books
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xvii, 313 pages : illustrations (some color) ; 26 cm.
New York : Routledge, Taylor & Francis Group, 2023., ©2023
Survey practices and landscape photography across the globe / edited by Sophie Junge and Erin Hyde Nolan.
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xvii, 313 pages : illustrations (some color) ; 26 cm.
books
New York : Routledge, Taylor & Francis Group, 2023., ©2023
books
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353 pages : illustrations, map ; 25 cm
Princeton, New Jersey : Princeton University Press, [2016], ©2016
The new worlds of Thomas Robert Malthus : rereading the Principle of population / Alison Bashford and Joyce E. Chaplin.
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353 pages : illustrations, map ; 25 cm
books
Princeton, New Jersey : Princeton University Press, [2016], ©2016
books
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118 pages : illustrations (some color), maps (some color) ; 26 cm.
México, D.F. : Instituto Nacional de Antropología e Historia, 2009.
Patrimonio misional en el sur de la Nueva Vizcaya / Miguel Vallebueno Garcinava, Antonio Reyes Valdez, coordinadores.
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118 pages : illustrations (some color), maps (some color) ; 26 cm.
books
México, D.F. : Instituto Nacional de Antropología e Historia, 2009.
audio
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1 online resource.
[Place of publication not identified] : The Funambulist, 2014.
Eminent Domain vs. Immanent Domain : The Law and its Spatial Practices.
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1 online resource.
audio
[Place of publication not identified] : The Funambulist, 2014.
$19.95
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Summary:
The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
The Funambulist 20, November/December
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Summary:
The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
Magazines
$36.95
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and(...)
Architecture and development: Israeli construction in sub-saharan Africa 1958-1973
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and influence between global North and global South. In analyses of the design and construction of prestigious governmental projects in Nigeria, Sierra Leone, and Ethiopia, Levin details how architects, planners, and a trade union--owned construction company staged Israel as a new center of nonaligned expertise. These actors and professionals paradoxically capitalized on their settler colonial experience in Palestine, refashioning it as an alternative to Western colonial expertise. Levin traces how Israel became involved in the modernization of governance, education, and agriculture in Africa, as well as how African leaders chose to work with Israel to forge new South-South connections. In so doing, she offers new ways of understanding the role of architecture as a vehicle of postcolonial development and in the mobilization of development resources.
Architecture since 1900, Africa
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''Before I was a critic I was a human being'' is the debut collection of essays by Amy Fung. In it, Fung takes a closer examination at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic. Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing(...)
Before I was a critic I was a human being
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''Before I was a critic I was a human being'' is the debut collection of essays by Amy Fung. In it, Fung takes a closer examination at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic. Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each piece roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region’s sense of place and identity.
Social
books
Spanish city planning in North America / Dora P. Crouch, Daniel J. Garr, and Axel I. Mundigo.
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xxii, 298 pages : illustrations ; 24 cm
Cambridge, Mass. : MIT Press, ©1982.
Spanish city planning in North America / Dora P. Crouch, Daniel J. Garr, and Axel I. Mundigo.
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xxii, 298 pages : illustrations ; 24 cm
books
Cambridge, Mass. : MIT Press, ©1982.
books
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183 pages : illustrations ; 27 cm.
Cambridge, Mass. : MIT Press, ©2012.
American urban form : a representative history / Sam Bass Warner and Andrew H. Whittemore ; drawings by Andrew H. Whittemore.
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183 pages : illustrations ; 27 cm.
books
Cambridge, Mass. : MIT Press, ©2012.
$55.00
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Summary:
Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian(...)
Unsettling Canadian Art History
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$55.00
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Summary:
Bringing together fifteen scholars of art and culture, ''Unsettling Canadian art history'' addresses the visual and material culture of settler colonialism, enslavement, and racialized diasporas in the contested white settler state of Canada. This collection offers new avenues for scholarship on art, archives, and creative practice by rethinking histories of Canadian colonialisms from Black, Indigenous, racialized, feminist, queer, trans, and Two-Spirit perspectives. Writing across many positionalities, contributors offer chapters that disrupt colonial archives of art and culture, excavating and reconstructing radical Black, Indigenous, and racialized diasporic creation and experience. Exploring the racist frameworks that continue to erase histories of violence and resistance, this book imagines the expansive possibilities of a decolonial future. ''Unsettling Canadian art history'' affirms the importance of collaborative conversations and work in the effort to unsettle scholarship in Canadian art and culture.