5873 Results
Level of archival description:
Project
Project
Reference number:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
People:
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Title:
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Level of archival description:
Project
Project
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
People:
Form:
drawings, works of art
drawings, works of art
Actions:
Reference number:
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
People:
Subject:
architecture
architecture
Date:
drawings executed in 1839, prints executed in 1838
drawings executed in 1839, prints executed in 1838
Title:
Album of plans, elevations and sections for the Théâtre-Italien, rue de la Paix, Paris
Actions:
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
Album of plans, elevations and sections for the Théâtre-Italien, rue de la Paix, Paris
Actions:
DR1974:0002:019:001-023
Description:
- This album contains elevations, plans, and sections for Rohault de Fleury's unexecuted project to construct a new opera house for the Théâtre Royal Italien on the site of the Hôtel du Timbre and the Ministère des Affaires Étrangères. The finished nature of the drawings, and their cohesive representation, suggests that they are presentation drawings for a prospective client(s). The unbound engraving and transfer lithograph (DR1974:0002:019:001 and DR1974:0002:019:002) relate directly to the subject matter of the album, however, they are probably later additions as they do not appear in the table of contents.
Form:
drawings, works of art
drawings, works of art
Date:
drawings executed in 1839, prints executed in 1838
drawings executed in 1839, prints executed in 1838
People:
Subject:
architecture
architecture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Hal Ingberg fonds
Hal Ingberg fonds
Actions:
Reference number:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
People:
Date:
1991-2002
1991-2002
Title:
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1991-2002
1991-2002
People:
Form:
exhibitions
exhibitions
Title:
Starting From... Travel
Starting From... Travel
Actions:
Description:
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Location:
Hall cases
Hall cases
Date:
3 December 2008 to 1 May 2009
3 December 2008 to 1 May 2009
Title:
Starting From... Travel
Actions:
Description:
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Starting From... Travel
Actions:
Description:
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Form:
exhibitions
exhibitions
Date:
3 December 2008 to
1 May 2009
3 December 2008 to
1 May 2009
Location:
Hall cases
Hall cases
Form:
textual records
Quantity:
13 file
textual records
Quantity:
13 file
Actions:
Reference number:
ARCH242937
Description:
Vidler well opener - drafts of article by Anthony Vidler Leslie Dick, "Nature Near" - drafts Lavin - drafts of article by Sylvia Lavin Dimendberg - drafts of article by Edward Dimendberg Rugoff - drafts of article by Ralph Rugoff Vidler "X" - drafts of article by Anthony Vidler Diller - drafts of article by Elizabeth Diller Urbach - drafts of article by Henry Urbach Appadurai - drafts of article by Arjun Appadurai Lorne Falk Letter from Hong Kong - drafts, clipping Pascucci ANY 18 - drafts of article by Ernest Pascucci, images deco: Project ANY 18 (Pallas House) - drafts of article by Mark Goulthorpe Discussion - transcripts of In ANY Event Symposium
ARCH242937
Description:
Vidler well opener - drafts of article by Anthony Vidler Leslie Dick, "Nature Near" - drafts Lavin - drafts of article by Sylvia Lavin Dimendberg - drafts of article by Edward Dimendberg Rugoff - drafts of article by Ralph Rugoff Vidler "X" - drafts of article by Anthony Vidler Diller - drafts of article by Elizabeth Diller Urbach - drafts of article by Henry Urbach Appadurai - drafts of article by Arjun Appadurai Lorne Falk Letter from Hong Kong - drafts, clipping Pascucci ANY 18 - drafts of article by Ernest Pascucci, images deco: Project ANY 18 (Pallas House) - drafts of article by Mark Goulthorpe Discussion - transcripts of In ANY Event Symposium
People:
Date:
1997
1997
Title:
Anyone Corporation, Article Texts, 1997
Actions:
ARCH242937
Description:
Vidler well opener - drafts of article by Anthony Vidler Leslie Dick, "Nature Near" - drafts Lavin - drafts of article by Sylvia Lavin Dimendberg - drafts of article by Edward Dimendberg Rugoff - drafts of article by Ralph Rugoff Vidler "X" - drafts of article by Anthony Vidler Diller - drafts of article by Elizabeth Diller Urbach - drafts of article by Henry Urbach Appadurai - drafts of article by Arjun Appadurai Lorne Falk Letter from Hong Kong - drafts, clipping Pascucci ANY 18 - drafts of article by Ernest Pascucci, images deco: Project ANY 18 (Pallas House) - drafts of article by Mark Goulthorpe Discussion - transcripts of In ANY Event Symposium
Anyone Corporation, Article Texts, 1997
Actions:
ARCH242937
Description:
Vidler well opener - drafts of article by Anthony Vidler Leslie Dick, "Nature Near" - drafts Lavin - drafts of article by Sylvia Lavin Dimendberg - drafts of article by Edward Dimendberg Rugoff - drafts of article by Ralph Rugoff Vidler "X" - drafts of article by Anthony Vidler Diller - drafts of article by Elizabeth Diller Urbach - drafts of article by Henry Urbach Appadurai - drafts of article by Arjun Appadurai Lorne Falk Letter from Hong Kong - drafts, clipping Pascucci ANY 18 - drafts of article by Ernest Pascucci, images deco: Project ANY 18 (Pallas House) - drafts of article by Mark Goulthorpe Discussion - transcripts of In ANY Event Symposium
Form:
textual records
Quantity:
13 file
textual records
Quantity:
13 file
Date:
1997
1997
People:
Level of archival description:
Series
Series
Reference number:
AP170.S1
Description:
Series 1, Design, prototypes, and related documentation, 1996 - 2006, documents the conceptualization, design, and testing of the HypoSurface project. This includes approximately 2,200 digital design files, a three-square metre Hyposurface wall module, 44 prototype pieces, and a small amount of textual documentation. The digital files in this series contain the bulk of the documentation on the conceptualization and design of the Hyposurface project. Much of this material is richly visual, including still and video concept renderings; images, animations, and drawings of related projects like HypoStage, HypoFloor, HypoFlex, and HypoVoxel; and drawings for prototype “squids” (actuators with rubber covering). The digital files also include material that is more textual in nature, particularly the administrative files for the project, a technical dossier, as well as patent documentation (relating to the physical textual documentation).Notably, the digital materials also include interactive software, called the Aegis Simulator, which allows the user to interact with a rendering of the HypoSurface wall, mimicking the wall’s real-life behavior. Digital formats in this series reflect the range of CAD, still image, and textual documentation present. Notably, there are a significant number of CAD formats present, including AutoCAD, 3DM, DIFF, and IGES formats, consisting of almost 400 total files. The physical component of this series contains a functional three-square metre HypoSurface wall module, as well as 44 other assorted prototype pieces. The prototypes include eight surface pieces in both metal and rubber, two sample actuators, and thirty-four smaller, miscellaneous pieces.
AP170.S1
Description:
Series 1, Design, prototypes, and related documentation, 1996 - 2006, documents the conceptualization, design, and testing of the HypoSurface project. This includes approximately 2,200 digital design files, a three-square metre Hyposurface wall module, 44 prototype pieces, and a small amount of textual documentation. The digital files in this series contain the bulk of the documentation on the conceptualization and design of the Hyposurface project. Much of this material is richly visual, including still and video concept renderings; images, animations, and drawings of related projects like HypoStage, HypoFloor, HypoFlex, and HypoVoxel; and drawings for prototype “squids” (actuators with rubber covering). The digital files also include material that is more textual in nature, particularly the administrative files for the project, a technical dossier, as well as patent documentation (relating to the physical textual documentation).Notably, the digital materials also include interactive software, called the Aegis Simulator, which allows the user to interact with a rendering of the HypoSurface wall, mimicking the wall’s real-life behavior. Digital formats in this series reflect the range of CAD, still image, and textual documentation present. Notably, there are a significant number of CAD formats present, including AutoCAD, 3DM, DIFF, and IGES formats, consisting of almost 400 total files. The physical component of this series contains a functional three-square metre HypoSurface wall module, as well as 44 other assorted prototype pieces. The prototypes include eight surface pieces in both metal and rubber, two sample actuators, and thirty-four smaller, miscellaneous pieces.
People:
Date:
1996 - 2012
1996 - 2012
Title:
Design, prototypes, and related documentation
Actions:
AP170.S1
Description:
Series 1, Design, prototypes, and related documentation, 1996 - 2006, documents the conceptualization, design, and testing of the HypoSurface project. This includes approximately 2,200 digital design files, a three-square metre Hyposurface wall module, 44 prototype pieces, and a small amount of textual documentation. The digital files in this series contain the bulk of the documentation on the conceptualization and design of the Hyposurface project. Much of this material is richly visual, including still and video concept renderings; images, animations, and drawings of related projects like HypoStage, HypoFloor, HypoFlex, and HypoVoxel; and drawings for prototype “squids” (actuators with rubber covering). The digital files also include material that is more textual in nature, particularly the administrative files for the project, a technical dossier, as well as patent documentation (relating to the physical textual documentation).Notably, the digital materials also include interactive software, called the Aegis Simulator, which allows the user to interact with a rendering of the HypoSurface wall, mimicking the wall’s real-life behavior. Digital formats in this series reflect the range of CAD, still image, and textual documentation present. Notably, there are a significant number of CAD formats present, including AutoCAD, 3DM, DIFF, and IGES formats, consisting of almost 400 total files. The physical component of this series contains a functional three-square metre HypoSurface wall module, as well as 44 other assorted prototype pieces. The prototypes include eight surface pieces in both metal and rubber, two sample actuators, and thirty-four smaller, miscellaneous pieces.
Design, prototypes, and related documentation
Actions:
AP170.S1
Description:
Series 1, Design, prototypes, and related documentation, 1996 - 2006, documents the conceptualization, design, and testing of the HypoSurface project. This includes approximately 2,200 digital design files, a three-square metre Hyposurface wall module, 44 prototype pieces, and a small amount of textual documentation. The digital files in this series contain the bulk of the documentation on the conceptualization and design of the Hyposurface project. Much of this material is richly visual, including still and video concept renderings; images, animations, and drawings of related projects like HypoStage, HypoFloor, HypoFlex, and HypoVoxel; and drawings for prototype “squids” (actuators with rubber covering). The digital files also include material that is more textual in nature, particularly the administrative files for the project, a technical dossier, as well as patent documentation (relating to the physical textual documentation).Notably, the digital materials also include interactive software, called the Aegis Simulator, which allows the user to interact with a rendering of the HypoSurface wall, mimicking the wall’s real-life behavior. Digital formats in this series reflect the range of CAD, still image, and textual documentation present. Notably, there are a significant number of CAD formats present, including AutoCAD, 3DM, DIFF, and IGES formats, consisting of almost 400 total files. The physical component of this series contains a functional three-square metre HypoSurface wall module, as well as 44 other assorted prototype pieces. The prototypes include eight surface pieces in both metal and rubber, two sample actuators, and thirty-four smaller, miscellaneous pieces.
Level of archival description:
Series
Series
Date:
1996 - 2012
1996 - 2012
People:
Level of archival description:
Project
Project
Title:
São Victor, Porto
São Victor, Porto
Actions:
Reference number:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
People:
Date:
circa 1974-1975
circa 1974-1975
Title:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
People:
Level of archival description:
Series
Series
Title:
Documents professionnels
Documents professionnels
Actions:
Reference number:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
People:
Date:
1949-1963
1949-1963
Title:
Documents professionnels
Actions:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
Documents professionnels
Actions:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
Level of archival description:
Série
Série
Date:
1949-1963
1949-1963
People:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
People:
Date:
1995-1996
1995-1996
Title:
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Ulrich Königs Chemnitz Stadium project records
Actions:
AP183
Synopsis:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-1996
1995-1996
People:
