7056 Results
Level of archival description:
Project
Project
Title:
Architecture I, Leo Castelli
Architecture I, Leo Castelli
Actions:
Reference number:
AP140.S2.SS3.D6
Description:
File documents the participation of the office of James Stirling and Partner to the Architecture I exhibition at Leo Castelli, in New York City, New York, United States. Material in this file was produced in 1977. File contains photographs of exhibition by photographer Bevan Davies.
AP140.S2.SS3.D6
Description:
File documents the participation of the office of James Stirling and Partner to the Architecture I exhibition at Leo Castelli, in New York City, New York, United States. Material in this file was produced in 1977. File contains photographs of exhibition by photographer Bevan Davies.
People:
Date:
1977
1977
Title:
Architecture I, Leo Castelli
Actions:
AP140.S2.SS3.D6
Description:
File documents the participation of the office of James Stirling and Partner to the Architecture I exhibition at Leo Castelli, in New York City, New York, United States. Material in this file was produced in 1977. File contains photographs of exhibition by photographer Bevan Davies.
Architecture I, Leo Castelli
Actions:
AP140.S2.SS3.D6
Description:
File documents the participation of the office of James Stirling and Partner to the Architecture I exhibition at Leo Castelli, in New York City, New York, United States. Material in this file was produced in 1977. File contains photographs of exhibition by photographer Bevan Davies.
Level of archival description:
File 6
File 6
Date:
1977
1977
People:
Form:
exhibitions
exhibitions
Title:
Starting From... The Bubble
Starting From... The Bubble
Actions:
Description:
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
Location:
Hall cases
Hall cases
Date:
26 November 2009 to 17 January 2010
26 November 2009 to 17 January 2010
Title:
Starting From... The Bubble
Actions:
Description:
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
Starting From... The Bubble
Actions:
Description:
The bubble is a wonder of surface tension. In its architectural interpretation, the bubble can be understood as a feat of engineering or as a metaphor for an enclosed hermetic environment. As such, the bubble emerges, in the architect Cedric Price’s words, “in any shape or any size” as a powerful symbol of the future, or becomes synonymous with the condition of isolation(...)
Form:
exhibitions
exhibitions
Date:
26 November 2009 to
17 January 2010
26 November 2009 to
17 January 2010
Location:
Hall cases
Hall cases
Form:
photographs
photographs
Actions:
Reference number:
AP197.S2.008
Description:
This box includes photographs taken by Botond Bognár of various built projects around the world as well as photographs, prints and negatives of Soviet architecture. The last section of the box is comprised of maps of Paris, Amsterdam and Rotterdam.
AP197.S2.008
Description:
This box includes photographs taken by Botond Bognár of various built projects around the world as well as photographs, prints and negatives of Soviet architecture. The last section of the box is comprised of maps of Paris, Amsterdam and Rotterdam.
People:
Date:
circa 1970-1990
circa 1970-1990
Title:
Photographs by Botond Bognár, photographic materials of Soviet architecture and various maps
Actions:
AP197.S2.008
Description:
This box includes photographs taken by Botond Bognár of various built projects around the world as well as photographs, prints and negatives of Soviet architecture. The last section of the box is comprised of maps of Paris, Amsterdam and Rotterdam.
Photographs by Botond Bognár, photographic materials of Soviet architecture and various maps
Actions:
AP197.S2.008
Description:
This box includes photographs taken by Botond Bognár of various built projects around the world as well as photographs, prints and negatives of Soviet architecture. The last section of the box is comprised of maps of Paris, Amsterdam and Rotterdam.
Form:
photographs
photographs
Date:
circa 1970-1990
circa 1970-1990
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
People:
Date:
2009-2015
2009-2015
Title:
Brano di Città [City Architecture] (2009)
Actions:
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
Brano di Città [City Architecture] (2009)
Actions:
AP207.S1.2009.PR01
Description:
The project series documents the installation "Brano di Città" presented at the Galleria Enrico Fornello, in Prato, in 2009. The installation consists of covering the walls and the floor of an entire gallery space with branches and dry leaves. "The material is predominant here, and “becomes” architecture. It is a piece of city, or a ghost of it, where nature turns into architecture, or a work of architecture structures itself, describes itself with natural materials." [1] The project series contains drawings and photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-city-architecture-2009/ (last accessed 22 January 2020).
