspondence, contracts, and panels that were exhibited.
Level of archival description:
Series
Series
Date:
1994-2007
1994-2007
People:
Level of archival description:
Sub-series
Sub-series
Title:
Exhibitions
Exhibitions
Reference number:
AP140.S2.SS3
Description:
Sub-series documents exhibitions of the projects of James Stirling, and the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Exhibitions were held in London, England and New York City, New York, and several other locations, including Dortmund, Germany; Venice, Rome, Bologna and Vicenza, Italy; and Arc-et-Senans, France. Material in this sub-series was produced between 1969 and 2000. Sub-series contains a few reference and design development drawings, presentation panels, and a small number of working drawings. Photographic materials include views of exhibitions by photographers George Cserna and Bevan Davies. It also contains textual records, including drawings for exhibition layouts, drafts of texts and layouts of exhibition catalogues, clippings and correspondence.
AP140.S2.SS3
Description:
Sub-series documents exhibitions of the projects of James Stirling, and the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Exhibitions were held in London, England and New York City, New York, and several other locations, including Dortmund, Germany; Venice, Rome, Bologna and Vicenza, Italy; and Arc-et-Senans, France. Material in this sub-series was produced between 1969 and 2000. Sub-series contains a few reference and design development drawings, presentation panels, and a small number of working drawings. Photographic materials include views of exhibitions by photographers George Cserna and Bevan Davies. It also contains textual records, including drawings for exhibition layouts, drafts of texts and layouts of exhibition catalogues, clippings and correspondence.
People:
Date:
1969-2000
1969-2000
Title:
Exhibitions
Actions:
AP140.S2.SS3
Description:
Sub-series documents exhibitions of the projects of James Stirling, and the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Exhibitions were held in London, England and New York City, New York, and several other locations, including Dortmund, Germany; Venice, Rome, Bologna and Vicenza, Italy; and Arc-et-Senans, France. Material in this sub-series was produced between 1969 and 2000. Sub-series contains a few reference and design development drawings, presentation panels, and a small number of working drawings. Photographic materials include views of exhibitions by photographers George Cserna and Bevan Davies. It also contains textual records, including drawings for exhibition layouts, drafts of texts and layouts of exhibition catalogues, clippings and correspondence.
Exhibitions
Actions:
AP140.S2.SS3
Description:
Sub-series documents exhibitions of the projects of James Stirling, and the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Exhibitions were held in London, England and New York City, New York, and several other locations, including Dortmund, Germany; Venice, Rome, Bologna and Vicenza, Italy; and Arc-et-Senans, France. Material in this sub-series was produced between 1969 and 2000. Sub-series contains a few reference and design development drawings, presentation panels, and a small number of working drawings. Photographic materials include views of exhibitions by photographers George Cserna and Bevan Davies. It also contains textual records, including drawings for exhibition layouts, drafts of texts and layouts of exhibition catalogues, clippings and correspondence.
Level of archival description:
Sub-Series 3
Sub-Series 3
Date:
1969-2000
1969-2000
People:
Form:
photographs
Level of archival description:
Project
photographs
Level of archival description:
Project
Actions:
Reference number:
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
People:
Date:
1915 or later
1915 or later
Title:
Competition Design for a Military Hospital, Den Helder, Netherlands (1915)
Actions:
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
Competition Design for a Military Hospital, Den Helder, Netherlands (1915)
Actions:
CI005.S1.1915.PR1
Description:
In 1911-1913, the Hostel for Lower Naval Personnel was designed by architect Piet Kramer, a building for which Oud claimed that he created competition designs. Researchers, however, do not support this claim as Oud's designs are dated 1915. Oud's plans feature a lounge and off-centre entrance and staircase, as well as a reading room for a convalescent hospital for soldiers. Oud's designs feature a geometrical composition based on a system of triangles. The designs were considered stylistically significant and displayed in the 1917 Sphinx "International Exhibition" (Taverne et al. 2001,107). The series includes photographs of the competition design floor plans and elevations.
Form:
photographs
Level of archival description:
project
photographs
Level of archival description:
project
Date:
1915 or later
1915 or later
People:
Level of archival description:
Series
Series
Title:
Exhibitions
Exhibitions
Actions:
Reference number:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
People:
Date:
1962-2004
1962-2004
Title:
Exhibitions
Actions:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Exhibitions
Actions:
AP180.S3
Description:
This series documents Umberto Riva's designs for exhibitions and museum installations. The projects are predominantly in Italy, but also include projects in Canada and in Austria. The series includes Riva's various projects for the Milan Triennale from the 1960s to the 1990s and his designs for exhibitions at the Palazzo Barbaran da Porto in Vicenza, Italy. The series includes design development and presentation drawings for installations. Projects for redesigns of gallery spaces by Umberto Riva are arranged in series AP180.S1 Architectural projects.
