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The photographs of the Farm Security Administration (FSA), which recorded American life in the late 1930s and early 1940s, remain among the most moving and famous documentary images from the first half of the 20th century. Yet few people know that, along with thousands and thousands of black-and-white photographs, the FSA photographers also took color pictures. Covering(...)
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The photographs of the Farm Security Administration (FSA), which recorded American life in the late 1930s and early 1940s, remain among the most moving and famous documentary images from the first half of the 20th century. Yet few people know that, along with thousands and thousands of black-and-white photographs, the FSA photographers also took color pictures. Covering(...)
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Bound for glory : America in color, 1939-43 : FSA / OWI collection, the Library of Congress
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The photographs of the Farm Security Administration (FSA), which recorded American life in the late 1930s and early 1940s, remain among the most moving and famous documentary images from the first half of the 20th century. Yet few people know that, along with thousands and thousands of black-and-white photographs, the FSA photographers also took color pictures. Covering countryside and city, farm and factory, work and play, the images in this book reveal a world that we have always seen in our mind's eye exclusively in black and white.
Bound for glory : America in color, 1939-43 : FSA / OWI collection, the Library of Congress
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The photographs of the Farm Security Administration (FSA), which recorded American life in the late 1930s and early 1940s, remain among the most moving and famous documentary images from the first half of the 20th century. Yet few people know that, along with thousands and thousands of black-and-white photographs, the FSA photographers also took color pictures. Covering countryside and city, farm and factory, work and play, the images in this book reveal a world that we have always seen in our mind's eye exclusively in black and white.
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books
books
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September 2013
September 2013
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Photography Collections
Photography Collections
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books
books
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2 v. (478; 445 p.) : ill. ; 25 cm.
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2 v. (478; 445 p.) : ill. ; 25 cm.
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Paris : H. Vivien, [18--]
Paris : H. Vivien, [18--]
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Les sculpteurs italiens / par Charles C. Perkins.; ouvrage traduit de l'anglais par Ch.-Ph. Haussoullier.
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2 v. (478; 445 p.) : ill. ; 25 cm.
Les sculpteurs italiens / par Charles C. Perkins.; ouvrage traduit de l'anglais par Ch.-Ph. Haussoullier.
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2 v. (478; 445 p.) : ill. ; 25 cm.
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books
books
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Paris : H. Vivien, [18--]
Paris : H. Vivien, [18--]
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$25.50
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central(...)
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central(...)
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Signs and images: Writings on art, cinema, and photography
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns—semiotics, visual culture, art, cinema, and photography—and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.
Signs and images: Writings on art, cinema, and photography
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns—semiotics, visual culture, art, cinema, and photography—and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.
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books
books
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September 2023
September 2023
Subject:
Art Theory
Art Theory
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books
books
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$81.50
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including(...)
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including(...)
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June 2006, Philadelphia /New Haven
June 2006, Philadelphia /New Haven
Title:
Dreaming in black and white : photography at the Julien Levy gallery
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including Henri Cartier-Bresson, Walker Evans, Clarence John Laughlin, George Platt Lynes, and Lee Miller. He also developed close relationships with artists Salvador Dalí, Max Ernst, and Man Ray, among others, and is credited with discovering Joseph Cornell. This book is published to commemorate the centenary of Levy’s birth and to celebrate the Philadelphia Museum of Art’s major acquisition of more than 2,500 photographs from his collection.
Dreaming in black and white : photography at the Julien Levy gallery
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including Henri Cartier-Bresson, Walker Evans, Clarence John Laughlin, George Platt Lynes, and Lee Miller. He also developed close relationships with artists Salvador Dalí, Max Ernst, and Man Ray, among others, and is credited with discovering Joseph Cornell. This book is published to commemorate the centenary of Levy’s birth and to celebrate the Philadelphia Museum of Art’s major acquisition of more than 2,500 photographs from his collection.
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books
books
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June 2006, Philadelphia /New Haven
June 2006, Philadelphia /New Haven
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books
books
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Fundación Cisneros 2013
Fundación Cisneros 2013
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books
books
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Fundación Cisneros 2013
Fundación Cisneros 2013
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journals and magazines
journals and magazines
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$23.00
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
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Foil_Iann vol. 1 2007 contemporary art photography in Asia
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$23.00
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
Foil_Iann vol. 1 2007 contemporary art photography in Asia
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
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journals and magazines
journals and magazines
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January 2008, Korea
January 2008, Korea
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viii, 96 pages : illustrations (some color) ; 27 cm
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viii, 96 pages : illustrations (some color) ; 27 cm
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Montréal : Canadian Centre for Architecture/Centre canadien d'architecture ; Baden, Switzerland : Distributed by Lars Müller Publishers, 2005.
Montréal : Canadian Centre for Architecture/Centre canadien d'architecture ; Baden, Switzerland : Distributed by Lars Müller Publishers, 2005.
Title:
Dieter Appelt : Forth Bridge-cinema.metric space = Forth Bridge-cinema.espace métrique.
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viii, 96 pages : illustrations (some color) ; 27 cm
Dieter Appelt : Forth Bridge-cinema.metric space = Forth Bridge-cinema.espace métrique.
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viii, 96 pages : illustrations (some color) ; 27 cm
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books
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Montréal : Canadian Centre for Architecture/Centre canadien d'architecture ; Baden, Switzerland : Distributed by Lars Müller Publishers, 2005.
Montréal : Canadian Centre for Architecture/Centre canadien d'architecture ; Baden, Switzerland : Distributed by Lars Müller Publishers, 2005.
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journals and magazines
journals and magazines
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The Photograph collector.
The Photograph collector.
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volumes ; 28 cm
Description:
volumes ; 28 cm
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New York : Photograph Collectors Newsletter
New York : Photograph Collectors Newsletter
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journals and magazines
journals and magazines
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New York : Photograph Collectors Newsletter
New York : Photograph Collectors Newsletter
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books
books
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$39.95
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Summary:
Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the(...)
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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the(...)
Title:
Mirrors of memory: Freud, photography, and the history of art
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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis.
Mirrors of memory: Freud, photography, and the history of art
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Mirrors of memory seeks to understand how various kinds of photographs--of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes--fed into Freud's thinking as he elaborated the concepts of psychoanalysis. Illustrated with reproductions of the photos from Freud's voluminous collection, Bergstein argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis.
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books
books
Publication:
May 2010
May 2010
Subject:
Theory of Photography
Theory of Photography
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books
books
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143 pages : chiefly illustrations ; 29 cm
Description:
143 pages : chiefly illustrations ; 29 cm
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New York : Aperture : [Distributed] in North America, D.A.P., ©2007.
New York : Aperture : [Distributed] in North America, D.A.P., ©2007.
Title:
New York rises / photographs by Eugene de Salignac ; from the collections of the New York City Department of Records/Municipal Archives ; essays by Michael Lorenzini and Kevin Moore.
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143 pages : chiefly illustrations ; 29 cm
New York rises / photographs by Eugene de Salignac ; from the collections of the New York City Department of Records/Municipal Archives ; essays by Michael Lorenzini and Kevin Moore.
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143 pages : chiefly illustrations ; 29 cm
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books
books
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New York : Aperture : [Distributed] in North America, D.A.P., ©2007.
New York : Aperture : [Distributed] in North America, D.A.P., ©2007.
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