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Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal(...)
Architecture and ugliness: anti-aesthetics and the ugly in postmodern architecture
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Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century, addressing the relation between the aesthetic register of ugliness and aesthetic concepts such as brutalism, kitsch, the formless, ad hoc-ism, the monstrous, or the grotesque. "Architecture and ugliness" not only documents the history of a postmodern anti-aesthetic through a diverse set of case studies, it also sheds valuable light on an aesthetic problem which has been largely overlooked in architectural discourse. It is essential reading for all students and scholars with an interest in postmodern architectural history, architectural theory and aesthetics.
Post-modernism
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Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, this publication resituates the movement within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three(...)
Resisting postmodern architecture: Critical regionalism before globalisation
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Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, this publication resituates the movement within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation. Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice.
Post-modernism
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The neo-avant-garde and postmodern movements have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. Compelling continuities between the two, especially in postwar Britain, suggest that a new account is needed. This collection of provocative essays discusses the work of architects and their associates,(...)
Neo-avant-garde and postmodern: Post war architecture in Britain and beyond
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The neo-avant-garde and postmodern movements have long been understood in terms of their re-working of modernism and a narrative emphasizing rupture and new beginnings. Compelling continuities between the two, especially in postwar Britain, suggest that a new account is needed. This collection of provocative essays discusses the work of architects and their associates, including Alice and Peter Smithson, Robert Venturi and Denise Scott Brown, James Stirling, James Gowan, Eduardo Paolozzi, Leon Krier, Allan Greenberg, Reyner Banham, and Charles Jencks, and explores why the debate over postwar modernism was especially vocal in Britain.
Post-modernism
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The reader reprints extracts of key historical texts – those of Daniel Bell on the post-industrial society and Jean-François Lyotard on the post-modern condition. The new cultural logic of contested pluralism is analysed in seminal papers by Andreas Hyssen and Jim Collins. The fundamental ideas on post-modern literature are defined by Umberto Eco, John Barth and David(...)
The post-modern reader, 2nd ed.
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The reader reprints extracts of key historical texts – those of Daniel Bell on the post-industrial society and Jean-François Lyotard on the post-modern condition. The new cultural logic of contested pluralism is analysed in seminal papers by Andreas Hyssen and Jim Collins. The fundamental ideas on post-modern literature are defined by Umberto Eco, John Barth and David Lodge and the theories they present challenge the notion of post-modernism as an ultra avant-garde movement and the expression of a consumer society. For this second edition of the book, Charles Jencks presents a new overview of the Post-Modern, reflecting its maturity as a movement.
Post-modernism
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Description:
xvii, 425 pages ; 24 cm
Boston : Butterworth Architecture, 1995.
Architecture and the sites of history : interpretations of buildings and cities / edited by Iain Borden and David Dunster.
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xvii, 425 pages ; 24 cm
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Boston : Butterworth Architecture, 1995.
Les modernologues
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L'histoire du modernisme n'aura pas seulement occupé les historiens et les critiques, elle aura aussi été un objet d'investissement à part entière pour les créateurs actuels. C'est ce que montre cet ouvrage, le premier de Marjolaine Lévy. Elle y analyse dans le détail l'œuvre de six artistes pour lesquels le rapport au modernisme de la première moitié du xxe siècle est(...)
Les modernologues
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L'histoire du modernisme n'aura pas seulement occupé les historiens et les critiques, elle aura aussi été un objet d'investissement à part entière pour les créateurs actuels. C'est ce que montre cet ouvrage, le premier de Marjolaine Lévy. Elle y analyse dans le détail l'œuvre de six artistes pour lesquels le rapport au modernisme de la première moitié du xxe siècle est crucial. Ce faisant, leurs travaux sont aussi des interprétations historiques, fondées sur des approches plasticiennes, qui traitent la mémoire des formes par son invention aujourd'hui. Mies van der Rohe, Le Corbusier, Malevitch, Marcel Breuer, ces figures balisent l'univers de Farah Atassi, Martin Boyce, David Diao, Josiah McElheny, Simon Starling et Lucy Williams.
Art Theory
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London : Academy Editions, 1987.
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London : Academy Editions, 1987.
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Description:
xxii, 487 pages : illustrations ; 26 cm
London ; New York : Routledge, 1996.
Thinking about exhibitions / edited by Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne.
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xxii, 487 pages : illustrations ; 26 cm
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London ; New York : Routledge, 1996.
$54.95
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Synthèse très documentée d’une vaste révolution urbaine, des bidonvilles de l’après-guerre jusqu’aux villes nouvelles, ce livre relate et analyse trois décennies d’expérimentations au cœur desquelles était placé l’habitat, nouvel enjeu du modernisme, et établit une véritable généalogie de la banlieue française.
La banlieue, un projet social : ambitions d'une politique urbaine (1945-1975)
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Synthèse très documentée d’une vaste révolution urbaine, des bidonvilles de l’après-guerre jusqu’aux villes nouvelles, ce livre relate et analyse trois décennies d’expérimentations au cœur desquelles était placé l’habitat, nouvel enjeu du modernisme, et établit une véritable généalogie de la banlieue française.
Urban Theory
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Ces contributions analysent à travers un certain nombres d'études de cas la question de la modernité, de la patrimonialisation en matière d'architecture. Elles se penchent ainsi sur le Val-Benoît comme témoignage du modernisme à Liège ou sur l'oeuvre de Roger Bastin.
Les cahiers de l'urbanisme, septembre 2009, no. 73
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Ces contributions analysent à travers un certain nombres d'études de cas la question de la modernité, de la patrimonialisation en matière d'architecture. Elles se penchent ainsi sur le Val-Benoît comme témoignage du modernisme à Liège ou sur l'oeuvre de Roger Bastin.
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