Wajiro Kon retrospective
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Known as the founder of “modernology”, the Japanese scholar Wajiro Kon (1888-1973) was an avid observer and recorder of changes that occurred to the landscapes and people of Tokyo, a city that underwent dramatic urban change in the early days of the nineteenth century. This book looks back on Kon’s wide-ranging work as an architect, designer, and folklore researcher,(...)
Wajiro Kon retrospective
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Known as the founder of “modernology”, the Japanese scholar Wajiro Kon (1888-1973) was an avid observer and recorder of changes that occurred to the landscapes and people of Tokyo, a city that underwent dramatic urban change in the early days of the nineteenth century. This book looks back on Kon’s wide-ranging work as an architect, designer, and folklore researcher, showcasing not only sketches and photos, but also his architectural and design drawings. Kuroishi Izumi provides an insightful essay on the more unknown aspects of Wajiro Kon’s work and his critical ideas on philosophy, science and history.
Architectural Theory
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the(...)
Angola cinemas: a fiction of freedom
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the 1960s brought atmosphere and elegance to the experience of going to the movies; but these urban cathedrals were also, importantly, a place where social barriers dissolved and where liberation from colonialism was possible. Walter Fernandes' (born 1979) photographs offer not only an examination of the architectural history of these buildings, but also an important document of urban organization in the twentieth century, as well as the changing mentalities of a society living with the prospect of its independence.
Photography monographs
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Between 1917 and 1945, a tide of hyperindustrialization washed over the United States and the Soviet Union. While the two countries remained ideologically opposed, the factories that amassed in Stalingrad, Moscow, Detroit, Buffalo, and Cleveland were strikingly similar, as were the new forms of modern work and urban and infrastructural development that supported this(...)
Architectural Theory
September 2023
Detroit-Moscow-Detroit: An architecture for industrialization, 1917-1945
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Between 1917 and 1945, a tide of hyperindustrialization washed over the United States and the Soviet Union. While the two countries remained ideologically opposed, the factories that amassed in Stalingrad, Moscow, Detroit, Buffalo, and Cleveland were strikingly similar, as were the new forms of modern work and urban and infrastructural development that supported this industrialization. Drawing on previously unknown archival materials and photographs, the essays in ''Detroit-Moscow-Detroit'' document a stunning two-way transfer of technical knowledge between the United States and the USSR that greatly influenced the built environment in both countries, upgrading each to major industrial power by the start of the Second World War. The innovative research presented here explores spatial development, manufacturing, mass production, and organizational planning across geopolitical lines to demonstrate that capitalist and communist built environments in the twentieth century were not diametrically opposed and were, on certain sites, coproduced in a period of intense technical exchange between the two world wars. A fresh account of the effects of industrialization and globalization on US and Soviet cultures, architecture, and urban history, ''Detroit-Moscow-Detroit'' will find wide readership among architects, urban designers, and scholars of architectural, urban, and twentieth-century history.
Architectural Theory
Monu 12: real urbanism
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Most of our cities are shaped by a particular set of values that does not necessarily lead to high quality urban spaces, but instead to scary, ethically unacceptable and distorted forms. To prevent our cities from turning into monstrous “Ideal Cities” all parties involved that are shaping the cities – the developers, the municipalities and the planners – have to accept(...)
Monu 12: real urbanism
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Most of our cities are shaped by a particular set of values that does not necessarily lead to high quality urban spaces, but instead to scary, ethically unacceptable and distorted forms. To prevent our cities from turning into monstrous “Ideal Cities” all parties involved that are shaping the cities – the developers, the municipalities and the planners – have to accept their interdependencies, and have to try to understand the different interests of each party and to dare to navigate into unknown territory. Texts by Jason Lee, Doreen Jakob, Mammoth, Karl Johann Hakken, Maximilian Mendel, Yim Dongwoo, MVRDV, and many others. Interviews with Magriet Smit, Bjarke Ingels, Andre Kempe.
Magazines
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A.J. Lode Janssens is one of Belgium’s most idiosyncratic architects and a radical educator. He was cofounder of the experimental studio Atelier Alpha and the Sint-Lucas Werkgemeenschap, a workshop linking architectural education, practice and research, and operated in close collaboration with ILAUD, the International Laboratory of Architecture and Urban Design. This(...)
A. J. Lode Janssens: 1,47 mbar. Balloon Home
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A.J. Lode Janssens is one of Belgium’s most idiosyncratic architects and a radical educator. He was cofounder of the experimental studio Atelier Alpha and the Sint-Lucas Werkgemeenschap, a workshop linking architectural education, practice and research, and operated in close collaboration with ILAUD, the International Laboratory of Architecture and Urban Design. This publication presents The Balloon, an all-but-unknown temporary pneumatic home experiment, built in 1973 in Humbeek, where he lived with his family until 1986. Lode Janssens considered it an uncompromising ephemeral attempt at de-architecturalization and living in harmony with nature: a cave-dwelling, a work-in-progress, an empirical residence. This publication accompanies the eponymous exhibition at CIVA in Brussels.
Architecture Monographs
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"Geothermal Larderello" investigates contemporary urbanism by looking at the evolution of human settlement patterns in relation to geothermal energy in Larderello, Italy. Larderello is "off the map," and virtually unknown to Tuscan residents and tourists, but is one of the world's centers of geothermal power research. Alternative futures for this industrial town, which(...)
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September 2005, New York
Geothermal Larderello : Tuscany, Italy
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"Geothermal Larderello" investigates contemporary urbanism by looking at the evolution of human settlement patterns in relation to geothermal energy in Larderello, Italy. Larderello is "off the map," and virtually unknown to Tuscan residents and tourists, but is one of the world's centers of geothermal power research. Alternative futures for this industrial town, which was planned by Giovanni Michelucci in the 1950s, are discussed within the context of sustainability, economics, programming, and environment. In ancient times, the Valley de Cecina was home to a spa and renowned for its healing thermal waters, while in the modern era, this steam was harnessed to generate electricity for district heating and for other uses. Larderello, with its unique landscape of agricultural fields, olive trees, cooling towers, and miles of above-ground steam pipes, is a case study for the possible confluence of geothermal power and urban design issues.
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books
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László Moholy-Nagy (1895–1946) was one of the most ardent seekers of the ‘New Vision’ among the early twentieth century avant-garde artists. His ongoing preoccupation with the phenomenon of light defined all periods of his artistic creativity, and his strength lay in his effortless skill translating light and spatial dimensions from one medium to another. In the early(...)
Photography monographs
January 1900, Göttingen
Laszlo Moholy-Nagy : color in transparency, photographic experiments in color
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László Moholy-Nagy (1895–1946) was one of the most ardent seekers of the ‘New Vision’ among the early twentieth century avant-garde artists. His ongoing preoccupation with the phenomenon of light defined all periods of his artistic creativity, and his strength lay in his effortless skill translating light and spatial dimensions from one medium to another. In the early 1930s the first color processes became widely available. After he had mastered the different fields of black/white photography, it was only to be expected that Moholy would focus his creative energy on the next hot issue among photographers. Color photography proved to be one of Moholy’s most important media of artistic production, but until now, with a few exceptions, his work in the field of color photography is unknown. This book presents 100 works — advertisements, portraits, urban views, New Bauhaus studies, and abstract compositions — from the early days of Moholy’s experimentation with color in 1934 until his death in 1946. A foreword by Hattula Moholy-Nagy, an introductory essay and extended captions by Jeannine Fiedler, a chronology and bibliography will present the history of color photography and the significance of these works in Moholy’s own oeuvre.
books
January 1900, Göttingen
Photography monographs