1787 Results
Form:
events
events
Title:
Learning from... Chisasibi
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
25 October 2012 , 7pm
25 October 2012 , 7pm
Title:
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Learning from... Chisasibi
Actions:
Description:
A conversation between artist Thomas Kneubühler and filmmaker Ernest Webb, who explore housing and human migration in a small town on the eastern shore of James Bay. The conversation will be moderated by Alessandra Ponte. Taking the hydroelectric installations in Northern Quebec as his cue, Kneubühler documents how the generation of power touches the land and by extension(...)
Form:
events
events
Date:
25 October 2012
7pm
25 October 2012
7pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Date:
21 September 2017, 6:30pm
21 September 2017, 6:30pm
Title:
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Form:
events
events
Date:
21 September 2017
6:30pm
21 September 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Form:
events
events
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Date:
24 April 2014 , 6pm
24 April 2014 , 6pm
Title:
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Artist’s Talk: Amie Siegel, Provenance
Actions:
Description:
American artist Amie Siegel’s moving image work Provenance (2013) follows the global trade of furniture from Chandigarh in reverse: from the homes of collectors in Europe and North America to sale at auction, restoration, through overseas transport and finally back to India. Originally designed by Le Corbusier and Pierre Jeanneret, the Chandigarh furniture now sells(...)
Form:
events
events
Date:
24 April 2014
6pm
24 April 2014
6pm
Form:
events
events
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Date:
28 January 2016
28 January 2016
Title:
Practicing Advocacy: Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Practicing Advocacy: Who Builds Your Architecture?
Actions:
Description:
Mabel O. Wilson and Jordan Carver present the ongoing advocacy project Who Builds Your Architecture? (WBYA?), which asks architects and allied fields to better understand how the production of buildings connects their practices to migrant construction workers who build their designs. WBYA?, a group of designers, scholars, and activists based in New York City, has(...)
Form:
events
events
Date:
28 January 2016
28 January 2016
Form:
events
events
Description:
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Date:
27 October 2016, 6pm
27 October 2016, 6pm
Title:
Legislating Architecture: Arno Brandlhuber and Christopher Roth
Actions:
Description:
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Legislating Architecture: Arno Brandlhuber and Christopher Roth
Actions:
Description:
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Form:
events
events
Date:
27 October 2016
6pm
27 October 2016
6pm
Form:
textual records
textual records
Actions:
Reference number:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
People:
Date:
1973
1973
Title:
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Isozaki-Superstudio Paper-Project, 1973
Actions:
DR2007:0009:001-002
Description:
''Isozaki and Superstudio: Their Use of the Square in Historical Perspective,'' unpublished paper-project completed for the Yale University course, Theoretical Issues in the Arts (Prof. Sheldon Nodelman), December 12, 1973. 26 original unbound sheets (green-grid paper) with typewritten text, white paint, and photocopy illustrations. Arata Isozaki commented to L.W. Richards that, as far as he knew, this was the first academic paper written in the United States on his work. The paper-project, about grids and squares, is composed precisely on green-grid paper.
Form:
textual records
textual records
Date:
1973
1973
People:
Form:
exhibitions
exhibitions
Title:
Starting From... Travel
Starting From... Travel
Actions:
Description:
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Location:
Hall cases
Hall cases
Date:
3 December 2008 to 1 May 2009
3 December 2008 to 1 May 2009
Title:
Starting From... Travel
Actions:
Description:
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Starting From... Travel
Actions:
Description:
Interpreting the subject of travel to distant places, the exhibition charts an expanded notion of travel that spans imaginary journeys, strange sites, vanishing points, floating and portable houses, endless caves, swirling diamond domes, tombs, crypts and catacombs, tunnel adventures, formal studies, technical innovation, cultural imagination, and experimental(...)
Form:
exhibitions
exhibitions
Date:
3 December 2008 to
1 May 2009
3 December 2008 to
1 May 2009
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Title:
Mies in America
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Location:
Main galleries
Main galleries
Date:
17 October 2001 to 20 January 2002
17 October 2001 to 20 January 2002
Title:
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Mies in America
Actions:
Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Form:
exhibitions
exhibitions
Date:
17 October 2001 to
20 January 2002
17 October 2001 to
20 January 2002
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
exhibitions
exhibitions
Actions:
Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Location:
Octagonal gallery and library rotunda
Octagonal gallery and library rotunda
Date:
12 April 2007 to 9 September 2007
12 April 2007 to 9 September 2007
Title:
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
Actions:
Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Clip/Stamp/Fold 2: The Radical Architecture of Little Magazines 196X - 197X
Actions:
Description:
Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals that appeared in response to the political, social, and artistic changes of the period. Clip/Stamp/Fold 2 investigates how a diverse group of(...)
Form:
exhibitions
exhibitions
Date:
12 April 2007 to
9 September 2007
12 April 2007 to
9 September 2007
Location:
Octagonal gallery and library rotunda
Octagonal gallery and library rotunda
