2348 Results
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books
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1 online resource
Author:
- Moore, Alan W.,,
- Smart, Alan,,
- Herbst, Marc,,
- Dee, ETC,,
- Diehl, Vanessa,,
- Magaldi, Milena Ruiz,,
- Petrik, Jeannette,,
- López, Miguel Ángel Martínez,,
- Shukaitis, Stevphen,,
- Buchholz, Tino,,
- Boschma, Vincent,,
- Lovink, Geert,,
- Waalwijk, Aja,,
- Zinovich, Jordan,,
- Lillesøe, Britta,,
- Steiger, Tina,,
- Rasmussen, Mikkel Bolt,,
- Opstrup, Kasper,,
- Dawson, Ashley,,
- Lewison, Sarah,,
- Fraeser, Nina,,
- Blanco, Julia Ramírez,,
- Morawski, Tobias,,
- Fucolti, Eliseo,,
- Piazza, Gianni,,
- Nagle, Patrick,,
- Braga, Emanuele,,
- Verdier, Margot,,
- Prieur, Vincent,,
- Lackman, Jon,,
- Feldman, Jacqueline,,
- Lledin, Julia,,
- Lorenzi, Elisabeth,,
- Lledinm, Julia,,
- Vilaseca, Stephen Luis,,
- Ramirez, Yasmin,,
- Lehmann, Gregory,,
- Chattopadhyay, Sutapa,,
- Babic, Jasna,,
- Wibault, Tristan,,
- Santos, Galvao Debelle dos,,
- Dee, E.T.C.,,
- Sunshine, Spencer,,
- Art & Context,,
- Los Malditos Impresores (Barcelona),,
- Universidad Nómada,,
- x-Chris,,
- Azomozox,,
- Assembly of Teatro Valle,,
- La Casa Invisible,,
- Maxigas,,
- mujinga,,
- Library Stack,
(See more)
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Publication:
[Place of publication not identified] : Other Forms ; The Journal of Aesthetics and Protest, 2015.
[Place of publication not identified] : Other Forms ; The Journal of Aesthetics and Protest, 2015.
Form:
books
books
Publication:
[Place of publication not identified] : Other Forms ; The Journal of Aesthetics and Protest, 2015.
[Place of publication not identified] : Other Forms ; The Journal of Aesthetics and Protest, 2015.
Author:
- Moore, Alan W.,,
- Smart, Alan,,
- Herbst, Marc,,
- Dee, ETC,,
- Diehl, Vanessa,,
- Magaldi, Milena Ruiz,,
- Petrik, Jeannette,,
- López, Miguel Ángel Martínez,,
- Shukaitis, Stevphen,,
- Buchholz, Tino,,
- Boschma, Vincent,,
- Lovink, Geert,,
- Waalwijk, Aja,,
- Zinovich, Jordan,,
- Lillesøe, Britta,,
- Steiger, Tina,,
- Rasmussen, Mikkel Bolt,,
- Opstrup, Kasper,,
- Dawson, Ashley,,
- Lewison, Sarah,,
- Fraeser, Nina,,
- Blanco, Julia Ramírez,,
- Morawski, Tobias,,
- Fucolti, Eliseo,,
- Piazza, Gianni,,
- Nagle, Patrick,,
- Braga, Emanuele,,
- Verdier, Margot,,
- Prieur, Vincent,,
- Lackman, Jon,,
- Feldman, Jacqueline,,
- Lledin, Julia,,
- Lorenzi, Elisabeth,,
- Lledinm, Julia,,
- Vilaseca, Stephen Luis,,
- Ramirez, Yasmin,,
- Lehmann, Gregory,,
- Chattopadhyay, Sutapa,,
- Babic, Jasna,,
- Wibault, Tristan,,
- Santos, Galvao Debelle dos,,
- Dee, E.T.C.,,
- Sunshine, Spencer,,
- Art & Context,,
- Los Malditos Impresores (Barcelona),,
- Universidad Nómada,,
- x-Chris,,
- Azomozox,,
- Assembly of Teatro Valle,,
- La Casa Invisible,,
- Maxigas,,
- mujinga,,
- Library Stack,
(See more)
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books
books
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Description:
v, 90 pages illustrations 23 x 28 cm
Description:
v, 90 pages illustrations 23 x 28 cm
Author:
Subject:
Publication:
New York, Duell, Sloan and Pearce [1947]
New York, Duell, Sloan and Pearce [1947]
Title:
The cats of Wildcat Hill, by Charis Wilson and Edward Weston.
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Description:
v, 90 pages illustrations 23 x 28 cm
The cats of Wildcat Hill, by Charis Wilson and Edward Weston.
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Description:
v, 90 pages illustrations 23 x 28 cm
Form:
books
books
Publication:
New York, Duell, Sloan and Pearce [1947]
New York, Duell, Sloan and Pearce [1947]
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books
books
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$29.95
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Summary:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
$29.95
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Summary:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of(...)
Title:
Light in the dark room : photography and loss
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Summary:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Light in the dark room : photography and loss
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$29.95
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Summary:
"Light in the Dark Room" explores photography not as a document of the past but rather as a realization of what we have lost. When we look at a photograph we see a moment that is no more. Photographs place reality into the past tense, representing not memory but memory’s loss. They are not conduits for the return of memory, but memento mori: reminders of the fact of death itself. And it is in this, Jay Prosser tells us, that we find the gift of photography. Engaging the photographic reflections of figures as different as Roland Barthes and Claude Lévi-Strauss, Gordon Parks and Elizabeth Bishop, "Light in the Dark Room" offers a vision of photography as realization of loss - and a revelation of how photographs can shed light on the dark rooms of our lives. Beginning with an analysis of Roland Barthes’s "Camera Lucida", Prosser explores the relationship of autobiography and photography and then considers Lévi-Strauss’s last published book, his photographic memoir; he uncovers the collection of photography painstakingly assembled by poet Elizabeth Bishop but never published; and he recounts the story of a forgotten Brazilian boy from the 1960s who lost his home as a result of photographs. The losses this book recalls are poignant yet universal - a son loses his mother; an anthropologist, his culture; a photographer, his youth; a poet, her lover. Among these personal and moving losses and the remarkable photographs that accompany them, Prosser weaves his own meditations on photography, on the interdependence of loss and enlightenment, on the emergence of our technologized society - and the world we have lost in the process.
Form:
books
books
Publication:
December 2005, Minneapolis
December 2005, Minneapolis
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$29.95
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Summary:
Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
$29.95
(available to order)
Summary:
Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
Title:
Poster collection 08 : black and white
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$29.95
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Summary:
Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
Poster collection 08 : black and white
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$29.95
(available to order)
Summary:
Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
Form:
books
books
Publication:
January 2004, Zürich
January 2004, Zürich
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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Description:
xxvi, 83 unnumbered pages : illustrations ; 38 cm
Description:
xxvi, 83 unnumbered pages : illustrations ; 38 cm
Subject:
- Piranesi, Giovanni Battista, 1720-1778.,
- Etching, Italian Pictorial works.,
- Photography, Artistic.,
- Eau-forte (Gravure) italienne Ouvrages illustrés.,
- Etching, Italian,
- Rome (Italy) In art.,
- Rome (Italy) Pictorial works.,
- Rome (Italy) Description and travel Views.,
- Rome (Italie) Dans l'art.,
- Rome (Italie) Ouvrages illustrés.,
- Italy Rome,
- Italian etchings Piranesi, Giovanni Battista Special subjects: Italy Rome Ancient Roman antiquities Illustrations.,
- American photography, 1950- Special subjects: Italy Rome Ancient Roman antiquities Collections from individual artists.,
- Viewbooks.,
- illustrated books.,
- works of art.,
- Illustrated works,
- Art,
- Pictorial works,
- In art.,
- Ouvrages illustrés.,
- Œuvres d'art.
(See more)
Publication:
New York : Dover Publications, Inc., [1976], ©1976
New York : Dover Publications, Inc., [1976], ©1976
Title:
Views of Rome, then and now : 41 etchings / by Giovanni Battista Piranesi ; corresponding photographs and text by Herschel Levit.
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Description:
xxvi, 83 unnumbered pages : illustrations ; 38 cm
Views of Rome, then and now : 41 etchings / by Giovanni Battista Piranesi ; corresponding photographs and text by Herschel Levit.
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Description:
xxvi, 83 unnumbered pages : illustrations ; 38 cm
Form:
books
books
Publication:
New York : Dover Publications, Inc., [1976], ©1976
New York : Dover Publications, Inc., [1976], ©1976
Subject:
- Piranesi, Giovanni Battista, 1720-1778.,
- Etching, Italian Pictorial works.,
- Photography, Artistic.,
- Eau-forte (Gravure) italienne Ouvrages illustrés.,
- Etching, Italian,
- Rome (Italy) In art.,
- Rome (Italy) Pictorial works.,
- Rome (Italy) Description and travel Views.,
- Rome (Italie) Dans l'art.,
- Rome (Italie) Ouvrages illustrés.,
- Italy Rome,
- Italian etchings Piranesi, Giovanni Battista Special subjects: Italy Rome Ancient Roman antiquities Illustrations.,
- American photography, 1950- Special subjects: Italy Rome Ancient Roman antiquities Collections from individual artists.,
- Viewbooks.,
- illustrated books.,
- works of art.,
- Illustrated works,
- Art,
- Pictorial works,
- In art.,
- Ouvrages illustrés.,
- Œuvres d'art.
(See more)
Form:
books
books
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$29.95
(available in store)
Summary:
Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging(...)
$29.95
(available in store)
Summary:
Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging(...)
Title:
Poster collection 10 : Michael Engelmann
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$29.95
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Summary:
Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging any trace of empty bourgeois enthusiasm for advertising by applying a strictly conceptual working approach. In his posters for Pirelli, The Philadelphia Enquirer, Renault, or Roth Händle, images and ideas came together in a way as simple as it was compelling, creating signs of great associative force. His was a highly regarded contribution to graphic design's breakthrough into the age of mass communication; it introduced wit and a sense of using resources economically. "Poster Collection 10" brings together numerous posters created by Engelmann, who died prematurely at the age of 38.
Poster collection 10 : Michael Engelmann
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$29.95
(available in store)
Summary:
Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging any trace of empty bourgeois enthusiasm for advertising by applying a strictly conceptual working approach. In his posters for Pirelli, The Philadelphia Enquirer, Renault, or Roth Händle, images and ideas came together in a way as simple as it was compelling, creating signs of great associative force. His was a highly regarded contribution to graphic design's breakthrough into the age of mass communication; it introduced wit and a sense of using resources economically. "Poster Collection 10" brings together numerous posters created by Engelmann, who died prematurely at the age of 38.
Form:
books
books
Publication:
October 2004, Baden
October 2004, Baden
Subject:
Graphic Design and Typography
Graphic Design and Typography
Form:
books
books
Title:
Images intimes, 129 daguerréotypes 1841-1857 : don de Phyllis Lambert / conservateur James Borcoman.
Images intimes, 129 daguerréotypes 1841-1857 : don de Phyllis Lambert / conservateur James Borcoman.
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Description:
24 pages : illustrations, portraits ; 24 cm
- Library main 35219 | ID:88-B6588 | Available
- Library main 35218 | ID EXHOTTAWA; ID:88-B6588 | Available
(See more)
Description:
24 pages : illustrations, portraits ; 24 cm
Subject:
- Lambert, Phyllis Photograph collections Exhibitions.,
- Lambert, Phyllis.,
- Photograph collections Ontario Ottawa Exhibitions.,
- Daguerreotype Ontario Ottawa Exhibitions.,
- Collections de photographies Ontario Ottawa Expositions.,
- Daguerréotype Ontario Ottawa Expositions.,
- Daguerreotype.,
- Photograph collections.,
- Ontario Ottawa.,
- Exhibition catalogs.
(See more)
Publication:
Ottawa : Musée des beaux-arts du Canada, 1988.
Ottawa : Musée des beaux-arts du Canada, 1988.
Title:
Images intimes, 129 daguerréotypes 1841-1857 : don de Phyllis Lambert / conservateur James Borcoman.
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Description:
24 pages : illustrations, portraits ; 24 cm
Images intimes, 129 daguerréotypes 1841-1857 : don de Phyllis Lambert / conservateur James Borcoman.
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Holdings:
- Library main 35219 | ID:88-B6588 | Available
- Library main 35218 | ID EXHOTTAWA; ID:88-B6588 | Available
(See more)
Description:
24 pages : illustrations, portraits ; 24 cm
Form:
books
books
Publication:
Ottawa : Musée des beaux-arts du Canada, 1988.
Ottawa : Musée des beaux-arts du Canada, 1988.
Subject:
- Lambert, Phyllis Photograph collections Exhibitions.,
- Lambert, Phyllis.,
- Photograph collections Ontario Ottawa Exhibitions.,
- Daguerreotype Ontario Ottawa Exhibitions.,
- Collections de photographies Ontario Ottawa Expositions.,
- Daguerréotype Ontario Ottawa Expositions.,
- Daguerreotype.,
- Photograph collections.,
- Ontario Ottawa.,
- Exhibition catalogs.
(See more)
Form:
books
books
Price:
$39.95
(available to order)
Summary:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
$39.95
(available to order)
Summary:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask(...)
Title:
Capitalism and the camera: essays on photography and extraction
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$39.95
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Summary:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Capitalism and the camera: essays on photography and extraction
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$39.95
(available to order)
Summary:
Photography was invented between the publication of Adam Smith’s ''The Wealth of Nations'' and Karl Marx and Friedrich Engels’s ''The Communist Manifesto.'' Taking the intertwined development of capitalism and the camera as their starting point, the essays collected here investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism’s violence—and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera’s potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and the ways the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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Description:
560 pages : illustrations (some color) ; 26 cm
Description:
560 pages : illustrations (some color) ; 26 cm
Author:
Subject:
- Museum of Modern Art (New York, N.Y.) Catalogs.,
- Museum of Modern Art (New York, N.Y.),
- The Museum of Modern Art New York, NY,
- Arts, Modern 20th century Catalogs.,
- Arts New York (State) New York Catalogs.,
- Arts 20e siècle Catalogues.,
- Arts New York (État) New York Catalogues.,
- Arts,
- Arts, Modern,
- Kunst,
- Filmkunst.,
- Museum of Modern Art (N.Y.),
- Art contemporain.,
- New York (State) New York,
- Art United States New York (State) New York 1980-2010.,
- Katalog.,
- Catalogs - v.,
- catalogs (documents),
- Catalogs,
- Catalogues.
(See more)
Publication:
New York : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, 2004.
New York : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, 2004.
Title:
Modern contemporary : art since 1980 at MoMA / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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Description:
560 pages : illustrations (some color) ; 26 cm
Modern contemporary : art since 1980 at MoMA / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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Description:
560 pages : illustrations (some color) ; 26 cm
Form:
books
books
Publication:
New York : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, 2004.
New York : Museum of Modern Art : Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, 2004.
Subject:
- Museum of Modern Art (New York, N.Y.) Catalogs.,
- Museum of Modern Art (New York, N.Y.),
- The Museum of Modern Art New York, NY,
- Arts, Modern 20th century Catalogs.,
- Arts New York (State) New York Catalogs.,
- Arts 20e siècle Catalogues.,
- Arts New York (État) New York Catalogues.,
- Arts,
- Arts, Modern,
- Kunst,
- Filmkunst.,
- Museum of Modern Art (N.Y.),
- Art contemporain.,
- New York (State) New York,
- Art United States New York (State) New York 1980-2010.,
- Katalog.,
- Catalogs - v.,
- catalogs (documents),
- Catalogs,
- Catalogues.
(See more)
Form:
books
books
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Description:
xiii, 264 pages : illustrations ; 25 cm
Description:
xiii, 264 pages : illustrations ; 25 cm
Title:
Collecting old photographs / Margaret Haller.
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Description:
xiii, 264 pages : illustrations ; 25 cm
Collecting old photographs / Margaret Haller.
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Description:
xiii, 264 pages : illustrations ; 25 cm
Form:
books
books
Publication:
New York : Arco Pub. Co., ©1978.
New York : Arco Pub. Co., ©1978.
