2633 Results
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books
books
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Description:
143 pages ; 18 cm
Description:
143 pages ; 18 cm
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Subject:
Publication:
Cuidad de México : Arquine, 2017.
Cuidad de México : Arquine, 2017.
Title:
Legorreta guide / texts, Miquel Adrià, León Villegas, Legorreta ; editing and introduction, Miquel Adrià.
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Description:
143 pages ; 18 cm
Legorreta guide / texts, Miquel Adrià, León Villegas, Legorreta ; editing and introduction, Miquel Adrià.
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Description:
143 pages ; 18 cm
Form:
books
books
Publication:
Cuidad de México : Arquine, 2017.
Cuidad de México : Arquine, 2017.
Form:
audio
audio
Title:
Marking Silences.
Marking Silences.
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Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : MACBA, 2022., [Place of publication not identified] : Undead Matter, 2022.
[Place of publication not identified] : MACBA, 2022., [Place of publication not identified] : Undead Matter, 2022.
Form:
audio
audio
Publication:
[Place of publication not identified] : MACBA, 2022., [Place of publication not identified] : Undead Matter, 2022.
[Place of publication not identified] : MACBA, 2022., [Place of publication not identified] : Undead Matter, 2022.
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books
books
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Description:
xvi, 489 pages : illustrations ; 26 cm.
Description:
xvi, 489 pages : illustrations ; 26 cm.
Subject:
Publication:
London ; New York, NY : Routledge, Taylor & Francis Group, 2017.
London ; New York, NY : Routledge, Taylor & Francis Group, 2017.
Title:
The Routledge companion to the environmental humanities / edited by Ursula K. Heise, Jon Christensen, and Michelle Niemann.
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Description:
xvi, 489 pages : illustrations ; 26 cm.
The Routledge companion to the environmental humanities / edited by Ursula K. Heise, Jon Christensen, and Michelle Niemann.
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Description:
xvi, 489 pages : illustrations ; 26 cm.
Form:
books
books
Publication:
London ; New York, NY : Routledge, Taylor & Francis Group, 2017.
London ; New York, NY : Routledge, Taylor & Francis Group, 2017.
Form:
books
books
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Description:
3 volumes : illustrations, maps ; 24 cm.
Description:
3 volumes : illustrations, maps ; 24 cm.
Subject:
- Landscapes United States Literary collections.,
- American literature 19th century.,
- American literature Colonial period, ca. 1600-1775.,
- American literature 1783-1850.,
- American literature Themes, motives.,
- Landscapes in literature.,
- Landscapes Literary collections.,
- American literature Literary collections.,
- Paysages Anthologies.,
- Littérature américaine Anthologies.,
- Paysages États-Unis Anthologies.,
- Littérature américaine 19e siècle.,
- Littérature américaine ca 1600-1775 (Période coloniale),
- Littérature américaine 1783-1850.,
- Paysages dans la littérature.,
- Literature,
- American literature,
- American literature Colonial period,
- Landscapes,
- Travel,
- Landschappen.,
- Beschrijvingen.,
- Paysage Dans la littérature.,
- Paysage.,
- Littérature américaine.,
- United States Description and travel.,
- United States In literature.,
- United States Description and travel Literary collections.,
- États-Unis Descriptions et voyages Anthologies.,
- États-Unis Descriptions et voyages.,
- United States,
- États-Unis Dans l'art.,
- États-Unis Dans la littérature.,
- Literary collections,
- Littérature.
(See more)
Publication:
Mountfield, East Sussex, U.K. : Helm Information, ©1993.
Mountfield, East Sussex, U.K. : Helm Information, ©1993.
Title:
The American landscape : literary sources & documents / edited and with an introduction by Graham Clarke.
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Description:
3 volumes : illustrations, maps ; 24 cm.
The American landscape : literary sources & documents / edited and with an introduction by Graham Clarke.
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Description:
3 volumes : illustrations, maps ; 24 cm.
Form:
books
books
Publication:
Mountfield, East Sussex, U.K. : Helm Information, ©1993.
Mountfield, East Sussex, U.K. : Helm Information, ©1993.
Subject:
- Landscapes United States Literary collections.,
- American literature 19th century.,
- American literature Colonial period, ca. 1600-1775.,
- American literature 1783-1850.,
- American literature Themes, motives.,
- Landscapes in literature.,
- Landscapes Literary collections.,
- American literature Literary collections.,
- Paysages Anthologies.,
- Littérature américaine Anthologies.,
- Paysages États-Unis Anthologies.,
- Littérature américaine 19e siècle.,
- Littérature américaine ca 1600-1775 (Période coloniale),
- Littérature américaine 1783-1850.,
- Paysages dans la littérature.,
- Literature,
- American literature,
- American literature Colonial period,
- Landscapes,
- Travel,
- Landschappen.,
- Beschrijvingen.,
- Paysage Dans la littérature.,
- Paysage.,
- Littérature américaine.,
- United States Description and travel.,
- United States In literature.,
- United States Description and travel Literary collections.,
- États-Unis Descriptions et voyages Anthologies.,
- États-Unis Descriptions et voyages.,
- United States,
- États-Unis Dans l'art.,
- États-Unis Dans la littérature.,
- Literary collections,
- Littérature.
(See more)
Form:
books
books
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Price:
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2000, Cambridge
April 2000, Cambridge
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$60.00
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2000, Cambridge
April 2000, Cambridge
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
Actions:
Price:
$39.95
(available to order)
Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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Description:
240 pages : illustrations (some color) ; 30 cm
Description:
240 pages : illustrations (some color) ; 30 cm
Subject:
- Architecture, Georgian England.,
- Architecture, Domestic England.,
- Architecture England History 18th century.,
- Architecture, Georgian United States.,
- Architecture, Domestic United States.,
- Architecture, Colonial United States.,
- Architecture Georgian Angleterre.,
- Architecture Georgian États-Unis.,
- Architecture domestique États-Unis.,
- Architecture coloniale États-Unis.,
- Architecture Angleterre Histoire 18e siècle.,
- Architecture, Colonial,
- Architecture, Domestic,
- Architecture, Georgian,
- Architecture, Modern,
- Architecture georgienne Angleterre (GB),
- Architecture georgienne États-Unis.,
- Architecture 18e siècle Angleterre (GB),
- Architecture 18e siècle États-Unis.,
- England,
- United States,
- Residences Decoration History,
- Great Britain
(See more)
Publication:
London : Aurum Press, 1995.
London : Aurum Press, 1995.
Title:
The Georgian Group book of the Georgian house / Steven Parissien ; foreword by HM Queen Elizabeth, the Queen Mother ; introduction by HRH, the Duke of Gloucester.
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Description:
240 pages : illustrations (some color) ; 30 cm
The Georgian Group book of the Georgian house / Steven Parissien ; foreword by HM Queen Elizabeth, the Queen Mother ; introduction by HRH, the Duke of Gloucester.
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Description:
240 pages : illustrations (some color) ; 30 cm
Form:
books
books
Publication:
London : Aurum Press, 1995.
London : Aurum Press, 1995.
Subject:
- Architecture, Georgian England.,
- Architecture, Domestic England.,
- Architecture England History 18th century.,
- Architecture, Georgian United States.,
- Architecture, Domestic United States.,
- Architecture, Colonial United States.,
- Architecture Georgian Angleterre.,
- Architecture Georgian États-Unis.,
- Architecture domestique États-Unis.,
- Architecture coloniale États-Unis.,
- Architecture Angleterre Histoire 18e siècle.,
- Architecture, Colonial,
- Architecture, Domestic,
- Architecture, Georgian,
- Architecture, Modern,
- Architecture georgienne Angleterre (GB),
- Architecture georgienne États-Unis.,
- Architecture 18e siècle Angleterre (GB),
- Architecture 18e siècle États-Unis.,
- England,
- United States,
- Residences Decoration History,
- Great Britain
(See more)
Form:
books
books
Holdings:
Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Subject:
- Sultans Tanzania Zanzibar Biography.,
- Sultans Tanzanie Zanzibar Biographies.,
- East Africa.,
- Zanzibar.,
- Oman.,
- United Kingdom.,
- colonial conquest.,
- colonialism.,
- Politics and government,
- International relations,
- Sultans,
- Zanzibar Politics and government To 1964.,
- Oman Relations Tanzania Zanzibar.,
- Zanzibar Relations Oman.,
- Zanzibar Politique et gouvernement Jusqu'à 1964.,
- Tanzania Zanzibar,
- Biographies
(See more)
Publication:
New Delhi : Lancers Books, 1988.
New Delhi : Lancers Books, 1988.
Title:
Omani sultans in Zanzibar, 1832-1964 / Ahmed Hamoud al-Maamiry.
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Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Omani sultans in Zanzibar, 1832-1964 / Ahmed Hamoud al-Maamiry.
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Description:
ix, 84 pages, 12 unnumbered leaves of plates : illustrations, portraits ; 23 cm
Form:
books
books
Publication:
New Delhi : Lancers Books, 1988.
New Delhi : Lancers Books, 1988.
Subject:
- Sultans Tanzania Zanzibar Biography.,
- Sultans Tanzanie Zanzibar Biographies.,
- East Africa.,
- Zanzibar.,
- Oman.,
- United Kingdom.,
- colonial conquest.,
- colonialism.,
- Politics and government,
- International relations,
- Sultans,
- Zanzibar Politics and government To 1964.,
- Oman Relations Tanzania Zanzibar.,
- Zanzibar Relations Oman.,
- Zanzibar Politique et gouvernement Jusqu'à 1964.,
- Tanzania Zanzibar,
- Biographies
(See more)
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books
books
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Description:
217 pages : illustrations, maps ; 24 cm
Description:
217 pages : illustrations, maps ; 24 cm
Subject:
- Enslaved women Barbados Bridgetown Social conditions 18th century.,
- Women Barbados Bridgetown Social conditions 18th century.,
- Slavery Barbados Bridgetown History 18th century.,
- Enslavement history,
- Women's Rights history,
- Human Rights history,
- Femmes esclaves Barbade Bridgetown Conditions sociales 18e siècle.,
- Femmes Barbade Bridgetown Conditions sociales 18e siècle.,
- Ethnic relations,
- Slavery,
- Enslaved women Social conditions,
- Women Social conditions,
- Sklavin,
- Bridgetown (Barbados) Ethnic relations History 18th century.,
- Barbados,
- Barbados Bridgetown,
- Bridgetown,
- History
(See more)
Publication:
Philadelphia, Pennsylvania : University of Pennsylvania Press, [2016], ©2016
Philadelphia, Pennsylvania : University of Pennsylvania Press, [2016], ©2016
Title:
Dispossessed lives : enslaved women, violence, and the archive / Marisa J. Fuentes.
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Description:
217 pages : illustrations, maps ; 24 cm
Dispossessed lives : enslaved women, violence, and the archive / Marisa J. Fuentes.
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Description:
217 pages : illustrations, maps ; 24 cm
Form:
books
books
Publication:
Philadelphia, Pennsylvania : University of Pennsylvania Press, [2016], ©2016
Philadelphia, Pennsylvania : University of Pennsylvania Press, [2016], ©2016
Subject:
- Enslaved women Barbados Bridgetown Social conditions 18th century.,
- Women Barbados Bridgetown Social conditions 18th century.,
- Slavery Barbados Bridgetown History 18th century.,
- Enslavement history,
- Women's Rights history,
- Human Rights history,
- Femmes esclaves Barbade Bridgetown Conditions sociales 18e siècle.,
- Femmes Barbade Bridgetown Conditions sociales 18e siècle.,
- Ethnic relations,
- Slavery,
- Enslaved women Social conditions,
- Women Social conditions,
- Sklavin,
- Bridgetown (Barbados) Ethnic relations History 18th century.,
- Barbados,
- Barbados Bridgetown,
- Bridgetown,
- History
(See more)
Form:
books
books
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Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
Subject:
- Wooden-frame houses Massachusetts.,
- Architecture Massachusetts History.,
- Architecture, Colonial Massachusetts.,
- Architecture, Domestic Massachusetts.,
- Architecture United States English influences.,
- Historic buildings Massachusetts.,
- Maisons en bois Massachusetts (Colonie),
- Architecture Massachusetts (Colonie) 17e siècle.,
- Architecture Massachusetts (Colonie) 18e siècle.,
- Architecture coloniale Massachusetts (Colonie),
- Architecture domestique Massachusetts (Colonie),
- Architecture États-Unis Influence anglaise.,
- Monuments historiques Massachusetts.,
- Architecture Massachusetts Histoire.,
- Architecture coloniale Massachusetts.,
- Architecture.,
- Architecture, Colonial.,
- Architecture, Domestic.,
- Architecture English influences.,
- Historic buildings.,
- Wooden-frame houses.,
- Haus,
- Architecture, Modern Massachusetts History.,
- World War, 1914-1918 Great Britain Fiction.,
- Large print books.,
- Massachusetts.,
- United States.,
- Great Britain Fiction.,
- Massachusetts Massachusetts Bay region Timber framed houses Architectural features, 1625-1725,
- History.,
- Love stories.
(See more)
Publication:
Cambridge, Mass. : Belknap Press, 1979.
Cambridge, Mass. : Belknap Press, 1979.
Title:
The framed houses of Massachusetts Bay, 1625-1725 / Abbott Lowell Cummings.
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Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
The framed houses of Massachusetts Bay, 1625-1725 / Abbott Lowell Cummings.
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Description:
xiv, 261 pages : illustrations ; 27 x 31 cm
Form:
books
books
Publication:
Cambridge, Mass. : Belknap Press, 1979.
Cambridge, Mass. : Belknap Press, 1979.
Subject:
- Wooden-frame houses Massachusetts.,
- Architecture Massachusetts History.,
- Architecture, Colonial Massachusetts.,
- Architecture, Domestic Massachusetts.,
- Architecture United States English influences.,
- Historic buildings Massachusetts.,
- Maisons en bois Massachusetts (Colonie),
- Architecture Massachusetts (Colonie) 17e siècle.,
- Architecture Massachusetts (Colonie) 18e siècle.,
- Architecture coloniale Massachusetts (Colonie),
- Architecture domestique Massachusetts (Colonie),
- Architecture États-Unis Influence anglaise.,
- Monuments historiques Massachusetts.,
- Architecture Massachusetts Histoire.,
- Architecture coloniale Massachusetts.,
- Architecture.,
- Architecture, Colonial.,
- Architecture, Domestic.,
- Architecture English influences.,
- Historic buildings.,
- Wooden-frame houses.,
- Haus,
- Architecture, Modern Massachusetts History.,
- World War, 1914-1918 Great Britain Fiction.,
- Large print books.,
- Massachusetts.,
- United States.,
- Great Britain Fiction.,
- Massachusetts Massachusetts Bay region Timber framed houses Architectural features, 1625-1725,
- History.,
- Love stories.
(See more)
