43717 Results
Level of archival description:
Series
Series
Title:
Hans Hansen
Hans Hansen
Actions:
Reference number:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
People:
Date:
1920
1920
Title:
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Hans Hansen
Actions:
AP162.S4
Description:
Series documents the contribution of architect Hans Hansen to the correspondence circle of Die gläserne Kette, with Hansen writing under the pseudonym Antischmitz. Born in Roetgen, Germany, in 1886, Hansen studied architecture in Cologne. After the war, Hansen joined the circle Cologne Dadaists, contributed to the magazine "Der Ventilor", and published "Das Erlebnis der Architektur". From 1922, he worked on commissions for the Catholic Church in Germany, including his most known project for the St. Bruno Church in Cologne-Kletteberg (1924-1926). He died in Cologne in 1966. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Hansen to the Die gläserne Kette circle.
Level of archival description:
series
series
Date:
1920
1920
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1994.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of a playground for the Talmud Torah School on West 26th Avenue, in Vancouver, in British Columbia. Oberlander worked on this project in 1994. The playground included a garden with apple trees at the north side of the site, a central play area with sand pits and play installation, small canal with a wooden bridge and two grass mounds with trees. The project series contains sketches, design development drawings, including a proposed landscape plan, landscape plans, landscape details, and site plans. The project is also documented through photographs of the playground once completed, specifications, plant lists, correspondence, including correspondence with client, meeting notes and site reports, financial documents and press clippings on the project.
AP075.S1.1994.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of a playground for the Talmud Torah School on West 26th Avenue, in Vancouver, in British Columbia. Oberlander worked on this project in 1994. The playground included a garden with apple trees at the north side of the site, a central play area with sand pits and play installation, small canal with a wooden bridge and two grass mounds with trees. The project series contains sketches, design development drawings, including a proposed landscape plan, landscape plans, landscape details, and site plans. The project is also documented through photographs of the playground once completed, specifications, plant lists, correspondence, including correspondence with client, meeting notes and site reports, financial documents and press clippings on the project.
People:
Date:
1970-1996
1970-1996
Title:
Talmud Torah School Playground, Vancouver, British Columbia (1994-1996)
Actions:
AP075.S1.1994.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of a playground for the Talmud Torah School on West 26th Avenue, in Vancouver, in British Columbia. Oberlander worked on this project in 1994. The playground included a garden with apple trees at the north side of the site, a central play area with sand pits and play installation, small canal with a wooden bridge and two grass mounds with trees. The project series contains sketches, design development drawings, including a proposed landscape plan, landscape plans, landscape details, and site plans. The project is also documented through photographs of the playground once completed, specifications, plant lists, correspondence, including correspondence with client, meeting notes and site reports, financial documents and press clippings on the project.
Talmud Torah School Playground, Vancouver, British Columbia (1994-1996)
Actions:
AP075.S1.1994.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of a playground for the Talmud Torah School on West 26th Avenue, in Vancouver, in British Columbia. Oberlander worked on this project in 1994. The playground included a garden with apple trees at the north side of the site, a central play area with sand pits and play installation, small canal with a wooden bridge and two grass mounds with trees. The project series contains sketches, design development drawings, including a proposed landscape plan, landscape plans, landscape details, and site plans. The project is also documented through photographs of the playground once completed, specifications, plant lists, correspondence, including correspondence with client, meeting notes and site reports, financial documents and press clippings on the project.
Level of archival description:
Project
Project
Date:
1970-1996
1970-1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
People:
Date:
1988-1992
1988-1992
Title:
Les Terraces, West Vancouver, British Columbia (1988)
Actions:
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
Les Terraces, West Vancouver, British Columbia (1988)
Actions:
AP075.S1.1988.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Les Terraces, an apartment tower located on Bellevue Avenue in West Vancouver, British Columbia. Oberlander worked on this project in 1988-1991 with architectural firm Matsuzaki Wright Architects. The project consisted in a landscape design for the looped drive and parking area in front of the appartment building entrance. The project series contains sketches, design development drawings, including proposed landscape designs, preliminary landscape plans, planting plans, and working drawings, such as irrigation plans, landscape plans and details for trellis, and building plans used as reference. The project series also comprises concept notes by Oberlander, correspondence with client and architects, minutes of meetings, financial document, landscape specifications and plant lists.
Level of archival description:
Project
Project
Date:
1988-1992
1988-1992
People:
Level of archival description:
Project
Project
Reference number:
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
People:
Date:
1967-1969
1967-1969
Title:
Cooperativa di abitazione in via Paravia [Housing cooperative on via Paravia], Milan, Italy (1965-1966)
Actions:
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
Cooperativa di abitazione in via Paravia [Housing cooperative on via Paravia], Milan, Italy (1965-1966)
Actions:
AP180.S1.1965.PR01
Description:
This project series documents the Cooperativa di abitazione, a built eight-storey low-income housing cooperative of friends and acquaintances on Via Paravia in the San Siro district of Milan, Italy. Riva worked on this housing complex from 1965-1967. The project is considered his first major project and was the first residential complex that he designed. This project is also known as 37 Via Paravia and was realized in collaboration with Bianco Bottero. The project is recorded through studies and design development drawings, including elevations, axonometric drawings, sections, floor plans, furnishing details, structural details, and electrical plans. The project series also includes drawings for a later alteration to the living room bookcase design, around the mid-1970s.
Level of archival description:
Project
Project
Date:
1967-1969
1967-1969
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
People:
Date:
1972 - 1973
1972 - 1973
Title:
Metropolitan Toronto Zoo, People Mover System, Scarborough, Ontario (1972)
Actions:
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
Metropolitan Toronto Zoo, People Mover System, Scarborough, Ontario (1972)
Actions:
AP018.S1.1972.PR17
Description:
This project series documents a proposal for a People Mover System for the Metropolitan Toronto Zoo in 1972. The office identified the project number as 7224. The project was a transportation system for the zoo, which required a guideway be built without disrupting the zoo's terrain as well as ensuring that the fences were out of passenger view. Parkin Architects Planners' worked with the engineering firm M.M. Dillion Limited and were in conversation with Boeing to build the vehicle for the system. The project is recorded through several topographic drawings showing the proposed design for the tracks, also included is a file of correspondence, mostly with M.M. Dillion Limited and Boeing, as well a file of notes and photocopies of drawings for the passenger vehicle. A letter in the correspondance file suggests that Parkin Architects Planners where not choosen to build this project.
Level of archival description:
Project
Project
Date:
1972 - 1973
1972 - 1973
People:
Form:
works of art
works of art
Actions:
Reference number:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
People:
Subject:
architecture, engineering
architecture, engineering
Date:
March 1586
March 1586
Title:
Plan, Elevation, and Perspective of the Castello Used in the Transportation of the Vatican Obelisk; and Views of the Original and Final Location of the Obelisk
Actions:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Plan, Elevation, and Perspective of the Castello Used in the Transportation of the Vatican Obelisk; and Views of the Original and Final Location of the Obelisk
Actions:
DR1987:0026
Description:
- During the moving of the obelisk, Fontana issued two prints, DR1987:0026 & DR1987:0027. The first (this print), was published in March 1586 just prior to the lowering, and distributed with a companion tract by Filippo Pigafetta. It shows both the original and final positions of the obelisk as well as the device proposed by Fontana for its transportation. This involved the use of a twin timber tower (the castello, as it was called, is seen in the central portion of the print) that was erected on either side of the obelisk and was used for lowering and raising the monolith. The second print (DR1987:0027) appeared in August, during the raising, and showed the lowering of the obelisk, as it had occured in late April, with a detailed inventory of all the men and horses involved in the operation. The transportation was begun on 30 April and was completed on 10 September, according to Fontana's description of the process in his book, 'Della trasportione dell'obelisco vaticano' of 1590, a work illustrated by Bonifazio and Guerra, the two artists responsible for the execution of these prints.
Form:
works of art
works of art
Date:
March 1586
March 1586
People:
Subject:
architecture, engineering
architecture, engineering
Form:
exhibitions
exhibitions
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 March 2000 to 7 May 2000
15 March 2000 to 7 May 2000
Title:
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Form:
exhibitions
exhibitions
Date:
15 March 2000 to
7 May 2000
15 March 2000 to
7 May 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
photographs
photographs
Reference number:
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
People:
Date:
1970s-1990s
1970s-1990s
Title:
References slides used as teaching material
Actions:
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
References slides used as teaching material
Actions:
AP207.S4.009
Description:
Includes reference slides on history of architecture, including slides on radical architecture, slides on Aldo Rossi's works, and Ettore Sottsass Senior's works.
Form:
photographs
photographs
Date:
1970s-1990s
1970s-1990s
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 April 1991 to 30 June 1991
17 April 1991 to 30 June 1991
Title:
Emerging Japanese Architects of the 1990s
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Emerging Japanese Architects of the 1990s
Actions:
Description:
The exhibition presents the work of a generation of Japanese architects that reached architectural maturity at a time of unprecedented wealth in Japan. The six young architects included—Kiyoshi Sey Takeyama/AMORPHE; Norihiko Dan; Hiroyuki Wakabayashi; WORKSHOP; Hisashi Hara; and Atsushi Kitagawara—freely incorporate Western and Japanese architectural traditions. For this(...)
Form:
exhibitions
exhibitions
Date:
17 April 1991 to
30 June 1991
17 April 1991 to
30 June 1991
Location:
Octagonal gallery
Octagonal gallery
Form:
photographs
photographs
Reference number:
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
People:
Date:
1970s-1990s
1970s-1990s
Title:
References slides used as teaching material
Actions:
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
References slides used as teaching material
Actions:
AP207.S4.021
Description:
Includes reference slides of Mœbius's (Jean Giraud) works, designs by Memphis' groups (including Ettore Sotsass Senior) and Angiolo Mazzoni's works.
Form:
photographs
photographs
Date:
1970s-1990s
1970s-1990s
People:
