City cycling
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Bicycling in cities is booming, for many reasons: health and environmental benefits, time and cost savings, more and better bike lanes and paths, innovative bike sharing programs, and the sheer fun of riding. City Cycling offers a guide to this urban cycling, with the goal of promoting cycling as sustainable urban transportation available to everyone. It reports on(...)
Transportation, Tourism, Migration
November 2012
City cycling
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Bicycling in cities is booming, for many reasons: health and environmental benefits, time and cost savings, more and better bike lanes and paths, innovative bike sharing programs, and the sheer fun of riding. City Cycling offers a guide to this urban cycling, with the goal of promoting cycling as sustainable urban transportation available to everyone. It reports on cycling trends and policies in cities in North America, Europe, and Australia, and offers information on such topics as cycling safety, cycling infrastructure provisions including bikeways and bike parking, the wide range of bike designs and bike equipment, integration of cycling with public transportation, and promoting cycling for women and children. The chapters describe ways to make city cycling feasible, convenient, and safe for commutes to work and school, shopping trips, visits, and other daily transportation needs. The book also offers detailed examinations and illustrations of cycling conditions in different urban environments: small cities (including Davis, California, and Delft, the Netherlands), large cities (including Sydney, Chicago, Toronto and Berlin), and "megacities" (London, New York, Paris, and Tokyo). These chapters offer a closer look at how cities both with and without historical cycling cultures have developed cycling programs over time. The book makes clear that successful promotion of city cycling depends on coordinating infrastructure, programs, and government policies.
Transportation, Tourism, Migration
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In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories,(...)
Shanghai homes: palimpsests of private life
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In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account—part microhistory, part memoir—Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life—territories, artifacts, and gossip—Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their recent demolition, they were nestled in Shanghai's labyrinthine alleyways, which housed more than half of the city's population from the Sino-Japanese War to the Cultural Revolution. Through interviews with her own family members as well as their neighbors, classmates, and co-workers, Li weaves a complex social tapestry reflecting the lived experiences of ordinary people struggling to absorb and adapt to major historical change. These voices include workers, intellectuals, Communists, Nationalists, foreigners, compradors, wives, concubines, and children who all fought for a foothold and haven in this city, witnessing spectacles so full of farce and pathos they could only be whispered as secret histories.
Contemporary Asian Architecture
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and(...)
Subjective atlas of Palestine
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Sublime landscapes, tranquil urban scenes, frolicking children; who would associate these images with Palestine? All too often the Western media show the country’s gloomy side, and Palestinians as aggressors. It is this that makes identifying with them virtually impossible. If we are to relate to the Palestinians other images are needed, images seen from a cultural and more human vantage point. The Dutch designer Annelys de Vet invited Palestinian artists, photographers and designers to map their country as they see it. Given their closeness to the subject, this has resulted in unconventional, very human impressions of the landscape and the architecture, the cuisine, the music and the poetry of thought and expression. The drawings, photographs, maps and narratives made for this atlas reveal individual life experiences, from preparing chickpeas to a manual on water pipe smoking, from historic dress to modern music. Pages containing humorous and caustic newspaper cartoons and invented Palestinian currency followed by colourful cultural diaries and moving letters from prisoners. All in all, the contributions give an entirely different angle on a nation in occupied territory. In this subjective atlas it is the Palestinians themselves who show the disarming reverse side of the black-and-white image generally resorted to by the media.
History until 1900, Asia
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
Photography monographs
Miroslav Sasek
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Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with ''This is Paris'' in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of(...)
Miroslav Sasek
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Czech artist Miroslav Šašek (1916–1980) is celebrated for his pioneering approach to narrative nonfiction picture books, particularly his bestselling This Is series, which began with ''This is Paris'' in 1959 and eventually totaled eighteen books. With their distinct visual vocabulary, this witty collection of travel guides illustrating life and culture in a variety of cities and countries around the world from a child’s perspective, became immensely popular and garnered many awards. The artist’s charming travelogues continue to appeal to adults and children alike, even in a digital age exploding with travel imagery. Acclaimed author Martin Salisbury analyzes Šašek’s techniques and how his work not only reflects his architectural training and the ideas of the midcentury European avant-garde, but also the influence of contemporaries such as Saul Steinberg. In this beautifully designed volume, illustrated with sketches and original artwork from the Šašek Foundation in Prague, with examples ranging from Greece to Hong Kong, Rome to San Francisco, Ireland to Israel, Paris to New York, and more, Šašek’s best-known works come alive alongside lesser-known aspects of his practice, such as oil painting. Full of insight into the life and work of a singular talent, ''Miroslav Šašek'' will appeal to illustrators and those interested in the midcentury modern period.
Design Monographs
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xiii, 410 pages : illustrations (chiefly color), plans ; 29 cm
New York : Bard Graduate Center, [2026], New Haven ; London : Yale University Press, ©2026
Viollet-le-Duc : drawing worlds / edited by Barry Bergdoll and Martin Bressani.
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xiii, 410 pages : illustrations (chiefly color), plans ; 29 cm
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New York : Bard Graduate Center, [2026], New Haven ; London : Yale University Press, ©2026
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Is it possible for the economy to grow without the environment being destroyed? Will our lifestyles impoverish the planet for our children and grandchildren? Is the world sick? Can it be healed? Less than a lifetime ago, these questions would have made no sense. This was not because our ancestors had no impact on nature—nor because they were unaware of the serious damage(...)
Environment and environmental theory
November 2018
The environment: a history of an idea
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Is it possible for the economy to grow without the environment being destroyed? Will our lifestyles impoverish the planet for our children and grandchildren? Is the world sick? Can it be healed? Less than a lifetime ago, these questions would have made no sense. This was not because our ancestors had no impact on nature—nor because they were unaware of the serious damage they had done. What people lacked was an idea: a way of imagining the web of interconnection and consequence of which the natural world is made. Without this notion, we didn’t have a way to describe the scale and scope of human impact upon nature. This idea was "the environment." Paul Warde, Libby Robin, and Sverker Sörlin trace the emergence of the concept of the environment following World War II, a period characterized by both hope for a new global order and fear of humans’ capacity for almost limitless destruction. It was at this moment that a new idea and a new narrative about the planet-wide impact of people's behavior emerged, closely allied to anxieties for the future. Now we had a vocabulary for talking about how we were changing nature: resource exhaustion and energy, biodiversity, pollution, and—eventually—climate change. With the rise of "the environment," the authors argue, came new expertise, making certain kinds of knowledge crucial to understanding the future of our planet.
Environment and environmental theory
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Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores an array of diverse town house designs (often referred to by different terms in different parts of the country) that(...)
Creating the new American town house
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Once the bastion of the haute bourgeoisie, the town house has now been embraced by families with young children, single urban professionals, and retired couples, all looking for more comfortable city or suburban living. Architect Alexander Gorlin explores an array of diverse town house designs (often referred to by different terms in different parts of the country) that carry this familiar symbol of architectural innovation and refinement into the twenty-first century. "Creating the new American town house" features cutting-edge town houses that each draw from architectural tradition while achieving originality by both breaking from and adhering to the limitations of the town house form. Within the typical five-story frame and two parallel walls presented here are livable design solutions to the constraints of this classic housing type. Ranging from sites in New York, San Francisco, Seattle, Los Angeles, and Washington, DC, each of the buildings featured in "Creating the new American town house" is designed by such celebrated architects as Steven Ehrlich, Hugh Newell Jacobson, Stanley Saitowitz, and 1100 Architect. Each project is illustrated with full-color photography that showcases the interior design as well as plans and drawings. Alexander Gorlin’s text continues the discourse begun in his "The new American town house", surveying the adaptation of this beloved urban dwelling to the demands of a new century.
Residential Architecture
Shigeru Ban
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Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban designs and builds graceful, serene structures using modest materials such as cardboard, paper tubes, bamboo, and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always they are(...)
Architecture Monographs
October 2003, London / New York
Shigeru Ban
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Based in Japan and one of an emerging generation of young, world-class architects, Shigeru Ban designs and builds graceful, serene structures using modest materials such as cardboard, paper tubes, bamboo, and prefabricated wood. His buildings are sometimes soaring and birdlike, sometimes simple, grounded, and evocative of the Japanese aesthetic, but always they are integrated with and respectful of their surrounding environment. Ban has designed projects at both ends of the client spectrum: from one-room temporary houses of paper tubes for earthquake refugees worldwide to a 14,000 square-foot country house in Sharon, Connecticut – his first U.S. commission. His humanitarian efforts and his interest in recyclable, affordable, natural materials have won praise and attention from museums and critics in America and Europe. Ban’s Curtain Wall House was a favorite entry in the Museum of Modern Art’s “Un-Private House” exhibition in 1999; he has gone on to design a museum for children in Japan, a canal museum in France, and a private art museum in Belgium; he was included in the 2000 and 2002 Venice Biennale, and created the Japan Pavilion for the Expo 2000 in Hannover, Germany. He was a member of the Think team of architects selected in February 2003 as one of two finalist teams to compete for the commission to design the new World Trade Center site in New York.
Architecture Monographs
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For thousands of years, architects have used models to invent, experiment and communicate. A world in miniature, such models are even more varied in their purposes and materials than their full-scale counterparts. This elegant book explores the fascinating nature of the architectural model through 26 illustrated essays, one for each letter of the alphabet. Unbound by the(...)
An alphabet of architectural models
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For thousands of years, architects have used models to invent, experiment and communicate. A world in miniature, such models are even more varied in their purposes and materials than their full-scale counterparts. This elegant book explores the fascinating nature of the architectural model through 26 illustrated essays, one for each letter of the alphabet. Unbound by the practicalities of life-size construction, models allow architects the flexibility and freedom to think in three dimensions. Whether made for purely speculative exercises or to solve a specific problem, they are aids to the imagination. Equally, they can be used as detailed representations of particular places, either built or as yet unrealized, in order to convey information to patrons or the public. Models also have a vibrant life outside the architect’s office, including as souvenirs, architectural fragments displayed in museums, and toys for children and adults alike. Written by architects, model-makers, curators, conservators and scholars, the texts in this absorbing ''Alphabet'' explore such fundamental issues as modelling materials and techniques, scale, and the role of the model in the design process. They also go beyond conventional accounts to look at models under the X-ray machine, their use in film, and edible models. The result is a wide-ranging, original account of the multiple lives of the architectural model.
Models