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Now available in paperback, renowned writer and thinker David Leatherbarrow's groundbreaking Architecture Oriented Otherwise argues for a more profound, yet simpler, way of thinking about architecture, namely on the basis of how it performs. It's not only about how a building functions but also how it acts, including its effects on observers and inhabitants as well as on(...)
Architecture oriented otherwise
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Now available in paperback, renowned writer and thinker David Leatherbarrow's groundbreaking Architecture Oriented Otherwise argues for a more profound, yet simpler, way of thinking about architecture, namely on the basis of how it performs. It's not only about how a building functions but also how it acts, including its effects on observers and inhabitants as well as on the landscape that situates it. Drawing on an encyclopedic reading of contemporary philosophy, as well as from the work of architects whose work he admires, including Peter Zumthor, Renzo Piano, Le Corbusier, and Frank Lloyd Wright, Leatherbarrow challenges architects to think about their buildings in a vastly wider context, opening up the possibility of creating works that are richer in meaning, quality, and life.
Architectural Theory
Le Corbusier's hands
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"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky(...)
Architecture Monographs
January 1900, Cambridge, Mass.
Le Corbusier's hands
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"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes-50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands-touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him. . . . They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions-which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site-"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With "Le Corbusier's hands", Wogenscky gives us a unique record of an enigmatic genius.
Architecture Monographs
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are(...)
January 2006, New York / London
Gordon Matta-Clark
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Born in New York and trained in architecture, Gordon Matta-Clark is most famous for his slicing through façades, walls and floors of derelict buildings. This 'deconstructing' gesture, provocative and extreme, turns architecture into astonishing sculptures, where the mass of the building is entwined with the light and air that penetrate it. Matta-Clark's interventions are always grounded in social or political convictions. Some of his projects include opening a restaurant (Food, 1971)in the SoHo in New York, purchasing at auction fractions of unusable urban land in New York (Reality Properties: Fake Estates, 1973), dispensing oxygen to passersby in the streets of New York from a self-made cart (Fresh Air Cart, 1972), and other visionary urban projects that he conceived as a founding member of the New York-based Anarchitecture group.
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"Flying Lightness" paints a heroic picture of a century of aircraft development against the background of steadily increasing travel speeds. Yet since the Wright brothers made their first brief flight over 100 years ago, aircraft construction seems to have become strangely stuck in a rut. Today, rapid advances in the field of composites are opening up new possibilities(...)
Miniature Architecture
April 2005, Rotterdam
Flying lightness : promises for structural elegance
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"Flying Lightness" paints a heroic picture of a century of aircraft development against the background of steadily increasing travel speeds. Yet since the Wright brothers made their first brief flight over 100 years ago, aircraft construction seems to have become strangely stuck in a rut. Today, rapid advances in the field of composites are opening up new possibilities for optimizing aircraft con-figurations and revising structural principles. Composites are combinations of two or more physically distinct materials that enhance each other's properties. The new modes of system integration and improved structural quality they offer may even manage to produce a 30 per cent more efficient 'blended wing' passenger plane. Flying wings, once just a footnote in the history of air transport, could well become the aircraft of the 21st century.
Miniature Architecture
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Since the opening in 1997 of the Guggenheim Bilbao, designed by Frank Gehry, museum architecture has enjoyed worldwide attention on an unprecedented scale. That single watershed project demonstrated to municipalities that architecture has the power to transform the image of an entire city, thus making the turn of the twenty-first century the unofficial age of the museum(...)
Commercial interiors, Building types
August 2005, New York
New museums : contemporary museum architecture around the world
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Since the opening in 1997 of the Guggenheim Bilbao, designed by Frank Gehry, museum architecture has enjoyed worldwide attention on an unprecedented scale. That single watershed project demonstrated to municipalities that architecture has the power to transform the image of an entire city, thus making the turn of the twenty-first century the unofficial age of the museum building. New Museums examines the boom in high-design museum projects in detail, beginning with the Guggenheim Bilbao’s groundbreaking role in the development of contemporary museum architecture. It continues with a beautifully illustrated tour of 30 examples of the most innovative and exciting museum architecture around the world, including Tadao Ando’s Museum of Modern Art in Fort Worth, Zaha Hadid’s Contemporary Arts Center in Cincinnati, Renzo Piano’s Nasher Sculpture Center in Dallas, and many others.
Commercial interiors, Building types
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a(...)
February 2018
Brand new: art and commodity in the 1980s
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An eye-opening book about the 1980s New York art scene, its far-reaching effects on contemporary art, and the rise of some of the biggest names in the art world today. This groundbreaking book, accompanying a major exhibition at the Hirshhorn, tells the story of the evolution of New York’s downtown art scene in the 1980s—from a DIY counterculture in the East Village to a legitimate gallery business in SoHo. Coinciding with the rise of modern branding and the onset of the information age, artists’ focus on commodities and consumerism began as satire but came to be much more complex: commodities and associated phenomena, such as advertising, now served as vessels for ideas, politics, and personal relationships in “brand-new” types of painting, sculpture, photography, installation, and performance.
books
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains(...)
2001
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Wesley Willis (Chicago, 1963 – 2003) began his artistic career singing on the street, accompanied by his Technics KN 2000 keyboard. He was soon playing opening slots for local bands, and later recording songs as an homage to these performances (i.e. "Urge Overkill", "Swervedriver", "Foo Fighters", "The Frogs"). In 1989, Willis was diagnosed as schizophrenic; he explains that writing, performing, and recording help quiet the voices in his head. Most of his exposure came as an internet phenomenon during the early days of peer-to-peer file sharing. The Exhibition WW vs. GRRRR was first realized in St. Gallen (Switzerland) and then went to s'Hertogenbosch (Holland) and Giza (Egypt). It combines the first retrospective of Willis’s oeuvre with an extensive selection of work by the young Swiss artist Ingo Giezendanner. 2001 is edited by Urs Lehni.
books
January 2002, Zürich
Contemporary Art Monographs
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed(...)
Photography monographs
February 2018
Robert Polidori: synchrony and diachrony. Photographs of the J. Paul Getty Museum 1997
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This book presents 35 photos of the Getty Center taken shortly before the 1997 opening of its new multipurpose complex designed by Richard Meier. Published to coincide with the 20th anniversary of the center, the book reveals behind-the-scenes views of the building as objects from J. Paul Getty’s painting, sculpture and decorative arts collections were being installed inside it. In September 1997 the New Yorker commissioned Robert Polidori (born 1951) to photograph Meier’s building. Within 48 hours he had made images of its exterior but was dissatisfied. Polidori wanted to document the museum’s interior, and proceeded to photograph the rooms in which artworks were either freshly installed or still being so. The resulting photos show the museum in the process of taking shape, expose the mechanics of curatorship.
Photography monographs
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not(...)
Renate Aller: mountain interval
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The latest project from New York–based photographer Renate Aller includes mountain peaks from six continents. These photographs were taken from locations as high as 22,500 feet (adjacent to Mount Everest) to the European glaciers and mountain peaks of her childhood vacations. The subject matter is monumental, yet the images connect the viewer in a way that is not overpowering. Similar to the sand dune images from "Ocean | Desert", the artist engages us with these giants in all their detail, the veins and textures of the rocks in their constantly transient state. Aller isolates the mountain from its expected surroundings, using and presenting the familiar and the known in an intimate way, relating to parallel realities from different locations, opening up conversations between the different (political) landscapes in which we live.
Photography monographs
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This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how(...)
Andy Warhol: from a to b and back
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This book is the first to examine Warhol's work in its entirety. It builds on a wealth of new research and materials that have come to light in recent decades and offers a rare and much-needed comprehensive look at the full scope of Warhol's production—from his commercial illustrations of the 1950s through his monumental paintings of the 1980s. Donna De Salvo explores how Warhol's work engages with notions of public and private, the redefinition of media, and the role of abstraction, while a series of incisive and eye-opening essays by eminent scholars and contemporary artists touch on a broad range of topics, such as Warhol's response to the AIDS epidemic, his international influence, and how his work relates to constructs of self-image seen in social media today.
Contemporary Art Monographs