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$63.00
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Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the(...)
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Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the(...)
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Signals: How video transformed the world
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Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog—MoMA’s first major publication on video art in nearly 30 years—explores the ways in which artists have both championed and questioned video’s promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself.
Signals: How video transformed the world
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Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences—spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog—MoMA’s first major publication on video art in nearly 30 years—explores the ways in which artists have both championed and questioned video’s promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself.
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books
books
Publication:
April 2023
April 2023
Subject:
Art Theory
Art Theory
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books
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Description:
xvi, 214 pages : illustrations, charts, facsimiles ; 24 cm
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xvi, 214 pages : illustrations, charts, facsimiles ; 24 cm
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Ithaca : Cornell University Press, 1996.
Ithaca : Cornell University Press, 1996.
Title:
Past looking : historical imagination and the rhetoric of the image / Michael Ann Holly.
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xvi, 214 pages : illustrations, charts, facsimiles ; 24 cm
Past looking : historical imagination and the rhetoric of the image / Michael Ann Holly.
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xvi, 214 pages : illustrations, charts, facsimiles ; 24 cm
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books
books
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Ithaca : Cornell University Press, 1996.
Ithaca : Cornell University Press, 1996.
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books
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407 pages : illustrations, maps ; 31 cm
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407 pages : illustrations, maps ; 31 cm
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Grand Rapids, Michigan : W. B. Eerdmans Publishing Company ; Kalamazoo, Michigan : Cistercian Publications, 2002, ©2002
Grand Rapids, Michigan : W. B. Eerdmans Publishing Company ; Kalamazoo, Michigan : Cistercian Publications, 2002, ©2002
Title:
Cistercian Europe : Architecture of contemplation / Terryl N. Kinder.
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407 pages : illustrations, maps ; 31 cm
Cistercian Europe : Architecture of contemplation / Terryl N. Kinder.
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407 pages : illustrations, maps ; 31 cm
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books
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Grand Rapids, Michigan : W. B. Eerdmans Publishing Company ; Kalamazoo, Michigan : Cistercian Publications, 2002, ©2002
Grand Rapids, Michigan : W. B. Eerdmans Publishing Company ; Kalamazoo, Michigan : Cistercian Publications, 2002, ©2002
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$44.95
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For Rebecca Bushnell, English gardening books tell a tale of the human love for plants and our will to make them do as we wish. These books evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill’s The Gardeners Labyrinth or Hugh Platt’s(...)
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For Rebecca Bushnell, English gardening books tell a tale of the human love for plants and our will to make them do as we wish. These books evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill’s The Gardeners Labyrinth or Hugh Platt’s(...)
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Green desire : imagining early modern English gardens
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For Rebecca Bushnell, English gardening books tell a tale of the human love for plants and our will to make them do as we wish. These books evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill’s The Gardeners Labyrinth or Hugh Platt’s Floraes Paradise, mix magical practices with mundane recipes even when the authors insist that they rely completely on their own experience in these matters. Like early modern “books of secrets,” early gardening manuals often promise the reader power to alter the essential properties of plants: to make the gillyflower double, to change the lily’s hue, or to grow a cherry without a stone. "Green Desire" describes the innovative design of the old manuals, examining how writers and printers marketed them as fiction as well as practical advice for aspiring gardeners. Along with this attention to the delights of reading, it analyzes the strange dignity and pleasure of garden labor and the division of men’s and women’s roles in creating garden art. The book ends by recounting the heated debate over how much people could do to create marvels in their own gardens. For writers and readers alike, these green desires inspired dreams of power and self-improvement, fantasies of beauty achieved without work, and hopes for order in an unpredictable world.
Green desire : imagining early modern English gardens
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For Rebecca Bushnell, English gardening books tell a tale of the human love for plants and our will to make them do as we wish. These books evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill’s The Gardeners Labyrinth or Hugh Platt’s Floraes Paradise, mix magical practices with mundane recipes even when the authors insist that they rely completely on their own experience in these matters. Like early modern “books of secrets,” early gardening manuals often promise the reader power to alter the essential properties of plants: to make the gillyflower double, to change the lily’s hue, or to grow a cherry without a stone. "Green Desire" describes the innovative design of the old manuals, examining how writers and printers marketed them as fiction as well as practical advice for aspiring gardeners. Along with this attention to the delights of reading, it analyzes the strange dignity and pleasure of garden labor and the division of men’s and women’s roles in creating garden art. The book ends by recounting the heated debate over how much people could do to create marvels in their own gardens. For writers and readers alike, these green desires inspired dreams of power and self-improvement, fantasies of beauty achieved without work, and hopes for order in an unpredictable world.
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books
books
Publication:
October 2003, Ithaca, New York
October 2003, Ithaca, New York
Subject:
Landscape Theory
Landscape Theory
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books
books
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$30.00
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In 1995, a scandal erupted when the New York Times revealed that the Smithsonian possessed a century’s worth of nude “posture” photos of college students. In this riveting history, Beth Linker tells why these photos were only a small part of the incredible story of twentieth-century America’s largely forgotten posture panic—a decades-long episode in which it was widely(...)
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In 1995, a scandal erupted when the New York Times revealed that the Smithsonian possessed a century’s worth of nude “posture” photos of college students. In this riveting history, Beth Linker tells why these photos were only a small part of the incredible story of twentieth-century America’s largely forgotten posture panic—a decades-long episode in which it was widely(...)
Title:
Slouch: Posture panic in modern America
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In 1995, a scandal erupted when the New York Times revealed that the Smithsonian possessed a century’s worth of nude “posture” photos of college students. In this riveting history, Beth Linker tells why these photos were only a small part of the incredible story of twentieth-century America’s largely forgotten posture panic—a decades-long episode in which it was widely accepted as scientific fact that Americans were suffering from an epidemic of bad posture, with potentially catastrophic health consequences. Tracing the rise and fall of this socially manufactured epidemic, ''Slouch'' also tells how this period continues to feed today’s widespread anxieties about posture. In the early twentieth century, the eugenics movement and fears of disability gave slouching a new scientific relevance. Bad posture came to be seen as an individual health threat, an affront to conventional race hierarchies, and a sign of American decline. What followed were massive efforts to measure, track, and prevent slouching and, later, back pain—campaigns that reached schools, workplaces, and beyond, from the creation of the American Posture League to posture pageants. The popularity of posture-enhancing products, such as girdles and lumbar supports, exploded, as did new fitness programs focused on postural muscles, such as Pilates and modern yoga. By 1970, student protests largely brought an end to school posture exams and photos, but many efforts to fight bad posture continued, despite a lack of scientific evidence.
Slouch: Posture panic in modern America
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In 1995, a scandal erupted when the New York Times revealed that the Smithsonian possessed a century’s worth of nude “posture” photos of college students. In this riveting history, Beth Linker tells why these photos were only a small part of the incredible story of twentieth-century America’s largely forgotten posture panic—a decades-long episode in which it was widely accepted as scientific fact that Americans were suffering from an epidemic of bad posture, with potentially catastrophic health consequences. Tracing the rise and fall of this socially manufactured epidemic, ''Slouch'' also tells how this period continues to feed today’s widespread anxieties about posture. In the early twentieth century, the eugenics movement and fears of disability gave slouching a new scientific relevance. Bad posture came to be seen as an individual health threat, an affront to conventional race hierarchies, and a sign of American decline. What followed were massive efforts to measure, track, and prevent slouching and, later, back pain—campaigns that reached schools, workplaces, and beyond, from the creation of the American Posture League to posture pageants. The popularity of posture-enhancing products, such as girdles and lumbar supports, exploded, as did new fitness programs focused on postural muscles, such as Pilates and modern yoga. By 1970, student protests largely brought an end to school posture exams and photos, but many efforts to fight bad posture continued, despite a lack of scientific evidence.
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books
books
Publication:
March 2026
March 2026
Subject:
Social
Social
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books
books
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$95.00
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions,(...)
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions,(...)
Title:
Shaping the great city: modern architecture in central Europe, 1890-1937
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions, conflicting political agendas, and historical narratives of modernizing urban society in the cities of central Europe? What role did the cities themselves—as the principal arenas of public culture in the multinational, polyethnic, and pluricultural Hapsburg Empire, then in the successor republics—play in the evolution of modern architectural culture? These questions remain pertinent to the current relationship between cities and the increasingly diverse cultures within them, and to the role of the great city today in the age of globalization.
Shaping the great city: modern architecture in central Europe, 1890-1937
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions, conflicting political agendas, and historical narratives of modernizing urban society in the cities of central Europe? What role did the cities themselves—as the principal arenas of public culture in the multinational, polyethnic, and pluricultural Hapsburg Empire, then in the successor republics—play in the evolution of modern architectural culture? These questions remain pertinent to the current relationship between cities and the increasingly diverse cultures within them, and to the role of the great city today in the age of globalization.
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books
books
Publication:
January 2000
January 2000
Subject:
CCA Publications
CCA Publications
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viii, 500 pages : illustrations ; 29 cm
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viii, 500 pages : illustrations ; 29 cm
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New York, NY : Wiley, ©2000.
New York, NY : Wiley, ©2000.
Title:
Structural analysis of historic buildings : restoration, preservation, and adaptive reuse applications for architects and engineers / J. Stanley Rabun.
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viii, 500 pages : illustrations ; 29 cm
Structural analysis of historic buildings : restoration, preservation, and adaptive reuse applications for architects and engineers / J. Stanley Rabun.
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viii, 500 pages : illustrations ; 29 cm
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books
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New York, NY : Wiley, ©2000.
New York, NY : Wiley, ©2000.
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624 pages : illustrations (some color), facsimiles, plans, portraits ; 32 cm
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624 pages : illustrations (some color), facsimiles, plans, portraits ; 32 cm
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Zurich : Park Books, [2020]
Zurich : Park Books, [2020]
Title:
Avant-garde as method : Vkhutemas and the pedagogy of space, 1920-1930 / Anna Bokov.
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624 pages : illustrations (some color), facsimiles, plans, portraits ; 32 cm
Avant-garde as method : Vkhutemas and the pedagogy of space, 1920-1930 / Anna Bokov.
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624 pages : illustrations (some color), facsimiles, plans, portraits ; 32 cm
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books
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Zurich : Park Books, [2020]
Zurich : Park Books, [2020]
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Fall Semester 2014
Fall Semester 2014
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Fall Semester 2014
Fall Semester 2014
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$14.95
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This pioneer Victorian guide for the woman cyclist, first published in 1897, instructs its readers on the rules of the road, appropriate cycling costume, the choice of food to take on journeys, and the organisation of bicycle gymkhanas - as well as tackling the controversial question of whether cycling is an appropriate activity for ladies. Its humorous advice evokes the(...)
$14.95
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This pioneer Victorian guide for the woman cyclist, first published in 1897, instructs its readers on the rules of the road, appropriate cycling costume, the choice of food to take on journeys, and the organisation of bicycle gymkhanas - as well as tackling the controversial question of whether cycling is an appropriate activity for ladies. Its humorous advice evokes the(...)
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Lady cycling : what ot wear and how to ride
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This pioneer Victorian guide for the woman cyclist, first published in 1897, instructs its readers on the rules of the road, appropriate cycling costume, the choice of food to take on journeys, and the organisation of bicycle gymkhanas - as well as tackling the controversial question of whether cycling is an appropriate activity for ladies. Its humorous advice evokes the spirit of an age when cycling was a daring activity for the modern woman.
Lady cycling : what ot wear and how to ride
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$14.95
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This pioneer Victorian guide for the woman cyclist, first published in 1897, instructs its readers on the rules of the road, appropriate cycling costume, the choice of food to take on journeys, and the organisation of bicycle gymkhanas - as well as tackling the controversial question of whether cycling is an appropriate activity for ladies. Its humorous advice evokes the spirit of an age when cycling was a daring activity for the modern woman.
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books
books
Publication:
May 2014
May 2014
Subject:
Transportation, Tourism, Migration
Transportation, Tourism, Migration
