1447 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0497
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
PH1980:0497
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
People:
Subject:
interior design, portrait, sculpture
interior design, portrait, sculpture
Date:
1950
1950
Title:
Portrait du pêcheur et chanteur folklorique Léon Collin, dans sa maison de Pointe-à-la-Frégate en Gaspésie, Québec
Actions:
PH1980:0497
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Portrait du pêcheur et chanteur folklorique Léon Collin, dans sa maison de Pointe-à-la-Frégate en Gaspésie, Québec
Actions:
PH1980:0497
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Form:
photographs
photographs
Date:
1950
1950
People:
Subject:
interior design, portrait, sculpture
interior design, portrait, sculpture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0515
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
PH1980:0515
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
People:
Subject:
architecture, sculpture
architecture, sculpture
Date:
1950
1950
Title:
Détail de la voûte à caissons de l'église Saint-Jean-Baptiste, Saint-Jean-Port-Joli, Québec
Actions:
PH1980:0515
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Détail de la voûte à caissons de l'église Saint-Jean-Baptiste, Saint-Jean-Port-Joli, Québec
Actions:
PH1980:0515
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Form:
photographs
photographs
Date:
1950
1950
People:
Subject:
architecture, sculpture
architecture, sculpture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0532
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
PH1980:0532
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
People:
Subject:
architecture
architecture
Date:
1950
1950
Title:
Entrée principale d'une maison, Ile d'Orléans, Québec
Actions:
PH1980:0532
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Entrée principale d'une maison, Ile d'Orléans, Québec
Actions:
PH1980:0532
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Form:
photographs
photographs
Date:
1950
1950
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0553
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
PH1980:0553
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
People:
Subject:
architecture
architecture
Date:
1950
1950
Title:
Détail des motifs d'une rampe d'escalier en bois, région de L'Islet-sur-Mer, Québec
Actions:
PH1980:0553
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Détail des motifs d'une rampe d'escalier en bois, région de L'Islet-sur-Mer, Québec
Actions:
PH1980:0553
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Form:
photographs
photographs
Date:
1950
1950
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0557
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
PH1980:0557
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
People:
Subject:
architecture, sculpture
architecture, sculpture
Date:
1950
1950
Title:
Sculptures ornant la chapelle latérale gauche de l'église Notre-Dame-de-Bonsecours, L'Islet-sur-Mer, Québec
Actions:
PH1980:0557
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Sculptures ornant la chapelle latérale gauche de l'église Notre-Dame-de-Bonsecours, L'Islet-sur-Mer, Québec
Actions:
PH1980:0557
Description:
- The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Form:
photographs
photographs
Date:
1950
1950
People:
Subject:
architecture, sculpture
architecture, sculpture
Form:
textual records
textual records
Actions:
Reference number:
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
People:
Date:
1998
1998
Title:
Fundraising kit, IFCCA Prize for the Design of Cities poster, description and conditions brochure, media clippings kit
Actions:
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
Fundraising kit, IFCCA Prize for the Design of Cities poster, description and conditions brochure, media clippings kit
Actions:
ARCH252277
Description:
-Fundraising kit given out to potential donors at Marie-Josee Kravis event (2) -IFCCA Prize for the Design of Cities poster -Description and conditions brochure (French and English) -Award dinner: hold the date card, invitation, dinner programme -Exhibition/Colloquium: poster, invitation, tabloid -press releases: 10 February (English, French), 28 June 1999 (English, French) -Media clippings kit
Form:
textual records
textual records
Date:
1998
1998
People:
Level of archival description:
Project
Project
Reference number:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
People:
Date:
1969-1971
1969-1971
Title:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Level of archival description:
Project
Project
Date:
1969-1971
1969-1971
People:
Form:
textual records
textual records
Title:
Correspondence, newspaper clippings, press releases, and programs related to the 5th Venice Biennale
Correspondence, newspaper clippings, press releases, and programs related to the 5th Venice Biennale
Actions:
Reference number:
DR2012:0012:085:006
Description:
File containing documents in English, French and Italian, including correspondence, newspaper clippings, press releases, and programs related to Melvin Charney's participation in the exhibition CCA: Building and gardens at the Venice biennale, which included the CCA garden. Original folder inscribed in graphite: ARCHITECTURE BIENNALE VENICE 1991
DR2012:0012:085:006
Description:
File containing documents in English, French and Italian, including correspondence, newspaper clippings, press releases, and programs related to Melvin Charney's participation in the exhibition CCA: Building and gardens at the Venice biennale, which included the CCA garden. Original folder inscribed in graphite: ARCHITECTURE BIENNALE VENICE 1991
People:
Date:
1991
1991
Title:
Correspondence, newspaper clippings, press releases, and programs related to the 5th Venice Biennale
Actions:
DR2012:0012:085:006
Description:
File containing documents in English, French and Italian, including correspondence, newspaper clippings, press releases, and programs related to Melvin Charney's participation in the exhibition CCA: Building and gardens at the Venice biennale, which included the CCA garden. Original folder inscribed in graphite: ARCHITECTURE BIENNALE VENICE 1991
Correspondence, newspaper clippings, press releases, and programs related to the 5th Venice Biennale
Actions:
DR2012:0012:085:006
Description:
File containing documents in English, French and Italian, including correspondence, newspaper clippings, press releases, and programs related to Melvin Charney's participation in the exhibition CCA: Building and gardens at the Venice biennale, which included the CCA garden. Original folder inscribed in graphite: ARCHITECTURE BIENNALE VENICE 1991
Form:
textual records
textual records
Date:
1991
1991
People:
Level of archival description:
Project
Project
Title:
Strand Tower (2006)
Strand Tower (2006)
Actions:
Reference number:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
People:
Date:
2006-2014
2006-2014
Title:
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Strand Tower (2006)
Actions:
AP174.S1.2006.D2
Description:
This project file documents unbuilt designs by Testa & Weiser for Strand Tower (2006), a continuation of the Carbon Tower research project. Various iterations of Strand Tower are woven out of carbon fibre according to a pattern algorithmically generated by the Weaver software. “The complexity of the final design is produced by arraying a basic fiber bundle of 114 strands; stacked 70 times for a total of approximately 8,000 strands.”[1] The file contains a large number of digital files which document the conceptual and design development of the project, fabrication of 3D printed physical models, and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles. The file also includes six physical models produced by the 3D printing firm 3D Systems. Sources: [1] "Strand Tower project and credit text" (AP174.S1.2006.D2.007). Testa & Weiser records, Centre Canadien d’Architecture/Canadian Centre for Architecture.
Level of archival description:
Project
Project
Date:
2006-2014
2006-2014
People:
Level of archival description:
Series
Series
Reference number:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
People:
Date:
1998-2002
1998-2002
Title:
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Karl: An Architectural Narrative (2000-2002)
Actions:
AP119.S1
Description:
The series contains drawings for Peter Yeadon's architectural narrative for the Prix de Rome entitled "Karl: An Architerctural Narrative." In total eleven sets of digital prints were made, each set contains eighteen sheets. Canadian Centre for Architecture received the third of these eleven sets, which is included in this series. The narrative depicts the experience of a Canadian emigrant becoming a Roman citizen. The drawings represent the following titles: City; Fabric House; Columbarium; Horizon House; House City; Depth House; Colosseum for Vanishing Curiosities; City Gate; Teatro de Tevere; Neptune House; Bath; and Bricolage House. Each drawing is signed by the architect. Also included, are four sketchbooks for 'Karl: An Architerctural Narrative', two print proofs for Bricolage House, and project documentation. The documentation explains each of the titles in the narrative, Yeadon's curriculum vitae, and leaflets for the exhibition "Karl: an architectural narrative" held at the Art Gallery of Windsor, Ontario from August 2001 to January 2002.
Level of archival description:
Series
Series
Date:
1998-2002
1998-2002
People:
