1922 Results
Form:
exhibitions
exhibitions
Description:
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Location:
Main galleries
Main galleries
Date:
19 June 1991 to 8 September 1991
19 June 1991 to 8 September 1991
Title:
Architectural Drawings of the Russian Avant-Garde, 1917-1935
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Description:
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Architectural Drawings of the Russian Avant-Garde, 1917-1935
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Description:
The exhibition explores one of the most adventurous and influential moments in the history of architecture: the explosion of invention and ideas that followed the October Revolution in Russia. The Soviet avant-garde architects were productivist as much as aesthetic in their concerns; they saw architecture and the arts as one, and they were committed to bringing design(...)
Form:
exhibitions
exhibitions
Date:
19 June 1991 to
8 September 1991
19 June 1991 to
8 September 1991
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Inside the Sponge
Inside the Sponge
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Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
10 August 2006 to 19 November 2006
10 August 2006 to 19 November 2006
Title:
Inside the Sponge
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Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Inside the Sponge
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Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Form:
exhibitions
exhibitions
Date:
10 August 2006 to
19 November 2006
10 August 2006 to
19 November 2006
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Location:
Main galleries and hall cases
Main galleries and hall cases
Date:
24 November 1999 to 30 April 2000
24 November 1999 to 30 April 2000
Title:
En chantier: The Collections of the CCA, 1989-1999
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Description:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
En chantier: The Collections of the CCA, 1989-1999
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Description:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. Dedicated to the many donors(...)
Form:
exhibitions
exhibitions
Date:
24 November 1999 to
30 April 2000
24 November 1999 to
30 April 2000
Location:
Main galleries and hall cases
Main galleries and hall cases
Form:
exhibitions
exhibitions
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Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
Date:
16 November 2016 to 9 April 2017
16 November 2016 to 9 April 2017
Title:
It’s All Happening So Fast
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Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
It’s All Happening So Fast
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Description:
In an age of unprecedented human impact on the planet, certain countries stand out for their privileged positions and the complexity of their relationships with the land. Stories about Canada closely follow the discovery and appropriation of vast and varied natural resources as well as changing ideas of the proper relationship between people and their environment.(...)
Form:
exhibitions
exhibitions
Date:
16 November 2016 to
9 April 2017
16 November 2016 to
9 April 2017
Form:
exhibitions
exhibitions
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Location:
Main galleries
Main galleries
Date:
15 May 2003 to 14 September 2003
15 May 2003 to 14 September 2003
Title:
Traces of India: Photography, Architecture, and the Politics of Representation
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Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Form:
exhibitions
exhibitions
Date:
15 May 2003 to
14 September 2003
15 May 2003 to
14 September 2003
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 September 2018 to 19 May 2019
21 September 2018 to 19 May 2019
Title:
Scripts for a new world
Actions:
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Scripts for a new world
Actions:
Description:
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Form:
exhibitions
exhibitions
Date:
21 September 2018 to
19 May 2019
21 September 2018 to
19 May 2019
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Location:
Main galleries
Main galleries
Date:
19 July 1994 to 25 September 1994
19 July 1994 to 25 September 1994
Title:
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
The Palladian Revival: Lord Burlington, His Villa and Garden at Chiswick
Actions:
Description:
Just as Andrea Palladio’s Villa Rotonda helped to define for future generations the architecture of the Renaissance in Italy, so Chiswick is the locus classicus of the Palladian Revival of the eighteenth century. This exhibition follows a major architect’s thinking as he worked from source to design, from design to representation, in the making of a building which, as the(...)
Form:
exhibitions
exhibitions
Date:
19 July 1994 to
25 September 1994
19 July 1994 to
25 September 1994
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Date:
6 April 2017
6 April 2017
Title:
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
A Conversation with Kenneth Frampton: Can There Be a Global Architectural History Today?
Actions:
Description:
In this conversation, Kenneth Frampton (Columbia University) will discuss approaches to architectural history today with Esra Akcan (Cornell University) and Mark Jarzombek (Massachusetts Institute of Technology). What does it mean to write a global history of architecture now? What is the relationship between such a history and urgent contemporary concerns? During a(...)
Form:
events
events
Date:
6 April 2017
6 April 2017
Form:
events
events
Title:
Learning from... Chisasibi
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
25 October 2012 , 7pm
25 October 2012 , 7pm
Title:
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Form:
events
events
Date:
25 October 2012
7pm
25 October 2012
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
textual records
textual records
Actions:
Reference number:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
People:
Date:
1973
1973
Title:
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Form:
textual records
textual records
Date:
1973
1973
People:
