2631 Results
Level of archival description:
Series
Series
Title:
Personal Papers
Personal Papers
Reference number:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
People:
Date:
1931-1995
1931-1995
Title:
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Personal Papers
Actions:
AP032.S1
Description:
This series contains chronologically-arranged papers, photographs and drawings concerning Goldsmith's life from about the time of his enrollment at the Armour Institute in Chicago, to the mid-1950s when he returned from Europe to America to join Skidmore, Owings & Merrill. These documents are records of Goldsmith's early influences, and his education and training as an architect at the Armour Institute (later the Illinois Institute of Technology) and at the University of Rome. The papers also concern his service as an structural engineer in the U.S. armed forces, work in the office of Mies van der Rohe, and travels in Europe in the early 1950's all of which could be also considered as part of his education. The documents in this series are interesting for the quantity of Goldsmith's student sketches and research notes, including lectures by and observations on Mies van der Rohe and Pier Luigi Nervi. Moreover, correspondence, notes and photographs reveal a variety of other important influences on the young Goldsmith, such as a pilgrimage to visit Frank Lloyd Wright at Taliesan East, and letters to Buckminister Fuller. Of particular interest are the papers concerning Mies van der Rohe as teacher, mentor and friend to Goldsmith. The fonds contains various documents from office files, including Goldsmith's notations on projects like the Farnsworth House, and collections of period photographs and blueprints of Mies' buildings and furniture designs. Related documentation on Mies exists in various files throughout the fonds, especially in the Mies van der Rohe Centennial Project located in Series 3: Professional Activities - Teaching. The last section in this series, Papers and Correspondence, which consists of personal and business papers dating from the late 1950's to the mid-1990's. This material includes the Goldsmith-Ferris Portfolio, a collection of 150 mounted photographs (possibly for an exhibition) that presents mostly Goldsmith's collaborative work with architect James Ferris, from the experimental projects in reinforced concrete in Rome to the Kitt Peak Solar Telescope of 1962. Also included are documents concerning Mies van der Rohe's Mansion House Square scheme as revived by architect Peter Carter (1982-84).
Level of archival description:
Series 1
Series 1
Date:
1931-1995
1931-1995
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
People:
Date:
1998-2000
1998-2000
Title:
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Canadian Embassy, Berlin, Germany (1999-2005)
Actions:
AP056.S1.1999.PR01
Description:
This project series documents the Canadian Embassy in Berlin, Germany from 1999-2005. The office identified the project number as 9903. This project consisted of a new embassy building for Canada in the reunified German capital located at the junction of Leipziger Platz and Potsdamer Platz. The embassy was built in joint venture with Gagnon Letellier Cyr Architects and Smith Carter Architects and Engineers. The firms were selected for the project by the Canadian Department of Foreign Affairs and International Trade after a national competition was held. The competition jury had chosen a different design, by architecture firm Saucier + Perrotte.[1] The embassy, built to follow the original octagonal wall of Leipziger Platz, had a stone exterior punched with windows, as dictated by the District Office of Central Berlin's guidelines.[2] It occupied the first four floors of the Leipziger Platz block and all floors of the Ebertstrasse block. Inside, the Focus Canada Centre off the Ebertstrasse entrance served as the central government information centre and included interactive kiosks. The Embassy Reception Hall, complete was an Inuksuk at its entrance, was a space that greeted guests and provided consular services. The Canada Lounge defined the ground floor and provided a space where visitors could engage with Canadian news through newspapers, radios and televisions. The cylindrical Great Timber Hall pierced through the embassy. This wood-lined space had a sky-light ceiling to allow natural light to flow inside and served as an executive meeting room and a space for special guests, entertainment, events and exhibits. Retail spaces were also provided along Vossstrasse and a residential component made up the upper floors of Leipziger Platz. The project is recorded through a model and drawings dating from 1998-2000. The large part of these drawings are sketches, but plans, elevations, sections, perspectives and details are also included. [1] Adele Weder, "A Berlin Chronicle," The Canadian Architect, June 20, 1999, 20-21. [2] "Canadian Embassy Berlin." KPMB. Accessed April 18, 2019. http://www.kpmb.com/project/canadian-embassy-berlin/
Level of archival description:
Project
Project
Date:
1998-2000
1998-2000
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH158396
Description:
Cette chemise contient de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas, et en particulier de la correspondance relative aux célébrations du cinquantième anniversaire de Taliesin, en 1987 ; de même que des exemplaires du bulletin Taliesin Fellowship News (Vol. 1, no 2 et vol. 2, no 1) et 1 exemplaire du Frank Lloyd Wright Quarterly, vol. 3, no. 4, et 1 exemplaire de la brochure The Frank Lloyd Wright School of Architecture - An Overview 1993-1994. De plus, on retrouve parmi la correspondance : 1 lettre de William Wesley Peters 1 lettre de Mme Frank Lloyd Wright 2 cartes de souhaits signées par Frank Lloyd Wright 11,5 x 16,5cm et 13 x 18cm 1 lettre de Kamal Amin à Roger D'Astous, 1er février 1977 1 lettre de Anna Delson à Micheline et Roger D'Astous, 4 septembre 1989 1 feuillet 19,5 x 14,5 cm 1 lettre de Morton Delson à Micheline et Roger D'Astous, ca. septembre 1989. 1 feuillet accompagné de photocopie et coupure de presse 9,5 x 25,5 cm 1 photographie: prise à l'occasion des célébrations du 50ième de Taliesin, noir et blanc 22,5 x 25,5 cm 1 projet de lettre de Roger D'Astous à William Wesley Peters, ca. 1991
ARCH158396
Description:
Cette chemise contient de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas, et en particulier de la correspondance relative aux célébrations du cinquantième anniversaire de Taliesin, en 1987 ; de même que des exemplaires du bulletin Taliesin Fellowship News (Vol. 1, no 2 et vol. 2, no 1) et 1 exemplaire du Frank Lloyd Wright Quarterly, vol. 3, no. 4, et 1 exemplaire de la brochure The Frank Lloyd Wright School of Architecture - An Overview 1993-1994. De plus, on retrouve parmi la correspondance : 1 lettre de William Wesley Peters 1 lettre de Mme Frank Lloyd Wright 2 cartes de souhaits signées par Frank Lloyd Wright 11,5 x 16,5cm et 13 x 18cm 1 lettre de Kamal Amin à Roger D'Astous, 1er février 1977 1 lettre de Anna Delson à Micheline et Roger D'Astous, 4 septembre 1989 1 feuillet 19,5 x 14,5 cm 1 lettre de Morton Delson à Micheline et Roger D'Astous, ca. septembre 1989. 1 feuillet accompagné de photocopie et coupure de presse 9,5 x 25,5 cm 1 photographie: prise à l'occasion des célébrations du 50ième de Taliesin, noir et blanc 22,5 x 25,5 cm 1 projet de lettre de Roger D'Astous à William Wesley Peters, ca. 1991
People:
Title:
Correspondance diverse de la Fondation Frank Lloyd Wright
Actions:
ARCH158396
Description:
Cette chemise contient de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas, et en particulier de la correspondance relative aux célébrations du cinquantième anniversaire de Taliesin, en 1987 ; de même que des exemplaires du bulletin Taliesin Fellowship News (Vol. 1, no 2 et vol. 2, no 1) et 1 exemplaire du Frank Lloyd Wright Quarterly, vol. 3, no. 4, et 1 exemplaire de la brochure The Frank Lloyd Wright School of Architecture - An Overview 1993-1994. De plus, on retrouve parmi la correspondance : 1 lettre de William Wesley Peters 1 lettre de Mme Frank Lloyd Wright 2 cartes de souhaits signées par Frank Lloyd Wright 11,5 x 16,5cm et 13 x 18cm 1 lettre de Kamal Amin à Roger D'Astous, 1er février 1977 1 lettre de Anna Delson à Micheline et Roger D'Astous, 4 septembre 1989 1 feuillet 19,5 x 14,5 cm 1 lettre de Morton Delson à Micheline et Roger D'Astous, ca. septembre 1989. 1 feuillet accompagné de photocopie et coupure de presse 9,5 x 25,5 cm 1 photographie: prise à l'occasion des célébrations du 50ième de Taliesin, noir et blanc 22,5 x 25,5 cm 1 projet de lettre de Roger D'Astous à William Wesley Peters, ca. 1991
Correspondance diverse de la Fondation Frank Lloyd Wright
Actions:
ARCH158396
Description:
Cette chemise contient de la correspondance diverse de la Fondation Frank Lloyd Wright, adressée à M. et Mme Roger D'Astous, soit à titre d'amis de la Fondation ou à titre d'ancien apprenti du Fellowship, selon le cas, et en particulier de la correspondance relative aux célébrations du cinquantième anniversaire de Taliesin, en 1987 ; de même que des exemplaires du bulletin Taliesin Fellowship News (Vol. 1, no 2 et vol. 2, no 1) et 1 exemplaire du Frank Lloyd Wright Quarterly, vol. 3, no. 4, et 1 exemplaire de la brochure The Frank Lloyd Wright School of Architecture - An Overview 1993-1994. De plus, on retrouve parmi la correspondance : 1 lettre de William Wesley Peters 1 lettre de Mme Frank Lloyd Wright 2 cartes de souhaits signées par Frank Lloyd Wright 11,5 x 16,5cm et 13 x 18cm 1 lettre de Kamal Amin à Roger D'Astous, 1er février 1977 1 lettre de Anna Delson à Micheline et Roger D'Astous, 4 septembre 1989 1 feuillet 19,5 x 14,5 cm 1 lettre de Morton Delson à Micheline et Roger D'Astous, ca. septembre 1989. 1 feuillet accompagné de photocopie et coupure de presse 9,5 x 25,5 cm 1 photographie: prise à l'occasion des célébrations du 50ième de Taliesin, noir et blanc 22,5 x 25,5 cm 1 projet de lettre de Roger D'Astous à William Wesley Peters, ca. 1991
Form:
textual records
textual records
People:
Reference number:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
People:
Date:
1971-1977
1971-1977
Title:
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Reviews, Announcements, Catalogues & Photos 1970-77
Actions:
PHCON2002:0016:005
Description:
Binder consists of published documentation on the work of Gordon Matta-Clark from the period from 1971 to 1977. It includes exhibition catalogues, reviews of exhibitions, and published interviews; these include documentation on Alternatives to the Washington Square Art Fair (1973) ; Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); City Slivers (1976); Conical Intersect (1975); Contrabienal (1971); Day's End (1975); Fresh Air Cart (1972); Jacks (1971); Jacob's Ladder (1977); Meander (1976); Office Baroque (1977); Open House (1972); Underground Paris (1977); Subway Graffiti (1973); Splitting (1974); Tree Dance (1971); and Walls Paper (1972). Photographs, both personal and those created for publicity, are contained in the binder, as well as correspondence and an example of a Certificate of Authenticity created to give to purchasers of his works. Also included are a series of different resumes written by Matta-Clark along with a more extensive posthumous curriculum vitae and a list of the books in his library. Binder contains photographs, slides and textual records.
Date:
1971-1977
1971-1977
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
People:
Date:
1914-2008
1914-2008
Title:
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Gordon Matta-Clark collection
Actions:
CP138
Synopsis:
The Gordon Matta-Clark collection documents the personal and professional activities of Gordon Matta-Clark through his correspondence, texts, library, artwork and films, created predominantly between 1969 and 1978. Additionally the collection contains correspondence and photographs collected by Anne Alpert, Matta-Clark's mother, and documentation on his work collected by his widow Jane Crawford following his death.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1914-2008
1914-2008
People:
Form:
books
books
Actions:
Holdings:
Description:
194 pages, 16 unnumbered pages of plates : illustrations (some color) ; 23 cm
Description:
194 pages, 16 unnumbered pages of plates : illustrations (some color) ; 23 cm
Author:
Subject:
Publication:
Paris : Editions du CNRS ; Lyon : Presses universitaires de Lyon, ©1983.
Paris : Editions du CNRS ; Lyon : Presses universitaires de Lyon, ©1983.
Title:
La carte postale : son histoire, sa fonction sociale / Aline Ripert, Claude Frère ; avec la participation de Sylvie Forestier ; iconographie, Gisèle Borie-Perez.
Actions:
Holdings:
Description:
194 pages, 16 unnumbered pages of plates : illustrations (some color) ; 23 cm
La carte postale : son histoire, sa fonction sociale / Aline Ripert, Claude Frère ; avec la participation de Sylvie Forestier ; iconographie, Gisèle Borie-Perez.
Actions:
Holdings:
Description:
194 pages, 16 unnumbered pages of plates : illustrations (some color) ; 23 cm
Form:
books
books
Publication:
Paris : Editions du CNRS ; Lyon : Presses universitaires de Lyon, ©1983.
Paris : Editions du CNRS ; Lyon : Presses universitaires de Lyon, ©1983.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
50 p. : mostly col. ill. ; 25 x 31 cm.
Description:
50 p. : mostly col. ill. ; 25 x 31 cm.
Author:
Publication:
Milano : Charta, c2001.
Milano : Charta, c2001.
Title:
Carte riciclate = recycled papers / Giovanni Zaffagnini ; testi di / by Roberta Valtorta.
Actions:
Holdings:
Description:
50 p. : mostly col. ill. ; 25 x 31 cm.
Carte riciclate = recycled papers / Giovanni Zaffagnini ; testi di / by Roberta Valtorta.
Actions:
Holdings:
Description:
50 p. : mostly col. ill. ; 25 x 31 cm.
Form:
books
books
Publication:
Milano : Charta, c2001.
Milano : Charta, c2001.
Author:
Form:
books
books
Actions:
Holdings:
Description:
23 pages : illustrations ; 21 cm
Description:
23 pages : illustrations ; 21 cm
Author:
Subject:
Publication:
Châlon-sur-Saône : Musée Nicéphore Niépce, [1976]
Châlon-sur-Saône : Musée Nicéphore Niépce, [1976]
Title:
La carte postale et la collection Combier / Paul Jay.
Actions:
Holdings:
Description:
23 pages : illustrations ; 21 cm
La carte postale et la collection Combier / Paul Jay.
Actions:
Holdings:
Description:
23 pages : illustrations ; 21 cm
Form:
books
books
Publication:
Châlon-sur-Saône : Musée Nicéphore Niépce, [1976]
Châlon-sur-Saône : Musée Nicéphore Niépce, [1976]
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Form:
maps
maps
Title:
Carte Expo 67 = Map Expo 67.
Carte Expo 67 = Map Expo 67.
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Description:
2 maps on 1 sheet : color illustrations ; 17 x 30 cm folded to 9 x 10 cm
Description:
2 maps on 1 sheet : color illustrations ; 17 x 30 cm folded to 9 x 10 cm
Author:
Subject:
Publication:
[Montréal?] : Banque de Commerce canadienne impériale, [1967]
[Montréal?] : Banque de Commerce canadienne impériale, [1967]
Title:
Carte Expo 67 = Map Expo 67.
Actions:
Holdings:
Description:
2 maps on 1 sheet : color illustrations ; 17 x 30 cm folded to 9 x 10 cm
Carte Expo 67 = Map Expo 67.
Actions:
Holdings:
Description:
2 maps on 1 sheet : color illustrations ; 17 x 30 cm folded to 9 x 10 cm
Form:
maps
maps
Publication:
[Montréal?] : Banque de Commerce canadienne impériale, [1967]
[Montréal?] : Banque de Commerce canadienne impériale, [1967]
Author:
Subject:
Form:
books
books
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Author:
Subject:
Publication:
Genova : Sagep Editrice, 1986.
Genova : Sagep Editrice, 1986.
Form:
books
books
Publication:
Genova : Sagep Editrice, 1986.
Genova : Sagep Editrice, 1986.
Author:
Subject:
