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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Title:
Archiveology: Walter Benjamin and archival film practices
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archiveology: Walter Benjamin and archival film practices
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$44.50
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Summary:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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$42.95
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There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual. Ambitious and original, "Landscape and the Science Fiction Imaginary" corrects that oversight, making a powerful argument for science fiction as a visual cultural discourse. Taking influential historical works of visual(...)
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There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual. Ambitious and original, "Landscape and the Science Fiction Imaginary" corrects that oversight, making a powerful argument for science fiction as a visual cultural discourse. Taking influential historical works of visual(...)
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Landscape and the science fiction imaginary
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There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual. Ambitious and original, "Landscape and the Science Fiction Imaginary" corrects that oversight, making a powerful argument for science fiction as a visual cultural discourse. Taking influential historical works of visual art as starting points, along with illustrations, movie matte paintings, documentaries, artist’s impressions and digital environments, John Timberlake focuses on the notion of science fiction as an 'imaginary topos', one that draws principally on the intersection between landscape and historical/prehistorical time. Richly illustrated, this book will appeal to scholars, students, and fans of science fiction and the remarkable visual culture that surrounds it.
Landscape and the science fiction imaginary
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There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual. Ambitious and original, "Landscape and the Science Fiction Imaginary" corrects that oversight, making a powerful argument for science fiction as a visual cultural discourse. Taking influential historical works of visual art as starting points, along with illustrations, movie matte paintings, documentaries, artist’s impressions and digital environments, John Timberlake focuses on the notion of science fiction as an 'imaginary topos', one that draws principally on the intersection between landscape and historical/prehistorical time. Richly illustrated, this book will appeal to scholars, students, and fans of science fiction and the remarkable visual culture that surrounds it.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
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$74.10
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"The films of Charles and Ray Eames" traces the history of the Eameses’ work, examining their evolution away from the design of mass-produced goods and toward projects created as educational experiences. Closely examining how the Eameses described their work reveals how the films and exhibitions they generated were completely at odds with the earlier objectives(...)
$74.10
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"The films of Charles and Ray Eames" traces the history of the Eameses’ work, examining their evolution away from the design of mass-produced goods and toward projects created as educational experiences. Closely examining how the Eameses described their work reveals how the films and exhibitions they generated were completely at odds with the earlier objectives(...)
Title:
The films of Charles and Ray Eames: a universal sense of expectation
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"The films of Charles and Ray Eames" traces the history of the Eameses’ work, examining their evolution away from the design of mass-produced goods and toward projects created as educational experiences. Closely examining how the Eameses described their work reveals how the films and exhibitions they generated were completely at odds with the earlier objectives exemplified in their furniture designs. Shifting away from promoting the consumer-culture, they turned their attention to the presentation of complex sets of scientific, artistic, and philosophical ideas.
The films of Charles and Ray Eames: a universal sense of expectation
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"The films of Charles and Ray Eames" traces the history of the Eameses’ work, examining their evolution away from the design of mass-produced goods and toward projects created as educational experiences. Closely examining how the Eameses described their work reveals how the films and exhibitions they generated were completely at odds with the earlier objectives exemplified in their furniture designs. Shifting away from promoting the consumer-culture, they turned their attention to the presentation of complex sets of scientific, artistic, and philosophical ideas.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
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books
books
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Au milieu du siècle dernier, alors que l’image en mouvement s’est pleinement constituée comme forme culturelle et intellectuelle, la phénoménologie et l’esthétique du cinéma partagent le projet délicat d’une mise en suspens partielle du langage verbal. L’union des actes de vision et de pensée anime alors simultanément les écrits de Maurice Merleau-Ponty et de Jean(...)
$42.95
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Summary:
Au milieu du siècle dernier, alors que l’image en mouvement s’est pleinement constituée comme forme culturelle et intellectuelle, la phénoménologie et l’esthétique du cinéma partagent le projet délicat d’une mise en suspens partielle du langage verbal. L’union des actes de vision et de pensée anime alors simultanément les écrits de Maurice Merleau-Ponty et de Jean(...)
Title:
Corps et machine : cinéma et philosophie chez Jean Epstein et Maurice Merleau-Ponty
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Au milieu du siècle dernier, alors que l’image en mouvement s’est pleinement constituée comme forme culturelle et intellectuelle, la phénoménologie et l’esthétique du cinéma partagent le projet délicat d’une mise en suspens partielle du langage verbal. L’union des actes de vision et de pensée anime alors simultanément les écrits de Maurice Merleau-Ponty et de Jean Epstein, autour desquels de nouvelles pistes de réflexion se sont ouvertes ces dernières années. Chez le philosophe, cette nouvelle constitution du savoir se manifeste par le retour à l’attitude corporelle. Pour le cinéaste, c’est la rencontre avec le regard de la machine cinématographique qui dévoile une terra incognita face à la connaissance rationnelle. Cet ouvrage propose une rencontre inédite entre deux pensées incontournables de l’image et une exploration des frontières plus que jamais complexes entre la philosophie et l’esthétique du cinéma.
Corps et machine : cinéma et philosophie chez Jean Epstein et Maurice Merleau-Ponty
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$42.95
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Au milieu du siècle dernier, alors que l’image en mouvement s’est pleinement constituée comme forme culturelle et intellectuelle, la phénoménologie et l’esthétique du cinéma partagent le projet délicat d’une mise en suspens partielle du langage verbal. L’union des actes de vision et de pensée anime alors simultanément les écrits de Maurice Merleau-Ponty et de Jean Epstein, autour desquels de nouvelles pistes de réflexion se sont ouvertes ces dernières années. Chez le philosophe, cette nouvelle constitution du savoir se manifeste par le retour à l’attitude corporelle. Pour le cinéaste, c’est la rencontre avec le regard de la machine cinématographique qui dévoile une terra incognita face à la connaissance rationnelle. Cet ouvrage propose une rencontre inédite entre deux pensées incontournables de l’image et une exploration des frontières plus que jamais complexes entre la philosophie et l’esthétique du cinéma.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
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$69.95
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Summary:
'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
$69.95
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Summary:
'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Title:
Spots in shots: narrating the built environment in short film
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$69.95
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'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Spots in shots: narrating the built environment in short film
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$69.95
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Summary:
'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
Price:
$43.95
(available in store)
Summary:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
$43.95
(available in store)
Summary:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
Title:
The moving eye: film, television, architecture, visual art, and the modern
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Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
The moving eye: film, television, architecture, visual art, and the modern
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$43.95
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Summary:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
Title:
Dance in Herland
Dance in Herland
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
$69.99
(available in store)
Summary:
''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting(...)
Title:
Dance in Herland
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$69.99
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''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
Dance in Herland
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$69.99
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Summary:
''Dance in Herland'' surveys artist Luka Yuanyuan Yang’s cinematic oeuvre, including her feature-length production Chinatown Cha-Cha and five short films centered on diasporic Chinese communities. The book picks up where the films end, serving as both a reflection and a complement, while also creating a new narrative. Over nearly a year of editing, we felt like revisiting 20th-century San Francisco and Cuba, tracing history through the neons of Chinatown and the echoes of Cantonese opera. For the dancers and performers documented in this book, their bodies act as living archives; their memories and unspoken emotions may be concealed in their steps, fingertips, and gazes.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
Price:
$38.00
(available in store)
Summary:
Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging(...)
$38.00
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Summary:
Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging(...)
Title:
Temporal territories: An anthology on indigenous experimental cinema
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$38.00
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Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the volume surveys a varied and vital body of work, and suggests new forms still to come.
Temporal territories: An anthology on indigenous experimental cinema
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$38.00
(available in store)
Summary:
Founded in 2018, COUSIN Collective is dedicated to promoting Indigenous artists working with the moving image. ''Temporal Territories'' is the collective’s critical anthology on Indigenous experimental cinema, bringing together new works, reprints of key writings, theoretical interventions, artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the volume surveys a varied and vital body of work, and suggests new forms still to come.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
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$40.00
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Summary:
''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the(...)
$40.00
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Summary:
''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the(...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
July 2025
July 2025
Title:
Colectivo los ingravidos: An anthology 2012-2024
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$40.00
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Summary:
''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the collective. This publication gathers ''Los Ingrávidos''' foundational texts - including their ''Manifesto and Thesis on the Audiovisual'' - alongside newly comissioned essays and critical reflections by thinkers in experimental and decolonial cinema. By presenting the collective's writings in their voice while broadening its reach.
Colectivo los ingravidos: An anthology 2012-2024
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$40.00
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Summary:
''Colectivo Los Ingrávidos: An Anthology'' explores the radical practice of one of today's most prolific and politically charged film collectives. Emerging in 2012, ''Colectivo Los Ingrávidos'' challenges cinematic conventions through a decolonial lens, making films that dissolve the boundaries between ritual and resistance, myth and history, the personal and the collective. This publication gathers ''Los Ingrávidos''' foundational texts - including their ''Manifesto and Thesis on the Audiovisual'' - alongside newly comissioned essays and critical reflections by thinkers in experimental and decolonial cinema. By presenting the collective's writings in their voice while broadening its reach.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Form:
books
books
Title:
Architecture and film
Architecture and film
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$32.50
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Summary:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the (...)
$32.50
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Summary:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the (...)
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
Publication:
February 2000, New York
February 2000, New York
Title:
Architecture and film
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$32.50
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"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public's perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson writes on how films from "The Fountainhead" to "Jungle Fever" have depicted architects. Eric Rosenberg looks at how architecture and spatial relations shape the Beatles films "A Hard Day's Night", "Help!", and "Let It Be". Joseph Rosa discusses why modern domestic architecture in recent Hollywood films such as "The Ice Storm", "L.A. Confidential", and "The Big Lebowski" has become synonymous with unstable inhabitants. Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the Star Wars trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a "behind the scenes" perspective: film editor Bob Eisenhardt comments on the making of "Concert of Wills", a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton's upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for "Seven" and "Mission Impossible"; and motion picture art director Jan Roelfs, whose credits include "Gattaca", "Orlando", and "Little Women". Previously priced at $41.50.
Architecture and film
Actions:
Price:
$32.50
(available to order)
Summary:
"Architecture and Film" looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public's perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson writes on how films from "The Fountainhead" to "Jungle Fever" have depicted architects. Eric Rosenberg looks at how architecture and spatial relations shape the Beatles films "A Hard Day's Night", "Help!", and "Let It Be". Joseph Rosa discusses why modern domestic architecture in recent Hollywood films such as "The Ice Storm", "L.A. Confidential", and "The Big Lebowski" has become synonymous with unstable inhabitants. Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the Star Wars trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a "behind the scenes" perspective: film editor Bob Eisenhardt comments on the making of "Concert of Wills", a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton's upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for "Seven" and "Mission Impossible"; and motion picture art director Jan Roelfs, whose credits include "Gattaca", "Orlando", and "Little Women". Previously priced at $41.50.
Form:
books
books
Publication:
February 2000, New York
February 2000, New York
Subject:
Architecture and Film, Set Design
Architecture and Film, Set Design
