29336 Results
Level of archival description:
Project
Project
Title:
Walls Paper
Walls Paper
Actions:
Reference number:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
People:
Date:
1972, [printed 2006 (originally created 1972)]
1972, [printed 2006 (originally created 1972)]
Title:
Walls Paper
Actions:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Walls Paper
Actions:
CP138.S5.D32
Description:
File consists of a 1972 photograph by Gordon Matta-Clark from the Walls Paper series and 2006 prints of 1972 offset color lithographs, made to be distributed at the exhibition "Gordon Matta-Clark" at the Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. File contains a photograph and prints.
Level of archival description:
File 32
File 32
Date:
1972, [printed 2006 (originally created 1972)]
1972, [printed 2006 (originally created 1972)]
People:
Level of archival description:
Sub-series
Sub-series
Title:
Office Records
Office Records
Reference number:
AP140.S2.SS10
Description:
Sub-series documents office records and events of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Sub-series includes records for the London, England and Stuttgart, Germany offices. Material in this sub-series was produced between 1957 and probably 2003. Sub-series contains textual records, including personal office correspondence for James Stirling and Michael Wilford, printed materials, and clippings. Sub-series also includes posters, prints and some photographs, including several mounted for office display, mostly relating to James Stirling lectures, and to exhibitions and projects by the firm, as well as artefacts, including sculptures of James Stirling.
AP140.S2.SS10
Description:
Sub-series documents office records and events of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Sub-series includes records for the London, England and Stuttgart, Germany offices. Material in this sub-series was produced between 1957 and probably 2003. Sub-series contains textual records, including personal office correspondence for James Stirling and Michael Wilford, printed materials, and clippings. Sub-series also includes posters, prints and some photographs, including several mounted for office display, mostly relating to James Stirling lectures, and to exhibitions and projects by the firm, as well as artefacts, including sculptures of James Stirling.
People:
Date:
circa 1957-2003
circa 1957-2003
Title:
Office Records
Actions:
AP140.S2.SS10
Description:
Sub-series documents office records and events of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Sub-series includes records for the London, England and Stuttgart, Germany offices. Material in this sub-series was produced between 1957 and probably 2003. Sub-series contains textual records, including personal office correspondence for James Stirling and Michael Wilford, printed materials, and clippings. Sub-series also includes posters, prints and some photographs, including several mounted for office display, mostly relating to James Stirling lectures, and to exhibitions and projects by the firm, as well as artefacts, including sculptures of James Stirling.
Office Records
Actions:
AP140.S2.SS10
Description:
Sub-series documents office records and events of the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; and Michael Wilford and Partners. Sub-series includes records for the London, England and Stuttgart, Germany offices. Material in this sub-series was produced between 1957 and probably 2003. Sub-series contains textual records, including personal office correspondence for James Stirling and Michael Wilford, printed materials, and clippings. Sub-series also includes posters, prints and some photographs, including several mounted for office display, mostly relating to James Stirling lectures, and to exhibitions and projects by the firm, as well as artefacts, including sculptures of James Stirling.
Level of archival description:
Sub-Series 10
Sub-Series 10
Date:
circa 1957-2003
circa 1957-2003
People:
Level of archival description:
Sub-series
Sub-series
Title:
Photographs of Works
Photographs of Works
Reference number:
AP032.S1.SS2.D2
Description:
Collection of mostly b/w and some Kodacolour photographs from an envelope labelled "Mies - Prints of Works". Includes views of buildings both completed and under construction, drawings and architectural models, and views of Mies exhibition at the Museum of Modern Art, New York, in 1947. Also includes photos of F.L. Wright and Taliesin East.
AP032.S1.SS2.D2
Description:
Collection of mostly b/w and some Kodacolour photographs from an envelope labelled "Mies - Prints of Works". Includes views of buildings both completed and under construction, drawings and architectural models, and views of Mies exhibition at the Museum of Modern Art, New York, in 1947. Also includes photos of F.L. Wright and Taliesin East.
People:
Date:
1939-1947
1939-1947
Title:
Photographs of Works
Actions:
AP032.S1.SS2.D2
Description:
Collection of mostly b/w and some Kodacolour photographs from an envelope labelled "Mies - Prints of Works". Includes views of buildings both completed and under construction, drawings and architectural models, and views of Mies exhibition at the Museum of Modern Art, New York, in 1947. Also includes photos of F.L. Wright and Taliesin East.
Photographs of Works
Actions:
AP032.S1.SS2.D2
Description:
Collection of mostly b/w and some Kodacolour photographs from an envelope labelled "Mies - Prints of Works". Includes views of buildings both completed and under construction, drawings and architectural models, and views of Mies exhibition at the Museum of Modern Art, New York, in 1947. Also includes photos of F.L. Wright and Taliesin East.
Level of archival description:
File 2
File 2
Date:
1939-1947
1939-1947
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
People:
Date:
1994-1995
1994-1995
Title:
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Cities of Artificial Excavation, Madrid
Actions:
AP143.S4.D108
Description:
The project series documents the executed project for Cites of Artificial Excavation, Madrid, Spain. Material in was produced between 1994 and 1995. In 1993, the CCA invited Peter Eisenman to design an installation for the exhibition 'Cities of Artificial Excavation: The Work of Peter Eisenman, 1978-1988'. The exhibition was presented at the CCA from 2 March to 29 May 1994. The drawings and models in this project series document the development of Eisenman's installation design from late 1993 through March 1994, as well as the various processes used by the architect in his investigation of the 'Cities of Artificial Excavation'. Eisenman uses a computer to superimpose, distort and multiply a Greek cross, while simultaneously modifying its plan and section. The computer enables the architect to generate geometric figures that are extremely difficult to produce by traditional means. It also constitutes a new phase in Eisenman's research into the depersonalization of the creative process, a central concern of his 'Cities of Artificial Excavation' (1978-1988). The Greek cross was one of the elements of the grid developed for the 'Museum of Artifical Excavation', and part of the project he submitted for the Internationale Bauausstellung in Berlin (1980-1986). The project series contains material by Eisenman's office including material for schemes A and B, the first and second proposals for the installation, as well as material for the exhibition installation. Material for scheme A includes conceptual drawings (DR1994:0030:001-005), hardline design development drawings (DR1994:0030:006-011), design development computer-aided drawings (DR1994:0030:012-027), and fully developed drawings (DR1994:0030:028-034). Material for scheme B, a design which is closer to the final project, includes hardline drawings (DR1994:0030:035-044) and computer-aided drawings (DR1994:0030:045-069). Material for the exhibition installation includes: computer-aided drawings (DR1994:0030:070-196) which were generated to construct models for the installation, notably a preliminary model (DR1994:0035) and the final model (DR1994:0036) which was used for planning the exhibition layout; hardline drawings which are the final drawings for the installation (DR1994:0030:262-265); a preliminary exhibition layout (DR1994:0030:280); and Iris colour prints of computer-aided conceptual axonometrics (DR1994:0030:281-282). Three working models show different stages of the design development (DR1994:0031 - DR1994:0034). Also included are photographs of the completed installation by Richard Pare (DR1994:0037:001-028), fragments of the installation preserved after its demolition (DR1994:0038:001-0028), and paint samples (DR1994:0038:035-037). The project series contains design development drawings, working drawings, photographic materials, publication drawings, reference drawings, textual records, and models.
Level of archival description:
File 108
File 108
Date:
1994-1995
1994-1995
People:
Level of archival description:
Sub-series
Sub-series
Title:
Diamond House A
Diamond House A
Reference number:
AP145.S2.D15.SD1
Description:
Sub-file documents an unexecuted project for a house. Material in this file was produced between 1963 and 1967, reprographic copies of presentation drawings were created, probably for an exhibition, between 1963 and 1985. Sub-file contains a conceptual drawing, design development drawings, presentation drawings, presentation panels, and presentation models.
AP145.S2.D15.SD1
Description:
Sub-file documents an unexecuted project for a house. Material in this file was produced between 1963 and 1967, reprographic copies of presentation drawings were created, probably for an exhibition, between 1963 and 1985. Sub-file contains a conceptual drawing, design development drawings, presentation drawings, presentation panels, and presentation models.
People:
Date:
[1963-1985, predominant 1963-1967]
[1963-1985, predominant 1963-1967]
Title:
Diamond House A
Actions:
AP145.S2.D15.SD1
Description:
Sub-file documents an unexecuted project for a house. Material in this file was produced between 1963 and 1967, reprographic copies of presentation drawings were created, probably for an exhibition, between 1963 and 1985. Sub-file contains a conceptual drawing, design development drawings, presentation drawings, presentation panels, and presentation models.
Diamond House A
Actions:
AP145.S2.D15.SD1
Description:
Sub-file documents an unexecuted project for a house. Material in this file was produced between 1963 and 1967, reprographic copies of presentation drawings were created, probably for an exhibition, between 1963 and 1985. Sub-file contains a conceptual drawing, design development drawings, presentation drawings, presentation panels, and presentation models.
Level of archival description:
Sub-file 1
Sub-file 1
Date:
[1963-1985, predominant 1963-1967]
[1963-1985, predominant 1963-1967]
People:
Level of archival description:
Series
Series
Title:
Other Records
Other Records
Reference number:
AP076.S6
Description:
Series documents miscellaneous records including an album of photographs of Douglas Simpson House I and II and family scenes, a document relating to the Canada Pavilion model for the 1958 Universal and International Exhibition in Brussels, and a video recording of a symposium on Semmens, Simpson (Firm). Material in this series was produced between 1948 and 1992.
AP076.S6
Description:
Series documents miscellaneous records including an album of photographs of Douglas Simpson House I and II and family scenes, a document relating to the Canada Pavilion model for the 1958 Universal and International Exhibition in Brussels, and a video recording of a symposium on Semmens, Simpson (Firm). Material in this series was produced between 1948 and 1992.
People:
Date:
[1948]-1992
[1948]-1992
Title:
Other Records
Actions:
AP076.S6
Description:
Series documents miscellaneous records including an album of photographs of Douglas Simpson House I and II and family scenes, a document relating to the Canada Pavilion model for the 1958 Universal and International Exhibition in Brussels, and a video recording of a symposium on Semmens, Simpson (Firm). Material in this series was produced between 1948 and 1992.
Other Records
Actions:
AP076.S6
Description:
Series documents miscellaneous records including an album of photographs of Douglas Simpson House I and II and family scenes, a document relating to the Canada Pavilion model for the 1958 Universal and International Exhibition in Brussels, and a video recording of a symposium on Semmens, Simpson (Firm). Material in this series was produced between 1948 and 1992.
Level of archival description:
Series
Series
Date:
[1948]-1992
[1948]-1992
People:
Level of archival description:
Project
Project
Title:
SANCST Science Halls
SANCST Science Halls
Actions:
Reference number:
AP022.S1.1982.PR09
Description:
File documents a project for the Saudi Arabian National Centre for Science and Technology (SANCST), consisting of a 12,000 square-foot facility of exhibition halls, an auditorium, a planetarium, administrative offices, and a garden and parking spaces (not built), Riyadh, Saudi Arabia. File contains design development drawings, photographic material and textual records.
AP022.S1.1982.PR09
Description:
File documents a project for the Saudi Arabian National Centre for Science and Technology (SANCST), consisting of a 12,000 square-foot facility of exhibition halls, an auditorium, a planetarium, administrative offices, and a garden and parking spaces (not built), Riyadh, Saudi Arabia. File contains design development drawings, photographic material and textual records.
People:
Date:
1982-1984
1982-1984
Title:
SANCST Science Halls
Actions:
AP022.S1.1982.PR09
Description:
File documents a project for the Saudi Arabian National Centre for Science and Technology (SANCST), consisting of a 12,000 square-foot facility of exhibition halls, an auditorium, a planetarium, administrative offices, and a garden and parking spaces (not built), Riyadh, Saudi Arabia. File contains design development drawings, photographic material and textual records.
SANCST Science Halls
Actions:
AP022.S1.1982.PR09
Description:
File documents a project for the Saudi Arabian National Centre for Science and Technology (SANCST), consisting of a 12,000 square-foot facility of exhibition halls, an auditorium, a planetarium, administrative offices, and a garden and parking spaces (not built), Riyadh, Saudi Arabia. File contains design development drawings, photographic material and textual records.
Level of archival description:
Project
Project
Date:
1982-1984
1982-1984
People:
Level of archival description:
Project
Project
Title:
Stanza [Room] (1987)
Stanza [Room] (1987)
Actions:
Reference number:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
People:
Date:
circa 1987-2015
circa 1987-2015
Title:
Stanza [Room] (1987)
Actions:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Stanza [Room] (1987)
Actions:
AP207.S1.1987.PR03
Description:
The project series documents "Stanza", an installation presented in the exhibition "Beneaugurando" at the Galleria Megapoli, in Milan in 1987. The installation consists of a tent made of white gauze built in the gallery. "Only the openings made at the four corners, at the junctions of the four walls, permitted entry into a quadrangular space with a ceiling in the form of a low pyramid, where there was continuity between the walls and ceiling as in a cave." [1] This installation was also presented in the exhibition "Sistemi binari 1" at the Galleria Neon Campobase, in Bologna in 2008. The project series contains a sketch for the installation and promotional material from the Galleria Megapoli about the installation, including a press release and a promotional card. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-room-1987/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
People:
Level of archival description:
Series
Series
Title:
Printed Materials
Printed Materials
Reference number:
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
People:
Date:
1954-1998
1954-1998
Title:
Printed Materials
Actions:
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
Printed Materials
Actions:
AP144.S5
Description:
Series consists primarily of printed material including maps, posters, and other ephemera. Most maps are of locations in England, United Kingdom. Topics of posters include lectures, exhibitions, and other events, some of which relate to projects found in Series 2. Other ephemera in the series include two broadsheets, including a copy of Alexander Trocchi's poster-magazine 'The Moving Times'. This series also includes a small number of panels, photographs, drawings and diagrams, including an original drawing by Cedric Price of St. James's Square in London, England, United Kingdom which possibly relates to the Sheffield Festival project (AP144.S2.61). Material in this series was produced between 1954 and 1998. Series contains cartographic materials, posters and drawings.
Level of archival description:
Series
Series
Date:
1954-1998
1954-1998
People:
Form:
graphic materials
graphic materials
Actions:
Reference number:
ARCH252104
Description:
Various posters advertising IAUS' educational programming, publications and exhibitions: Architecture in Japan, May 26 to June 23 1984 (application form included) IAUS Catalogue 7, Five Houses: Gwathmey Siegel Architects (order form) Architectural Education: Alternatives The High School Architecture Studio Office for Metropolitan Architecture: Toward a modern (re)construction of the European city: Four Housing Projects/ recent projects by Rem Koolhaas and Elia Zenghelis, March 12-May 28, 1982
ARCH252104
Description:
Various posters advertising IAUS' educational programming, publications and exhibitions: Architecture in Japan, May 26 to June 23 1984 (application form included) IAUS Catalogue 7, Five Houses: Gwathmey Siegel Architects (order form) Architectural Education: Alternatives The High School Architecture Studio Office for Metropolitan Architecture: Toward a modern (re)construction of the European city: Four Housing Projects/ recent projects by Rem Koolhaas and Elia Zenghelis, March 12-May 28, 1982
People:
Date:
1982
1982
Title:
Various posters advertising IAUS' educational programming
Actions:
ARCH252104
Description:
Various posters advertising IAUS' educational programming, publications and exhibitions: Architecture in Japan, May 26 to June 23 1984 (application form included) IAUS Catalogue 7, Five Houses: Gwathmey Siegel Architects (order form) Architectural Education: Alternatives The High School Architecture Studio Office for Metropolitan Architecture: Toward a modern (re)construction of the European city: Four Housing Projects/ recent projects by Rem Koolhaas and Elia Zenghelis, March 12-May 28, 1982
Various posters advertising IAUS' educational programming
Actions:
ARCH252104
Description:
Various posters advertising IAUS' educational programming, publications and exhibitions: Architecture in Japan, May 26 to June 23 1984 (application form included) IAUS Catalogue 7, Five Houses: Gwathmey Siegel Architects (order form) Architectural Education: Alternatives The High School Architecture Studio Office for Metropolitan Architecture: Toward a modern (re)construction of the European city: Four Housing Projects/ recent projects by Rem Koolhaas and Elia Zenghelis, March 12-May 28, 1982
Form:
graphic materials
graphic materials
Date:
1982
1982
People:
