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348 pages : illustrations (chiefly color) ; 31 cm
New York : Museum of Modern Art : Distributed by Harry N. Abrams, 2000.
Making choices : 1929, 1939, 1948, 1955 / Peter Galassi, Robert Storr, Anne Umland.
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348 pages : illustrations (chiefly color) ; 31 cm
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New York : Museum of Modern Art : Distributed by Harry N. Abrams, 2000.
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159 pages : illustrations (chiefly color), plans (some color), portraits (some color), facsimiles ; 31 cm
New York, NY : Rizzoli Electa ; Denver, CO : in association with Denver Art Museum, 2020., ©2020
Gio Ponti in the American West / Taisto H. Mäkelä ; with contributions by, Darrin Alfred, Christoph Heinrich, Salvatore Licitra, Jorge Silvetti.
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159 pages : illustrations (chiefly color), plans (some color), portraits (some color), facsimiles ; 31 cm
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New York, NY : Rizzoli Electa ; Denver, CO : in association with Denver Art Museum, 2020., ©2020
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112 pages : illustrations, maps ; 30 cm.
Nancy : Editions de l'Université de Lorraine, 2024
Le patrimoine mobilier de l'université de Lorraine : Grand Est / Mélanie Leroy ; avec la collaboration de Mireille-Bénédicte Bouvet et la participation de Catherine Angevelle-Mocellin, Carine Denjean, Christophe Eckes, Bernard Lathuilière, Jean-Marc Montel, Philippe Nabonnand, Jacques Vadot ; photographies, Gilles André, Bertrand Drapier, Simon Durand ; avec la collaboration de Nicolas Dohr ; cartographie, Aloïs Bertrand-Pierron.
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112 pages : illustrations, maps ; 30 cm.
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Nancy : Editions de l'Université de Lorraine, 2024
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$50.00
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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$50.00
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
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September 1999, New York
Theory of Photography
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xviii, 505 pages : illustrations (black and white) ; 25 cm.
Abingdon, Oxon ; New York, NY : Routledge, 2025.
The Routledge international handbook of deindustrialization studies / edited by Tim Strangleman, Sherry Lee Linkon, Steven High, Jackie Clarke, Stefan Berger.
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xviii, 505 pages : illustrations (black and white) ; 25 cm.
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Abingdon, Oxon ; New York, NY : Routledge, 2025.
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xxx, 311 pages : illustrations (some color) ; 27 cm.
Leiden ; Boston : Brill, [2014]., ©2014
Envisioning Islamic art and architecture : essays in honor of Renata Holod / edited by David J. Roxburgh.
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xxx, 311 pages : illustrations (some color) ; 27 cm.
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Leiden ; Boston : Brill, [2014]., ©2014
Through the looking brain
$66.00
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Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan(...)
Through the looking brain
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$66.00
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Founded in 1990, Luwa AG's rarely exhibited photography collection is one of the world's most comprehensive gatherings of conceptual photography. It contains major works by artists such as Bernd and Hilla Becher, Sigmar Polke, Imi Knoebel, Martin Kippenberger, Thomas Ruff, Andreas Gursky, Fischli/Weiss, Roman Signer, Richard Prince, Jeff Wall, Hiroshi Sugimoto, Stan Douglas and Gabriel Orozco.
Photography Collections
$131.95
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising(...)
August 2016
Nature's truth: photography, painting, and science in Victorian Britain
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''Truth to Nature,'' a rallying cry for those artists and critics aiming to reform art-making practices in Great Britain over the course of the nineteenth century, bound together artists as diverse as Pre-Raphaelite John Everett Millais, photographer P. H. Emerson, and bohemian modernist Augustus John. In order to understand ''truth,'' these artists turned to the rising disciplines of science, which offered new insights into physical phenomena, vision, and perception. Drawing on sources ranging from artists' letters to scientific treatises, ''Nature's Truth'' illuminates the dynamic relationship between art and science throughout the nineteenth century. Helmreich's study shows that this relatively short-lived movement had a profound effect on modern British art and changed conceptions of truth and the role of art in modern society.
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222 pages : illustrations (some color) ; 29 cm
New York, NY : Harry N. Abrams, 1997., ©1997
Our town : images and stories from the Museum of the City of New York / introduction by Robert R. Macdonald ; essays by Hilton Als [and others].
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222 pages : illustrations (some color) ; 29 cm
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New York, NY : Harry N. Abrams, 1997., ©1997
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$45.00
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
Snapshots : the photography of everyday life,1888 to the present
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$45.00
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
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March 1999, San Francisco
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