Project
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
1998-2006
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Project
1998-2006
Sub-series
Anywise Conference - General
AP116.S2.SS6.D1
Description:
File documents the planning of the Anywise Conference and some of the preliminary planning for the accompanying Anywise Journal. Material in file was produced between 1994 and 1996. File contains conference draft schedules, hotel brochures, documents relating to travel arrangements, correspondence, postcards, exhibition catalogues, Korean newspaper, clippings, participant biographies, informational texts about the conference, and receipts.
1994-1996
Anywise Conference - General
Actions:
AP116.S2.SS6.D1
Description:
File documents the planning of the Anywise Conference and some of the preliminary planning for the accompanying Anywise Journal. Material in file was produced between 1994 and 1996. File contains conference draft schedules, hotel brochures, documents relating to travel arrangements, correspondence, postcards, exhibition catalogues, Korean newspaper, clippings, participant biographies, informational texts about the conference, and receipts.
File 1
1994-1996
Project
Splitting
CP138.S5.D10
Description:
File consists of photographs of the 1974 project Splitting, executed in Englewood, New Jersey. Includes a photograph printed in 1974 as well as photographs printed at a later date, probably in 2001, by the Estate of Gordon Matta-Clark for the exhibition "Points of Departure II: Connecting with Contemporary Art" held at the San Francisco Museum of Modern Art, in San Francisco, California. File contains photographs.
1974
Splitting
Actions:
CP138.S5.D10
Description:
File consists of photographs of the 1974 project Splitting, executed in Englewood, New Jersey. Includes a photograph printed in 1974 as well as photographs printed at a later date, probably in 2001, by the Estate of Gordon Matta-Clark for the exhibition "Points of Departure II: Connecting with Contemporary Art" held at the San Francisco Museum of Modern Art, in San Francisco, California. File contains photographs.
File 10
1974
textual records
Gross, Chaim
ARCH104111
Description:
announcements of exhibition of sculpture
1935, 1937, 1942
textual records
1935, 1937, 1942
Project
AP164.S1.2003.D8
Description:
The project series documents the design for exhibition halls and offices for the Pepe Cobo art gallery on Argensola Street, Madrid, Spain. The firm identified this project as number 171. See also the project "Pepe Cobo II, galería de arte" (AP164.S1.2004.D7). The project documents conceptual and design development drawings, digital and reference materials, correspondence, project descriptions and budgets.
2003
Galería de Pepe Cobo, Madrid, Spain (2003)
Actions:
AP164.S1.2003.D8
Description:
The project series documents the design for exhibition halls and offices for the Pepe Cobo art gallery on Argensola Street, Madrid, Spain. The firm identified this project as number 171. See also the project "Pepe Cobo II, galería de arte" (AP164.S1.2004.D7). The project documents conceptual and design development drawings, digital and reference materials, correspondence, project descriptions and budgets.
Project
2003
Project
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
1996-1997
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
File 10
1996-1997
books
Exposition Willi Baumeister
ARCH270243
Description:
Exhibition catalogue for the exhibition "Exposition Willi Baumeister" at the Galerie Jeanne Bucher in Paris in November and December 1946.
1949
Exposition Willi Baumeister
Actions:
ARCH270243
Description:
Exhibition catalogue for the exhibition "Exposition Willi Baumeister" at the Galerie Jeanne Bucher in Paris in November and December 1946.
books
1949
Project
AP164.S1.2004.D7
Description:
The project series documents the commission for the remodelling of exhibition halls and the show-room for the Pepe Cobo art gallery, Madrid, Spain. The original structure was kept during the construction. The firm identified this project as number 185. See also the project "Galería de Pepe Cobo" (AP164.S1.2003.D8). Documenting the project are digital materials which have not yet been processed.
circa 2004
Pepe Cobo II, galería de arte, Madrid, Spain (2004)
Actions:
AP164.S1.2004.D7
Description:
The project series documents the commission for the remodelling of exhibition halls and the show-room for the Pepe Cobo art gallery, Madrid, Spain. The original structure was kept during the construction. The firm identified this project as number 185. See also the project "Galería de Pepe Cobo" (AP164.S1.2003.D8). Documenting the project are digital materials which have not yet been processed.
Project
circa 2004
Sub-series
Student Drawings
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
1938-1939
Student Drawings
Actions:
AP032.S1.SS1.D3.SD1
Description:
Sketch studies by Goldsmith executed in Mies van der Rohe's class, Armour Institute of Technology, Chicago: The subjects include farm and vernacular buildings, and studies for golf and country club houses. Included are lecture notes, correspondence, and a scholarship form. Note: Individual titles for some of the drawings were assigned during preparation of the CCA exhibition "Myron Goldsmith, Poet of Structure", 1991.
Sub-file 1
1938-1939
Series
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
1983-2002
The Villas of Pliny : from antiquity to posterity, 1988-1994
Actions:
AP133.S1
Description:
This series documents the research, writing, publishing and promotion of Pierre du Prey's "The Villas of Pliny: from antiquity to posterity." The focus of the book is Pliny the Younger’s continuous influence on the work of architects. The book was published in 1994 by The University of Chicago Press. Du Prey undertook this research and writing project after curating the Canadian Centre for Architecture's exhibition "The Villas of Pliny and Classical Architecture in Montréal" presented at the Musée des Beaux-arts de Montréal in 1983. In the exhibition, du Prey notes the influence of Pliny's work on Montréal architecture, including his influence on the work of architect Ernest Cormier. This theme of the exhibtion later became a chapter of his book. The series contains research material, such as notes by Pierre du Prey, sound recordings of interviews with experts and architectural historians, and correspondence. It also contains manuscripts, drafts and dummies for publication, as well as correspondence, financial documents related to publishing, and press clippings on Pierre du Prey and his book.
Series
1983-2002