Level of archival description:
Series
Series
Date:
1962-2004
1962-2004
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
People:
Date:
2001-2018
2001-2018
Title:
Radical Design. Ricerca e progetto dagli anni ’60 a oggi (2004)
Actions:
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
Radical Design. Ricerca e progetto dagli anni ’60 a oggi (2004)
Actions:
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
Level of archival description:
Subseries
Subseries
Date:
2001-2018
2001-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI007.S2.1927.PR02
Description:
This project series contains an interior view of the Café Samt une Seide restaurant for the exhibition Mode der Dame in Berlin, Germany, designed by Mies van der Rohe and Lilly Reich in1927. The material in this series was produced between 1947. The photograph was taken by Hedrich-Blessing Firm.
CI007.S2.1927.PR02
Description:
This project series contains an interior view of the Café Samt une Seide restaurant for the exhibition Mode der Dame in Berlin, Germany, designed by Mies van der Rohe and Lilly Reich in1927. The material in this series was produced between 1947. The photograph was taken by Hedrich-Blessing Firm.
People:
Date:
1947
1947
Title:
Café Samt und Seide [Silk and Velvet Café] for the exhibition Mode der Dame, Berlin, Germany (1926-1927)
Actions:
CI007.S2.1927.PR02
Description:
This project series contains an interior view of the Café Samt une Seide restaurant for the exhibition Mode der Dame in Berlin, Germany, designed by Mies van der Rohe and Lilly Reich in1927. The material in this series was produced between 1947. The photograph was taken by Hedrich-Blessing Firm.
Café Samt und Seide [Silk and Velvet Café] for the exhibition Mode der Dame, Berlin, Germany (1926-1927)
Actions:
CI007.S2.1927.PR02
Description:
This project series contains an interior view of the Café Samt une Seide restaurant for the exhibition Mode der Dame in Berlin, Germany, designed by Mies van der Rohe and Lilly Reich in1927. The material in this series was produced between 1947. The photograph was taken by Hedrich-Blessing Firm.
Level of archival description:
project
project
Date:
1947
1947
People:
Level of archival description:
Project
Project
Title:
Various exhibitions
Various exhibitions
Actions:
Reference number:
AP164.S1.SS2
Description:
The subseries documents various exhibitions where the work of Abalos & Herreros was shown. Some of the exhibitions were curated by the firm. Documenting these exhbitions are conceptual and design development drawings, correspondence, advertisements, descriptions, exhibition publications, reference and photographic materials.
AP164.S1.SS2
Description:
The subseries documents various exhibitions where the work of Abalos & Herreros was shown. Some of the exhibitions were curated by the firm. Documenting these exhbitions are conceptual and design development drawings, correspondence, advertisements, descriptions, exhibition publications, reference and photographic materials.
People:
Date:
1990-2006
1990-2006
Title:
Various exhibitions
Actions:
AP164.S1.SS2
Description:
The subseries documents various exhibitions where the work of Abalos & Herreros was shown. Some of the exhibitions were curated by the firm. Documenting these exhbitions are conceptual and design development drawings, correspondence, advertisements, descriptions, exhibition publications, reference and photographic materials.
Various exhibitions
Actions:
AP164.S1.SS2
Description:
The subseries documents various exhibitions where the work of Abalos & Herreros was shown. Some of the exhibitions were curated by the firm. Documenting these exhbitions are conceptual and design development drawings, correspondence, advertisements, descriptions, exhibition publications, reference and photographic materials.
Level of archival description:
Project
Project
Date:
1990-2006
1990-2006
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
People:
Date:
1949-1961
1949-1961
Title:
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Level of archival description:
project
project
Date:
1949-1961
1949-1961
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
AP178.S1.1998.PR07.078
Description:
Original file title: Exposição arquitectura e design de Portugal This material documents the Exposição arquitectura e design de Portugal Triennale di Milano.
AP178.S1.1998.PR07.078
Description:
Original file title: Exposição arquitectura e design de Portugal This material documents the Exposição arquitectura e design de Portugal Triennale di Milano.
People:
Date:
2004
2004
Title:
Correspondence, documentation, drawings, and photographs for an exhibition in Milan, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
Actions:
AP178.S1.1998.PR07.078
Description:
Original file title: Exposição arquitectura e design de Portugal This material documents the Exposição arquitectura e design de Portugal Triennale di Milano.
Correspondence, documentation, drawings, and photographs for an exhibition in Milan, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
Actions:
AP178.S1.1998.PR07.078
Description:
Original file title: Exposição arquitectura e design de Portugal This material documents the Exposição arquitectura e design de Portugal Triennale di Milano.
Form:
drawings, textual records
drawings, textual records
Date:
2004
2004
People:
