3220 Results
Form:
drawings
drawings
Actions:
Reference number:
AP154.S1.1973.PR01.SS2.038
Description:
Forty drawings numbered 110 through 117 and 119 through 149. Details, including: door & frame details, toilet elevations and details, elevator lobby details, 1st floor lobbys and canopy details, bronze fittings for plaza and sidewalk, range hood flue, stair details, elevator cab and entrance, garage office, mail box and chute, fire passage, Con Edison transformer vault, column details, exterior corner details, skin details, extrusions, bronze roof doors, garage ramp and loading dock, and display and utility alphabets.
AP154.S1.1973.PR01.SS2.038
Description:
Forty drawings numbered 110 through 117 and 119 through 149. Details, including: door & frame details, toilet elevations and details, elevator lobby details, 1st floor lobbys and canopy details, bronze fittings for plaza and sidewalk, range hood flue, stair details, elevator cab and entrance, garage office, mail box and chute, fire passage, Con Edison transformer vault, column details, exterior corner details, skin details, extrusions, bronze roof doors, garage ramp and loading dock, and display and utility alphabets.
People:
Date:
1955-1957
1955-1957
Title:
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.038
Description:
Forty drawings numbered 110 through 117 and 119 through 149. Details, including: door & frame details, toilet elevations and details, elevator lobby details, 1st floor lobbys and canopy details, bronze fittings for plaza and sidewalk, range hood flue, stair details, elevator cab and entrance, garage office, mail box and chute, fire passage, Con Edison transformer vault, column details, exterior corner details, skin details, extrusions, bronze roof doors, garage ramp and loading dock, and display and utility alphabets.
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y.
Actions:
AP154.S1.1973.PR01.SS2.038
Description:
Forty drawings numbered 110 through 117 and 119 through 149. Details, including: door & frame details, toilet elevations and details, elevator lobby details, 1st floor lobbys and canopy details, bronze fittings for plaza and sidewalk, range hood flue, stair details, elevator cab and entrance, garage office, mail box and chute, fire passage, Con Edison transformer vault, column details, exterior corner details, skin details, extrusions, bronze roof doors, garage ramp and loading dock, and display and utility alphabets.
Form:
drawings
drawings
Date:
1955-1957
1955-1957
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Location:
Main galleries
Main galleries
Date:
26 November 2008 to 19 April 2009
26 November 2008 to 19 April 2009
Title:
Actions: What You Can Do With the City
Actions:
Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Actions: What You Can Do With the City
Actions:
Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Form:
exhibitions
exhibitions
Date:
26 November 2008 to
19 April 2009
26 November 2008 to
19 April 2009
Location:
Main galleries
Main galleries
Form:
events
events
Title:
Learning from... Luanda
Learning from... Luanda
Actions:
Description:
With a metropolitan population of over 5 million, Luanda is the third most populated Portuguese-speaking city in the world after São Paulo and Rio de Janeiro. Architect and researcher Paulo Moreira proposes alternative approaches to urbanism based on ongoing research in Chicala, an informal settlement with direct connection with the commercial areas of the city, as well(...)
With a metropolitan population of over 5 million, Luanda is the third most populated Portuguese-speaking city in the world after São Paulo and Rio de Janeiro. Architect and researcher Paulo Moreira proposes alternative approaches to urbanism based on ongoing research in Chicala, an informal settlement with direct connection with the commercial areas of the city, as well(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
1 November 2012 , 7pm
1 November 2012 , 7pm
Title:
Learning from... Luanda
Actions:
Description:
With a metropolitan population of over 5 million, Luanda is the third most populated Portuguese-speaking city in the world after São Paulo and Rio de Janeiro. Architect and researcher Paulo Moreira proposes alternative approaches to urbanism based on ongoing research in Chicala, an informal settlement with direct connection with the commercial areas of the city, as well(...)
Learning from... Luanda
Actions:
Description:
With a metropolitan population of over 5 million, Luanda is the third most populated Portuguese-speaking city in the world after São Paulo and Rio de Janeiro. Architect and researcher Paulo Moreira proposes alternative approaches to urbanism based on ongoing research in Chicala, an informal settlement with direct connection with the commercial areas of the city, as well(...)
Form:
events
events
Date:
1 November 2012
7pm
1 November 2012
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2005.D9
Description:
The project series documents the competition entry for the planning of the Orange County Suuokita Memorial Park in California, United States. The project site was previously a military base. The firm identified this project as number 212b “The first action will be to excavate the existing E-W runways and construct in their place a great water channel. The second action will be to plant a large grid of indigenous trees over the entire site in tandem with the installation of irrigation systems. The third main gesture will be to transform the surfaces of the remaining runways into smaller gardens […] Following upon these initial gestures, [Abalos & Herreros] propose a series of vertical structures that will serve to punctuate the great horizontal expanse of the park, providing another scale to the park.” (ARCH270975) Documenting the project are presentation drawings, correspondence, reference materials, notes, project descriptions, presentation documents, publications and a dummy.
AP164.S1.2005.D9
Description:
The project series documents the competition entry for the planning of the Orange County Suuokita Memorial Park in California, United States. The project site was previously a military base. The firm identified this project as number 212b “The first action will be to excavate the existing E-W runways and construct in their place a great water channel. The second action will be to plant a large grid of indigenous trees over the entire site in tandem with the installation of irrigation systems. The third main gesture will be to transform the surfaces of the remaining runways into smaller gardens […] Following upon these initial gestures, [Abalos & Herreros] propose a series of vertical structures that will serve to punctuate the great horizontal expanse of the park, providing another scale to the park.” (ARCH270975) Documenting the project are presentation drawings, correspondence, reference materials, notes, project descriptions, presentation documents, publications and a dummy.
People:
Date:
2003-2005, predominant 2005
2003-2005, predominant 2005
Title:
Orange County Great Park, California, United States (2005)
Actions:
AP164.S1.2005.D9
Description:
The project series documents the competition entry for the planning of the Orange County Suuokita Memorial Park in California, United States. The project site was previously a military base. The firm identified this project as number 212b “The first action will be to excavate the existing E-W runways and construct in their place a great water channel. The second action will be to plant a large grid of indigenous trees over the entire site in tandem with the installation of irrigation systems. The third main gesture will be to transform the surfaces of the remaining runways into smaller gardens […] Following upon these initial gestures, [Abalos & Herreros] propose a series of vertical structures that will serve to punctuate the great horizontal expanse of the park, providing another scale to the park.” (ARCH270975) Documenting the project are presentation drawings, correspondence, reference materials, notes, project descriptions, presentation documents, publications and a dummy.
Orange County Great Park, California, United States (2005)
Actions:
AP164.S1.2005.D9
Description:
The project series documents the competition entry for the planning of the Orange County Suuokita Memorial Park in California, United States. The project site was previously a military base. The firm identified this project as number 212b “The first action will be to excavate the existing E-W runways and construct in their place a great water channel. The second action will be to plant a large grid of indigenous trees over the entire site in tandem with the installation of irrigation systems. The third main gesture will be to transform the surfaces of the remaining runways into smaller gardens […] Following upon these initial gestures, [Abalos & Herreros] propose a series of vertical structures that will serve to punctuate the great horizontal expanse of the park, providing another scale to the park.” (ARCH270975) Documenting the project are presentation drawings, correspondence, reference materials, notes, project descriptions, presentation documents, publications and a dummy.
Level of archival description:
Project
Project
Date:
2003-2005, predominant 2005
2003-2005, predominant 2005
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
People:
Date:
2001-2003
2001-2003
Title:
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Level of archival description:
Project
Project
Date:
2001-2003
2001-2003
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Location:
Main galleries
Main galleries
Date:
25 November 2009 to 28 February 2010
25 November 2009 to 28 February 2010
Title:
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Form:
exhibitions
exhibitions
Date:
25 November 2009 to
28 February 2010
25 November 2009 to
28 February 2010
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Reference number:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
People:
Date:
1995-2008
1995-2008
Title:
Sociedade Hoteleira do Arez, Quinta da Palmeira, Evora, Portugal (1995)
Actions:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Sociedade Hoteleira do Arez, Quinta da Palmeira, Evora, Portugal (1995)
Actions:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Level of archival description:
Project
Project
Date:
1995-2008
1995-2008
People:
Level of archival description:
Project
Project
Reference number:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
People:
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Title:
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Level of archival description:
Dossier 2
Dossier 2
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
People:
Form:
graphic materials
graphic materials
Reference number:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
People:
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Title:
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Form:
graphic materials
graphic materials
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
People:
Form:
drawings
drawings
Actions:
Reference number:
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
People:
Date:
1955-1957
1955-1957
Title:
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y. (details)
Actions:
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y. (details)
Actions:
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
Form:
drawings
drawings
Date:
1955-1957
1955-1957
People:
