Series
Personal documents
AP108.S2
Description:
Series consists of a portfolio of works by John Bird and 1 photograph of the McGill University School of Architecture class, 1942.
1942 - circa 1968
Personal documents
Actions:
AP108.S2
Description:
Series consists of a portfolio of works by John Bird and 1 photograph of the McGill University School of Architecture class, 1942.
Series 2
1942 - circa 1968
photographs
AP046.S1.1983.PR02.215
Description:
This file includes photographs of existing conditions of the Old Port of Montreal as used in the Progressive Architecture Award program. See AP046.S1.1983.PR02.109.
ca 1989
Existing condition photographs, Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02.215
Description:
This file includes photographs of existing conditions of the Old Port of Montreal as used in the Progressive Architecture Award program. See AP046.S1.1983.PR02.109.
photographs
ca 1989
photographs
AP046.S1.1983.PR02.216
Description:
This file includes photographs of existing conditions of the Old Port of Montreal as used in the Progressive Architecture Award program. See AP046.S1.1983.PR02.109.
ca 1989
Existing condition photographs, Old Port of Montreal Master Plan, Montréal, Québec
Actions:
AP046.S1.1983.PR02.216
Description:
This file includes photographs of existing conditions of the Old Port of Montreal as used in the Progressive Architecture Award program. See AP046.S1.1983.PR02.109.
photographs
ca 1989
photographs
Quantity:
7 photograph(s)
ARCH269578
Description:
Group consists of photographs of schools and colleges in Chandigarh, india, including photographs of the interior of the College of Architecture in sector 12 and Higher secondary schools in sector 16, 20, 21 and 22.
between 1955 and 1963
Photographs of schools and colleges in Chandigarh, India
Actions:
ARCH269578
Description:
Group consists of photographs of schools and colleges in Chandigarh, india, including photographs of the interior of the College of Architecture in sector 12 and Higher secondary schools in sector 16, 20, 21 and 22.
photographs
Quantity:
7 photograph(s)
between 1955 and 1963
ARCH263824
Description:
The letter is a request for photographs of Jeanneret's latest furniture and interior designs for the second volume of the book "Modern Furniture", published by Progressive Architecture (Reinhold).
8 February 1952
Transcript and translation of a letter from Mario dal Fabbro to Pierre Jeanneret
Actions:
ARCH263824
Description:
The letter is a request for photographs of Jeanneret's latest furniture and interior designs for the second volume of the book "Modern Furniture", published by Progressive Architecture (Reinhold).
photographs
DR2012:0012:103:004
Description:
File containing documents in English and French, including reference materials and photograph of the following locations: - Place Victoria (3 photographs); - Marriott Château Champlain (1 photograph); - Unidentified street (1 photograph); - Unidentified house (1 photograph). Possibly related to Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: MC ANTHO - PHOTOS URGENT
1966-1967
Reference photographs of various Montréal's locations
Actions:
DR2012:0012:103:004
Description:
File containing documents in English and French, including reference materials and photograph of the following locations: - Place Victoria (3 photographs); - Marriott Château Champlain (1 photograph); - Unidentified street (1 photograph); - Unidentified house (1 photograph). Possibly related to Louis Martin's 2013 book, On architecture: Melvin Charney: a critical anthology. Original folder inscribed in graphite: MC ANTHO - PHOTOS URGENT
photographs
1966-1967
Project
AP207.S1.1973.PR01
Description:
The project series documents "Already Seen Portable Landscape", a performance imagined by Pettena as an aftermath of the "About Non-conscious Architecture" series of photographs. "Once the experience of critical interpretation and documentation of “non-conscious” architecture was concluded, the “already seen” landscapes were kept in a suitcase, in the form of photographs, as baggage that served as a reminder, above all for the person who had had that experience, of the story of a particular moment of readiness to look at physical space in an unconventional way." [1] The project series contains a photograph montage of the pages of the photo album showing the photographs of the project "Non-conscious Architecture" (1972) and a photograph of Pettena with the suitcase containing the album. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-already-seen-1973-1/ (last accessed 12 November 2019).
1973-2015
Already Seen Portable Landscape (1973)
Actions:
AP207.S1.1973.PR01
Description:
The project series documents "Already Seen Portable Landscape", a performance imagined by Pettena as an aftermath of the "About Non-conscious Architecture" series of photographs. "Once the experience of critical interpretation and documentation of “non-conscious” architecture was concluded, the “already seen” landscapes were kept in a suitcase, in the form of photographs, as baggage that served as a reminder, above all for the person who had had that experience, of the story of a particular moment of readiness to look at physical space in an unconventional way." [1] The project series contains a photograph montage of the pages of the photo album showing the photographs of the project "Non-conscious Architecture" (1972) and a photograph of Pettena with the suitcase containing the album. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-already-seen-1973-1/ (last accessed 12 November 2019).
Project
1973-2015
photographs
AP173.S1.1999.D1.001
Description:
Group consists of 30 slides of photographs of the installation at the Netherlands Architecture Institute. Stored in a binder with the orginial divider entitled "GOTHIC DESTIJL".
ca. 1999
Photographs of the De Gothic Stijl in Rotterdam, Netherlands
Actions:
AP173.S1.1999.D1.001
Description:
Group consists of 30 slides of photographs of the installation at the Netherlands Architecture Institute. Stored in a binder with the orginial divider entitled "GOTHIC DESTIJL".
photographs
ca. 1999
PH1985:0548:001-030
Description:
Volume consists of 29 black-and-white photographic prints showing the destruction to the city of Paris during the Paris Commune in 1871, and one print reproducing a painting. The photographs show the architecture of Paris before and after the war. Two of the photographs are photographs of drawings.
1871
Views of the destruction of Paris during the Commune, Paris, France
Actions:
PH1985:0548:001-030
Description:
Volume consists of 29 black-and-white photographic prints showing the destruction to the city of Paris during the Paris Commune in 1871, and one print reproducing a painting. The photographs show the architecture of Paris before and after the war. Two of the photographs are photographs of drawings.
Sub-series
AP075.S2.SS3
Description:
This sub-series documents Cornelia Hahn Oberlander's participation in an exhibition "Picturing Landscape Architecture" at the Goethe-Institut in Berlin, Germany, in 2005. The exhibition featured a selection of photographs by German photographer Etta Gerdes that depict landscape architecture projects by Oberlander. From 2006 to 2012, the exhibition travelled elswhere in Germany, including at the Deutsches Architektur Zentrum of Berlin, but also in Switzerland and in Canada. The sub-series consists of correspondence for the planning of the exhibition and Oberlander's visit to Berlin and digital photographs of Etta Gerdes for the exhibition selection.
landscape architecture
2006-2007
Picturing Landscape Architecture, Goethe-Institute, Berlin, Germany (2006)
Actions:
AP075.S2.SS3
Description:
This sub-series documents Cornelia Hahn Oberlander's participation in an exhibition "Picturing Landscape Architecture" at the Goethe-Institut in Berlin, Germany, in 2005. The exhibition featured a selection of photographs by German photographer Etta Gerdes that depict landscape architecture projects by Oberlander. From 2006 to 2012, the exhibition travelled elswhere in Germany, including at the Deutsches Architektur Zentrum of Berlin, but also in Switzerland and in Canada. The sub-series consists of correspondence for the planning of the exhibition and Oberlander's visit to Berlin and digital photographs of Etta Gerdes for the exhibition selection.
Sub-series
2006-2007
landscape architecture