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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late(...)
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
July 2003, London
July 2003, London
Title:
Rachel Whiteread : Haunch of Venison
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late 18th century that was originally the home of Admiral Lord Nelson. Reincarnating the staircase in its negative form, the imposing white sculpture invokes the building's past while reflecting the artist's interest in the formal and purely architectural qualities of sculpture. This inaugural publication features installation views of the exhibition, including additional work dating from 1995 to the present day, as well as two amply illustrated essays and a complete bibliography. The first text considers Whiteread's immense public commissions in relation to their environment; the second outlines the history and techniques involved in creating the cast staircase sculptures.
Rachel Whiteread : Haunch of Venison
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The newly founded gallery Haunch of Venison inaugurates its opening with an exhibition by internationally acclaimed sculptor Rachel Whiteread. The exhibition and accompanying publication feature Whiteread's newest work, Untitled (Domestic), a massive sculpture cast from the fire escape staircases of Haunch of Venison's premises--a 3-storey building constructed in the late 18th century that was originally the home of Admiral Lord Nelson. Reincarnating the staircase in its negative form, the imposing white sculpture invokes the building's past while reflecting the artist's interest in the formal and purely architectural qualities of sculpture. This inaugural publication features installation views of the exhibition, including additional work dating from 1995 to the present day, as well as two amply illustrated essays and a complete bibliography. The first text considers Whiteread's immense public commissions in relation to their environment; the second outlines the history and techniques involved in creating the cast staircase sculptures.
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books
books
Publication:
July 2003, London
July 2003, London
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Another volume in the photographer's popular series of visual diaries, What We Have Seen is all about people and places in the long and convivial life of Robert Frank (born 1924). Opening and closing with the zoom on the dial of a clock tower, serving as a reminder of the silent but constant passage of time, the book is laden with memories and pictures of old photographs.(...)
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Another volume in the photographer's popular series of visual diaries, What We Have Seen is all about people and places in the long and convivial life of Robert Frank (born 1924). Opening and closing with the zoom on the dial of a clock tower, serving as a reminder of the silent but constant passage of time, the book is laden with memories and pictures of old photographs.(...)
Title:
Robert Frank: What we have seen
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Another volume in the photographer's popular series of visual diaries, What We Have Seen is all about people and places in the long and convivial life of Robert Frank (born 1924). Opening and closing with the zoom on the dial of a clock tower, serving as a reminder of the silent but constant passage of time, the book is laden with memories and pictures of old photographs. Like a leitmotif carrying us through the images, the word "souvenir" pops up under a magnifying glass positioned on a French text as a reading device. Frank's house in Mabou is once again portrayed as a popular retreat for people such as Jack Kerouac, Gerhard Steidl, Allen Ginsberg, William S. Burroughs and Frank's family members. As ever, Frank's visual diaries constitute an important part of both his later work and developments in the ongoing art of the photobook.
Robert Frank: What we have seen
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Another volume in the photographer's popular series of visual diaries, What We Have Seen is all about people and places in the long and convivial life of Robert Frank (born 1924). Opening and closing with the zoom on the dial of a clock tower, serving as a reminder of the silent but constant passage of time, the book is laden with memories and pictures of old photographs. Like a leitmotif carrying us through the images, the word "souvenir" pops up under a magnifying glass positioned on a French text as a reading device. Frank's house in Mabou is once again portrayed as a popular retreat for people such as Jack Kerouac, Gerhard Steidl, Allen Ginsberg, William S. Burroughs and Frank's family members. As ever, Frank's visual diaries constitute an important part of both his later work and developments in the ongoing art of the photobook.
Form:
books
books
Publication:
March 2016
March 2016
Subject:
Photography monographs
Photography monographs
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books
books
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From the beet fields of North Dakota to the National Forest campgrounds of California to Amazon's CamperForce program in Texas, employers have discovered a new, low-cost labor pool, made up largely of transient older Americans. Finding that social security comes up short, often underwater on mortgages, these invisible casualties of the Great Recession have taken to the(...)
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From the beet fields of North Dakota to the National Forest campgrounds of California to Amazon's CamperForce program in Texas, employers have discovered a new, low-cost labor pool, made up largely of transient older Americans. Finding that social security comes up short, often underwater on mortgages, these invisible casualties of the Great Recession have taken to the(...)
Title:
Nomadland: surviving America in the twenty-first century
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From the beet fields of North Dakota to the National Forest campgrounds of California to Amazon's CamperForce program in Texas, employers have discovered a new, low-cost labor pool, made up largely of transient older Americans. Finding that social security comes up short, often underwater on mortgages, these invisible casualties of the Great Recession have taken to the road by the tens of thousands in late-model RVs, travel trailers, and vans, forming a growing community of nomads: migrant laborers who call themselves ''workampers.'' On frequently traveled routes between seasonal jobs, Jessica Bruder meets people from all walks of life: accompanying them from campground toilet cleaning to warehouse product scanning to desert reunions, then moving on to the dangerous work of beet harvesting, Bruder tells an eye-opening tale of the dark underbelly of the American economy- one that foreshadows the precarious future that may await many more of us.
Nomadland: surviving America in the twenty-first century
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From the beet fields of North Dakota to the National Forest campgrounds of California to Amazon's CamperForce program in Texas, employers have discovered a new, low-cost labor pool, made up largely of transient older Americans. Finding that social security comes up short, often underwater on mortgages, these invisible casualties of the Great Recession have taken to the road by the tens of thousands in late-model RVs, travel trailers, and vans, forming a growing community of nomads: migrant laborers who call themselves ''workampers.'' On frequently traveled routes between seasonal jobs, Jessica Bruder meets people from all walks of life: accompanying them from campground toilet cleaning to warehouse product scanning to desert reunions, then moving on to the dangerous work of beet harvesting, Bruder tells an eye-opening tale of the dark underbelly of the American economy- one that foreshadows the precarious future that may await many more of us.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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In "What’s the Use?" Sara Ahmed continues the work she began in "The Promise of Happiness and Willful Subjects" by taking up a single word—in this case, use—and following it around. She shows how use became associated with life and strength in nineteenth-century biological and social thought and considers how utilitarianism offered a set of educational techniques for(...)
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In "What’s the Use?" Sara Ahmed continues the work she began in "The Promise of Happiness and Willful Subjects" by taking up a single word—in this case, use—and following it around. She shows how use became associated with life and strength in nineteenth-century biological and social thought and considers how utilitarianism offered a set of educational techniques for(...)
Title:
What's the use: on the uses of use
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In "What’s the Use?" Sara Ahmed continues the work she began in "The Promise of Happiness and Willful Subjects" by taking up a single word—in this case, use—and following it around. She shows how use became associated with life and strength in nineteenth-century biological and social thought and considers how utilitarianism offered a set of educational techniques for shaping individuals by directing them toward useful ends. Ahmed also explores how spaces become restricted to some uses and users, with specific reference to universities. She notes, however, the potential for queer use: how things can be used in ways that were not intended or by those for whom they were not intended. Ahmed posits queer use as a way of reanimating the project of diversity work as the ordinary and painstaking task of opening up institutions to those who have historically been excluded.
What's the use: on the uses of use
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In "What’s the Use?" Sara Ahmed continues the work she began in "The Promise of Happiness and Willful Subjects" by taking up a single word—in this case, use—and following it around. She shows how use became associated with life and strength in nineteenth-century biological and social thought and considers how utilitarianism offered a set of educational techniques for shaping individuals by directing them toward useful ends. Ahmed also explores how spaces become restricted to some uses and users, with specific reference to universities. She notes, however, the potential for queer use: how things can be used in ways that were not intended or by those for whom they were not intended. Ahmed posits queer use as a way of reanimating the project of diversity work as the ordinary and painstaking task of opening up institutions to those who have historically been excluded.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Critical Theory
Critical Theory
Form:
books
books
Title:
Béatrice Helg
Béatrice Helg
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With her great passion for music, architecture, the theatre and opera, Helg's photographs create monumental spaces in which sculpture, painting, installations, and most of all light are constantly interwoven. Like a window opening onto the invisible, giving glimpses of the mind, her light-filled world is weirdly beautiful, at once poetic and spiritual. You step inside and(...)
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With her great passion for music, architecture, the theatre and opera, Helg's photographs create monumental spaces in which sculpture, painting, installations, and most of all light are constantly interwoven. Like a window opening onto the invisible, giving glimpses of the mind, her light-filled world is weirdly beautiful, at once poetic and spiritual. You step inside and(...)
Title:
Béatrice Helg
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With her great passion for music, architecture, the theatre and opera, Helg's photographs create monumental spaces in which sculpture, painting, installations, and most of all light are constantly interwoven. Like a window opening onto the invisible, giving glimpses of the mind, her light-filled world is weirdly beautiful, at once poetic and spiritual. You step inside and then lose your bearings, as if in a drunken stupor, and tempted to let yourself slide slowly, dangerously between blinding light and total darkness. Beatrice Helg's work ultimately explores the infinite; it is a quest for the absolute, or rather a delving into the boundless identity of an inner mystery. This book presents a selection of her photographs taken over the past twenty-five years, accompanied by original commentary by Robert Wilson, as well as critical writings and poetry by Philippe Piguet, Serge Linares and Sylviane Dupuis.
Béatrice Helg
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With her great passion for music, architecture, the theatre and opera, Helg's photographs create monumental spaces in which sculpture, painting, installations, and most of all light are constantly interwoven. Like a window opening onto the invisible, giving glimpses of the mind, her light-filled world is weirdly beautiful, at once poetic and spiritual. You step inside and then lose your bearings, as if in a drunken stupor, and tempted to let yourself slide slowly, dangerously between blinding light and total darkness. Beatrice Helg's work ultimately explores the infinite; it is a quest for the absolute, or rather a delving into the boundless identity of an inner mystery. This book presents a selection of her photographs taken over the past twenty-five years, accompanied by original commentary by Robert Wilson, as well as critical writings and poetry by Philippe Piguet, Serge Linares and Sylviane Dupuis.
Form:
books
books
Publication:
December 2019
December 2019
Subject:
Photography monographs
Photography monographs
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books
books
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$75.00
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Summary:
Produced in close collaboration with Eames estate, this publication presents the husband-and-wife team from both personal and professional perspectives, as well as the lively interplay of their public and private lives. This monograph charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout(...)
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Produced in close collaboration with Eames estate, this publication presents the husband-and-wife team from both personal and professional perspectives, as well as the lively interplay of their public and private lives. This monograph charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout(...)
Title:
The world of Charles and Ray Eames
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Produced in close collaboration with Eames estate, this publication presents the husband-and-wife team from both personal and professional perspectives, as well as the lively interplay of their public and private lives. This monograph charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. Published in connection to a major exhibition developed in partnership with the Eames Estate opening at London's Barbican Art Gallery in October 2015, the book features a broad range of visual material, enriched by recent archival research and new discoveries. It explores the era-defining work of the Eames Office, a 'laboratory' active for over four decades that produced a vast array of pioneering and influential projects - from architecture, furniture and product design to film, photography, multi-media installation and exhibitions, as well as new models for arts education.
The world of Charles and Ray Eames
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Produced in close collaboration with Eames estate, this publication presents the husband-and-wife team from both personal and professional perspectives, as well as the lively interplay of their public and private lives. This monograph charts the history of their inspiring and prolific world and brings together key works and ideas explored at the Eames Office throughout its extraordinary history. Published in connection to a major exhibition developed in partnership with the Eames Estate opening at London's Barbican Art Gallery in October 2015, the book features a broad range of visual material, enriched by recent archival research and new discoveries. It explores the era-defining work of the Eames Office, a 'laboratory' active for over four decades that produced a vast array of pioneering and influential projects - from architecture, furniture and product design to film, photography, multi-media installation and exhibitions, as well as new models for arts education.
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Design Monographs
Design Monographs
Form:
books
books
Price:
$23.50
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Summary:
''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the(...)
Title:
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Patrick Ward : Manplan 1 & 2, Britain in the late 1960s (2 vol.)
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Summary:
''In 1969 the Architectural Review invited guest editor Tim Rock to produce a few issues of the magazine. His brief was to take a hard look at the state of Britain, which must have come as a rude awakening for the readers of this conservative journal. I was lucky to receive the opening assignment for this ambitious project and spent the following six weeks recording the frustrations surrounding life, work and leisure in the Britain of the late 1960s. The result was a photo essay called 'Manplan' which ran for 75 pages in the magazine and from which these images are drawn. The project ran for several more issues, with other editorial photographers exploring more specific subjects for the project. However, I think it’s fair to surmise that the magazine, its readers, and its advertisers were relieved to return to the safer territory of architectural photography, with its correct verticals and its political correctness too!'' - PW
Form:
books
books
Publication:
January 2023
January 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$67.00
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Summary:
With the advent of Prairie style architecture, Frank Lloyd Wright embarked on a journey that would forever change the course of architecture. During this extraordinarily prolific period, roughly the first quarter of the twentieth century, Wright built the first great modern American houses. He cast aside many of the conventions of the past, opening up interior spaces so(...)
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Summary:
With the advent of Prairie style architecture, Frank Lloyd Wright embarked on a journey that would forever change the course of architecture. During this extraordinarily prolific period, roughly the first quarter of the twentieth century, Wright built the first great modern American houses. He cast aside many of the conventions of the past, opening up interior spaces so(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
November 2006, New York
November 2006, New York
Title:
Frank Lloyd Wright : prairie houses
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With the advent of Prairie style architecture, Frank Lloyd Wright embarked on a journey that would forever change the course of architecture. During this extraordinarily prolific period, roughly the first quarter of the twentieth century, Wright built the first great modern American houses. He cast aside many of the conventions of the past, opening up interior spaces so that there might be a more subtle flow of rooms. The plans for Prairie style architecture were based on a tartan plaid of main spaces and secondary spaces, of public rooms and circulation spaces. Their decentralized asymmetry did not follow the Beaux Arts insistence on a primary, often dominating, focal point—a vestige of its roots as a symbolic architecture for divine-right royalty. Following Wright's philosophy, Prairie design was emphatically democratic and non-hierarchical. Frank Lloyd Wright Prairie Houses comprehensively demonstrates this philosophy. Focusing on interiors and details, the book features more than 70 Prairie style houses and other buildings, still extant, in lavish, full-color photography.
Frank Lloyd Wright : prairie houses
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With the advent of Prairie style architecture, Frank Lloyd Wright embarked on a journey that would forever change the course of architecture. During this extraordinarily prolific period, roughly the first quarter of the twentieth century, Wright built the first great modern American houses. He cast aside many of the conventions of the past, opening up interior spaces so that there might be a more subtle flow of rooms. The plans for Prairie style architecture were based on a tartan plaid of main spaces and secondary spaces, of public rooms and circulation spaces. Their decentralized asymmetry did not follow the Beaux Arts insistence on a primary, often dominating, focal point—a vestige of its roots as a symbolic architecture for divine-right royalty. Following Wright's philosophy, Prairie design was emphatically democratic and non-hierarchical. Frank Lloyd Wright Prairie Houses comprehensively demonstrates this philosophy. Focusing on interiors and details, the book features more than 70 Prairie style houses and other buildings, still extant, in lavish, full-color photography.
Form:
books
books
Publication:
November 2006, New York
November 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$45.00
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Summary:
Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
Title:
How Modern: Biographies of Architecture in China 1949–1979
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
How Modern: Biographies of Architecture in China 1949–1979
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
Form:
books
books
Publication:
December 2025
December 2025
Subject:
CCA Publications
CCA Publications
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books
books
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$80.00
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Summary:
This issue of TC Cuadernos is dedicated to the prolific career of Mexican architect Gabriela Carrillo. Through a careful selection of projects developed between 2014 and 2024, the monograph offers a comprehensive analysis of her architectural practice, covering her diverse collaborations and working methods. Throughout her career, Gabriela Carrillo has demonstrated a(...)
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This issue of TC Cuadernos is dedicated to the prolific career of Mexican architect Gabriela Carrillo. Through a careful selection of projects developed between 2014 and 2024, the monograph offers a comprehensive analysis of her architectural practice, covering her diverse collaborations and working methods. Throughout her career, Gabriela Carrillo has demonstrated a(...)
Title:
TC 164: Gabriela Carrillo 2014-2024
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This issue of TC Cuadernos is dedicated to the prolific career of Mexican architect Gabriela Carrillo. Through a careful selection of projects developed between 2014 and 2024, the monograph offers a comprehensive analysis of her architectural practice, covering her diverse collaborations and working methods. Throughout her career, Gabriela Carrillo has demonstrated a constant quest to generate spatial experiences that are dignified and sensitive to "otherness," and that respond to different users and contexts. Her work explores dialogues with natural or built preexistences, material experimentation and climatic adaptation, new forms, programs, and spatial sensibilities that push the boundaries of architecture. The monograph analyzes in detail his career, from his partnership with Mauricio Rocha to the opening of his own studio and the founding of Colectivo C733. It includes houses, markets, cultural centers, ephemeral works, landscaping, and the recovery of historical buildings. Each project is presented with images, plans, construction details, and drawings from the workbooks, offering an intimate look at his creative process.
TC 164: Gabriela Carrillo 2014-2024
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This issue of TC Cuadernos is dedicated to the prolific career of Mexican architect Gabriela Carrillo. Through a careful selection of projects developed between 2014 and 2024, the monograph offers a comprehensive analysis of her architectural practice, covering her diverse collaborations and working methods. Throughout her career, Gabriela Carrillo has demonstrated a constant quest to generate spatial experiences that are dignified and sensitive to "otherness," and that respond to different users and contexts. Her work explores dialogues with natural or built preexistences, material experimentation and climatic adaptation, new forms, programs, and spatial sensibilities that push the boundaries of architecture. The monograph analyzes in detail his career, from his partnership with Mauricio Rocha to the opening of his own studio and the founding of Colectivo C733. It includes houses, markets, cultural centers, ephemeral works, landscaping, and the recovery of historical buildings. Each project is presented with images, plans, construction details, and drawings from the workbooks, offering an intimate look at his creative process.
Form:
books
books
Publication:
August 2024
August 2024
Subject:
Architecture Monographs
Architecture Monographs