Level of archival description:
Project
Project
Date:
2009-2015
2009-2015
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:102:011
Description:
File containing documents in English, including drafts, notes, photographs, sketches, and printouts of images related to Melvin Charney's article, "Troglai". Original folder inscribed in graphite: « TROGLAI ARCHITECTURE » / LANDSCAPE 1963
DR2012:0012:102:011
Description:
File containing documents in English, including drafts, notes, photographs, sketches, and printouts of images related to Melvin Charney's article, "Troglai". Original folder inscribed in graphite: « TROGLAI ARCHITECTURE » / LANDSCAPE 1963
People:
Date:
1961
1961
Title:
Drafts, notes, photographs, sketches, and printouts of images related to article "Troglai"
Actions:
DR2012:0012:102:011
Description:
File containing documents in English, including drafts, notes, photographs, sketches, and printouts of images related to Melvin Charney's article, "Troglai". Original folder inscribed in graphite: « TROGLAI ARCHITECTURE » / LANDSCAPE 1963
Drafts, notes, photographs, sketches, and printouts of images related to article "Troglai"
Actions:
DR2012:0012:102:011
Description:
File containing documents in English, including drafts, notes, photographs, sketches, and printouts of images related to Melvin Charney's article, "Troglai". Original folder inscribed in graphite: « TROGLAI ARCHITECTURE » / LANDSCAPE 1963
Form:
textual records
textual records
Date:
1961
1961
People:
Form:
photographs
Quantity:
426 photograph(s)
photographs
Quantity:
426 photograph(s)
Actions:
Reference number:
PH1980:1015:001-426
Description:
Group of photographs of architecture of the 1920s, most of them used for the publication by Robert Mallet-Stevens titled 'Grandes constructions', vols. I and II (Paris : C. Moreau, [1929?]).
PH1980:1015:001-426
Description:
Group of photographs of architecture of the 1920s, most of them used for the publication by Robert Mallet-Stevens titled 'Grandes constructions', vols. I and II (Paris : C. Moreau, [1929?]).
People:
Date:
1929
1929
Title:
Views of modern buildings by many architects used to illustrate Rob Mallet-Steven's book Grandes Constructions, France and Netherlands
Actions:
PH1980:1015:001-426
Description:
Group of photographs of architecture of the 1920s, most of them used for the publication by Robert Mallet-Stevens titled 'Grandes constructions', vols. I and II (Paris : C. Moreau, [1929?]).
Views of modern buildings by many architects used to illustrate Rob Mallet-Steven's book Grandes Constructions, France and Netherlands
Actions:
PH1980:1015:001-426
Description:
Group of photographs of architecture of the 1920s, most of them used for the publication by Robert Mallet-Stevens titled 'Grandes constructions', vols. I and II (Paris : C. Moreau, [1929?]).
Form:
photographs
Quantity:
426 photograph(s)
photographs
Quantity:
426 photograph(s)
Date:
1929
1929
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
People:
Date:
2009-2015
2009-2015
Title:
Forgiving Architecture (2009)
Actions:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Forgiving Architecture (2009)
Actions:
AP207.S1.2009.PR02
Description:
The project series documents the installation "Forgiving Architecture" presented at the ReMap2, Athens Biennal, in 2009. The installation consists of strips of paper vertically hung across the facades of the building to be moved by the breeze. "The air of Athens, its constant breezes, suggest the extent to which nature can “forgive,” can find a poetic communication, like the foliage of a forest in the wind. Nothing can be lighter and more mobile than static architecture!" [1] The project series contains sketches, perspective drawings, visual instructions, and photographs of the installation, including digital photographs of the installation in Athens in 2009. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-forgiving-architecture-2009-1/ (last accessed 23 January 2020).
Level of archival description:
Project
Project
Date:
2009-2015
2009-2015
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Location:
Main galleries
Main galleries
Date:
4 July 2007 to 30 September 2007
4 July 2007 to 30 September 2007
Title:
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Lessons from Bernard Rudofsky
Actions:
Description:
Lessons from Bernard Rudofsky is the first retrospective to examine the life and work of the controversial architect, designer, and critic whose groundbreaking buildings, exhibitions, and fashion designs challenged the Western world’s perceptions of comfort and culture. The exhibition highlights the diverse contributions of a unique and underappreciated pioneer of(...)
Form:
exhibitions
exhibitions
Date:
4 July 2007 to
30 September 2007
4 July 2007 to
30 September 2007
Location:
Main galleries
Main galleries
Form:
drawings
Quantity:
36 drawing(s)
drawings
Quantity:
36 drawing(s)
Actions:
Reference number:
DR2006:0077
Description:
illustrations for Cedric Price lecture at AA School of Architecture 'Being a speculation into immediate futures', watercolour renderings, sketches and illustrations for unidentified projects, collage and sketches for Generator, conceptual sketches for Parc, photographs, including one for Potteries Thinkbelt, broadsheet manifesto for RIBA Architecture Gallery (1999), lecture poster, and studies for logo designs
DR2006:0077
Description:
illustrations for Cedric Price lecture at AA School of Architecture 'Being a speculation into immediate futures', watercolour renderings, sketches and illustrations for unidentified projects, collage and sketches for Generator, conceptual sketches for Parc, photographs, including one for Potteries Thinkbelt, broadsheet manifesto for RIBA Architecture Gallery (1999), lecture poster, and studies for logo designs
People:
Date:
1974-1999
1974-1999
Title:
Illustrations for Cedric Price lecture at AA School of Architecture
Actions:
DR2006:0077
Description:
illustrations for Cedric Price lecture at AA School of Architecture 'Being a speculation into immediate futures', watercolour renderings, sketches and illustrations for unidentified projects, collage and sketches for Generator, conceptual sketches for Parc, photographs, including one for Potteries Thinkbelt, broadsheet manifesto for RIBA Architecture Gallery (1999), lecture poster, and studies for logo designs
Illustrations for Cedric Price lecture at AA School of Architecture
Actions:
DR2006:0077
Description:
illustrations for Cedric Price lecture at AA School of Architecture 'Being a speculation into immediate futures', watercolour renderings, sketches and illustrations for unidentified projects, collage and sketches for Generator, conceptual sketches for Parc, photographs, including one for Potteries Thinkbelt, broadsheet manifesto for RIBA Architecture Gallery (1999), lecture poster, and studies for logo designs
Form:
drawings
Quantity:
36 drawing(s)
drawings
Quantity:
36 drawing(s)
Date:
1974-1999
1974-1999
People:
Form:
textual records, photographs
textual records, photographs
Actions:
Reference number:
AP197.S2.010
Description:
This box is comprised of photographic materials such as reprographic copies of architectural drawings, prints, photographs, negatives and various clippings. Prints, photographs and negatives illustrate mainly housing projects. The second half of the box consists of articles that relate to architecture and technology.
AP197.S2.010
Description:
This box is comprised of photographic materials such as reprographic copies of architectural drawings, prints, photographs, negatives and various clippings. Prints, photographs and negatives illustrate mainly housing projects. The second half of the box consists of articles that relate to architecture and technology.
People:
Date:
circa 1970-1997
circa 1970-1997
Title:
Photographic materials of built projects, architectural drawings and models as well as research files that relate to architecture and technology
Actions:
AP197.S2.010
Description:
This box is comprised of photographic materials such as reprographic copies of architectural drawings, prints, photographs, negatives and various clippings. Prints, photographs and negatives illustrate mainly housing projects. The second half of the box consists of articles that relate to architecture and technology.
Photographic materials of built projects, architectural drawings and models as well as research files that relate to architecture and technology
Actions:
AP197.S2.010
Description:
This box is comprised of photographic materials such as reprographic copies of architectural drawings, prints, photographs, negatives and various clippings. Prints, photographs and negatives illustrate mainly housing projects. The second half of the box consists of articles that relate to architecture and technology.
Form:
textual records, photographs
textual records, photographs
Date:
circa 1970-1997
circa 1970-1997
People:
