DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
architecture, landscape architecture, engineering
published 1884
OEUVRE / DE / C. ROHAULT DE FLEURY / ARCHITECTE
Actions:
DR1974:0002:029:001-044
Description:
- This published portfolio contains 42 prints of Charles Rohault de Fleury's architectural works - mostly plans, elevations, sections and detail drawings, but also some perspective views, and a biographical note on the architect. Prints for domestic architecture in Paris include: Hôtel Soltykoff, Hôtel Sauvage, Hôtels Fontenilliat, and an hôtel on avenue Montaigne. There are two photogravures by P. Dujardin of the interior of Hôtel Sauvage. Prints for public buildings in Paris include: the Muséum national d'histoire naturelle, the Théâtre-Italien, the Hippodrome national, the façade of Pavillon de Rohan, a plan for the opera house for the Théâtre impérial de l'opéra, and the Chambre des Notaires. The album contains a print of two tombs and a mausoleum, a print for the Hôtel de Prefecture, Poitiers, a plan for Saint-Augustin, Paris, and a photogravure of Charles Rohault de Fleury in profile.
architecture, landscape architecture, engineering
The 60s: Montréal Thinks Big
During the 1960s, the massive scale of the changes that transformed Montréal made it an archetype of the great metropolises of the Western world. As host of Expo 67, Montréal asserted itself on the international scene as a city of the future. The 60s: Montréal Thinks Big illustrates the processes that brought about these changes. The exhibition’s original models,(...)
Main galleries
20 October 2004 to 11 September 2005
The 60s: Montréal Thinks Big
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Description:
During the 1960s, the massive scale of the changes that transformed Montréal made it an archetype of the great metropolises of the Western world. As host of Expo 67, Montréal asserted itself on the international scene as a city of the future. The 60s: Montréal Thinks Big illustrates the processes that brought about these changes. The exhibition’s original models,(...)
Main galleries
textual records
Correspondence files
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
Correspondence files
Actions:
DR2001:0036
Description:
documents include correspondence files, 1991-1992: Architecture in Greece, Academy Group Ltd., AIA, Anyone, ARCHIS, Architects for SOS, Architectural Article, Architectural Design, Architecture d'aujourd'hui, Architectural Digest, Arquitectura & Viviendas, Atlanta Theft (insurance claim), Blast, Brasil Bienale, Bologna Arte Architectura, B.D., Brooklyn Museum - Isozaki & Polshek, CAYC (Center for Arts and Communications, Buenos Aires), The Century Club, Cloverdale (Transportation Services) 2 files, Commissio Internacional, Connaissance des arts, Correspondence (miscellaneous), Declines (invitations), Design Book Review, Ingersoll, For Your Signature (Hall of Wisdom), Flores & Wollny, Design Edition, Gallery 91, Hamberg, Harvard Architectural Review, Interiors (magazine), IDCNY (International Design Center, New York), Invites, Kosmopolis, Kreisberg Projects, Lufthansa. Correspondence Files, 1991-1992: Morgensen undergrad essay, New York State Association of Architects, NYC / AIA, Hiroshi Maruyama, Office Tours, PDE / Draft Correspondence: Projects, PDE - 27th W. 10th St., Pending Invitations, Permission Agreements, Perspecta - pending, Petrafina, Inc., The Pritzker Prize, Progressive Architecture, Max Protech, Requests for Drawings, Articles, Photos, Slides, etc., SKALA, National Gallery of Art / Smithsonian, Staff, Stuttgart - AW Architektur & Wettbewerbe / Martina Schlumberger, Synetics, Inc, Thesis Requests, Urban Center Books, Vanity Fair, Westweek 92 (Pacific Design Center, Knoll).
textual records
Series
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
2004-2006
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Series
2004-2006
photographs
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
architecture
1870s-1880s
Album of photographs showing views of Germany and of Prague (Czech Republic)
Actions:
PH1981:0772:001-227
Description:
Album of photographs showing views and monuments of german towns, mostly churches, castles, houses, streets, monnuments, museums and rivers. The cities shown are Munich, Wurzburg, Regensburg, Augsburg, Ulm, Stuttgart, Heidelberg, Bamberg, Nurnberg, Halberstadt, Munster, Strassburg, Speier, Worms, Wetzlar, Limburg, Marburg, Koln, Bonn, Karlsbad, Dresden, Berlin, Potsdam, Leipzig, Magdeburg, Braunschweig, Schwerin, Hamburg, Stendal, Doberan and Lubeck. Some views are from Prague, Czechoslovakia (now Czech Republic).
photographs
1870s-1880s
architecture
photographs
Harvard and its Surroundings
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
architecture
1882
Harvard and its Surroundings
Actions:
PH1979:0604
Description:
This album comprises 102 pages of texts (descriptions of Harvard University and surroundings), a Key Plan of the vicinity of Harvard University, an Index, a List of Illustrations and an Introduction, 39 albertypes (collotypes, full pages), 28 engravings and 2 half-titles. The title page: Harvard and its Surroundings. Subscription Edition. Published by Moses King, Harvard College, Cambridge, Mass.; a presentation page: Harvard and its Surroundings. Subscription (fourth) edition by Moses King. Copiously illustrated with albertypes, and engravings. Cambridge. Moses King, Publisher, Harvard Square, 1882. Copyright, 1878, by Moses King. Copyright, 1880, by Charles W. Sever. Copyright, 1882, by Moses King. Designs by L.S. Ipsen; Sketches by H. M. Stephenson; University Press: John Wilson and Son, Cambridge. The illustrations are listed as follows: -Memorial Hall. - Dining Hall, Memorial Transept and Sanders Theatre -Harvard Hall. - Physical Laboratory and Lecture rooms -Massachusetts Hall. - Examinations Rooms -The Quadrance of Harvard College. Hollis, Stoughton, Holworthy, Thayer -Matthews Hall. - Dormitory -Dane Hall. - Law School -Wadsworth, or Old Presidents' House. - Dormitory -Grays Hall. - Dormitory -Boylston Hall. - Chemical Laboratory -Gore Hall. - The Universityé Library -Weld Hall. - Dormitory -Old President's Chair -University Hall. - Administration and Lecture Rooms -Sever Hall. - Lectures, Recitations and Examinations -Thayer Hall. - Dormitory -Appleton Chapel. - University House of Worship -Holden Chapel (engraving) -Holworthy Hall. - Dormitory -Stoughton Hall. - Dormitory -Hollis Hall. - Dormitory -Holmes House (engraving) -Hemenway Gymnasium -Interior of the Harvard (Hemenway) Gymnasium -Society Hall (engraving) -Lawrence Scientific School. - Laboratories Lecture and Workrooms -Divinity Hall. - Lecture Room, Library and Dormitory -Memorial Hall Transept (engraving) -Memorial Dining Hall. - The Students' Commons -Peabody Museum of American Archeology and Ethnology -Museum of Comparative Zoology. - Natural History Collections -Plan of Oxford Street -The Old Gymnasium -University Boat Club House -The President's House. - Residence of the Executive Officer -Dana House (engraving) -Holyoke House. - Shops and Dormitory -College House. - Post Office, Shops and Dormitory -Botanic Garden and Herbarium -The Astronomical Observatory -The Old Medical School. - Lectures, Laboratories, Museums, etc. -The Harvard Medical School. The New Building -Dental School. - Lecture and Workrooms and Laboratory -Bussey Institution. - School of Horticulture and Agriculture -Harvard Surroundings (engraving) -Old Mile Stone (engraving) -Felton Building, - Dormitory -Beck Hall, - Dormitory -Old Cambridge Baptist Church (engraving) -Moses King's Harvard-Square Publishing House -Hasty Pudding Club House (sketch by Cabot and Chandler: Architects: Boston) -Little's Block. - Shops and Dormitory -First Parish Church (engraving) -Christ Church (engraving) -Soldiers' Monument (engraving) -Shepard Memorial Church (engraving) -Washington Elm (engraving) -Waterhouse House (engraving) -Elmwood (engraving) -Fayerweather House (engraving) -Lee House (engraving) -Riedesel House (engraving) -Washington's Head-quarters, or Longfellow's Home (engraving) -Protestant Episcopal Theological School of Massachusetts (engraving) -Vassal House (engraving) -Brattle House (engraving) -New CIty Building (engraving) -Hicks House (engraving) -St. Paul's Church (engraving) -University Press John Wilson & Son
photographs
1882
architecture
graphic materials
AP179.S1.025
Description:
Banner featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998.
circa 1995
Photographic reproduction of model on banner, Casa La Roca, Caracas
Actions:
AP179.S1.025
Description:
Banner featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998.
graphic materials
circa 1995
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Main galleries
25 November 2009 to 28 February 2010
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Main galleries
textual records
Portfolio of projects
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
March 2005
Portfolio of projects
Actions:
ARCH270978
Description:
The book is in Spanish and presents projects by the firm Abalos & Herreros from 1995 to 2004. It includes these projects: - Plaza y torre Woermann, Las Palmas (AP164.S1.2001.D7); - Barcelona Forum 2004: Parque litroral nord-est, Barcelona (AP164.S1.2000.D9.SD1); - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU (AP164.S1.2000.D9.SD2); - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid (AP164.S1.2000.D6); - Biblioteca Usera, Madrid (AP164.S1.1995.D1); - Pabellón de gimnasia en el parque del Retiro, Madrid (AP164.S1.2000.D3); - Aula medioambiental y oficinas, Arico, Tenerife (AP164.S1.1998.D1); - Estudio Gordillo, Villanueva de la Cañada, