4455 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Actions:
Reference number:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
People:
Date:
2003-2008
2003-2008
Title:
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Aldo Cibic Microrealities project collection
Actions:
CD033
Synopsis:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Form:
archives
Level of archival description:
collection
archives
Level of archival description:
collection
Date:
2003-2008
2003-2008
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Kiran Mukerji Collection
Kiran Mukerji Collection
Actions:
Reference number:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
People:
Date:
1972-2013
1972-2013
Title:
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
Kiran Mukerji Collection
Actions:
CD038
Synopsis:
The Kiran Mukerji collection contains Kiran Mukerji’s research material on building and design technologies for affordable housing, which consists mostly of publications, and a few textual records the Institut für Tropenbau (Institute for Tropical Building).
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1972-2013
1972-2013
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
People:
Date:
2001-2016
2001-2016
Title:
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Preston Scott Cohen Eyebeam project records
Actions:
AP190
Synopsis:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2001-2016
2001-2016
People:
Form:
events
events
Description:
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Date:
27 October 2016, 6pm
27 October 2016, 6pm
Title:
Legislating Architecture: Arno Brandlhuber and Christopher Roth
Actions:
Description:
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Legislating Architecture: Arno Brandlhuber and Christopher Roth
Actions:
Description:
Legislating Architecture explores how architecture is shaped by law and other societal regulatory systems. The film, directed by Arno Brandlhuber and Christopher Roth, presents excerpts from conversations conducted with architects including Luigi Snozzi, Adam Caruso, Tom Emerson, and Christian Kerez. It is a point of departure for an issue of ARCH+ also entitled(...)
Form:
events
events
Date:
27 October 2016
6pm
27 October 2016
6pm
Level of archival description:
Series
Series
Title:
TopSolid development
TopSolid development
Actions:
Reference number:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
People:
Date:
1992-2011
1992-2011
Title:
TopSolid development
Actions:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
TopSolid development
Actions:
AP169.S2
Description:
Series 2, TopSolid development, 1992 - 2011, documents Bernard Cache’s contribution to the development of the software TopSolid. This series includes born-digital material and chiefly dates from 1999 - 2008. Created in 1987 by Missler software, TopSolid was one of the first computer-aided design (CAD) software usable on portable computers. Bernard Cache was an early adopter of TopSolid and was later asked to contribute to the development of further versions of the software. It then became one of the first pieces of software to support both CAD and computer-aided manufacturing (CAM), which resulted from a radical proposition to link parametric design software seamlessly to robotic manufacturing. Bernard Cache’s contribution to this project underscores his interest for mathematics, geometry, and engineering reflected in his other areas of architectural and design work. Materials in this series portray Cache’s role in the development of the software. This includes programming records for the codes and configuration of the software which are primarily in plain text formats, still images and CAD formats (TopSolid). It also includes programming records for TopWood,an alternate software derived from TopSolid and developed to target the specificities of the wood industry. There are also a significant number of textual records, which constitutes training documents, bug reports, and correspondence (in Word and Excel formats).
Level of archival description:
Series
Series
Date:
1992-2011
1992-2011
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
People:
Date:
1973-2018
1973-2018
Title:
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
VanDusen Botanical Garden, Vancouver, British Columbia (2009)
Actions:
AP075.S1.2009.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the new Visitor Centre of VanDusen Botanical Garden in Vancouver, British Columbia. Oberlander worked on this project from 2007 to 2011 with architectural firm Busby Perkins+Will Architects and landscape architecture firm Sharp and Diamond Landscape Architects. The project consisted in building an access to the botanical garden from Oak Street. The building includes a undulating green roof shaped as a native orchid leaf and covered in plants inspired by the Pacific Northwest Coastal grassland. The building entrance is marked by "a single petal raised above the others" [1] while another of the giant roof petal in the back "almost touched the ground, and transported water to Oberlander's rainwater garden." [2] The project series contains design developement drawings such as site plans, planting plans, landscape plans, landscape sections and a few sketches, and also sets of building drawings or older landscape drawings of the garden used as reference. The project is also documented through textual records, including correspondence with architects, consultants and clients, project proposals, documentation on botanical garden or on the VanDusen Botanical Garden, and press articles and clippings about the project. The project series comprises also digital photographs of the completed building. Source: [1] [2] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 225.
Level of archival description:
Project
Project
Date:
1973-2018
1973-2018
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Gene Summers fonds
Gene Summers fonds
Reference number:
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
People:
Date:
1957 - 2004
1957 - 2004
Title:
Gene Summers fonds
Actions:
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Gene Summers fonds
Actions:
AP114
Synopsis:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1957 - 2004
1957 - 2004
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
People:
Date:
1998-2002
1998-2002
Title:
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Peter Yeadon Prix de Rome project records
Actions:
AP119
Synopsis:
The Peter Yeadon Prix de Rome project records consist of twenty ink jet printouts of computer-generated images, four sketchbooks, as well as project documentation of Yeadon's Prix de Rome project. All of the drawings were made in Rome between 1999 and 2000.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2002
1998-2002
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
CD047
Synopsis:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
CD047
Synopsis:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
People:
Date:
1963-1967
1963-1967
Title:
May Cutler collection on Expo 67
Actions:
CD047
Synopsis:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
May Cutler collection on Expo 67
Actions:
CD047
Synopsis:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1963-1967
1963-1967
People:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
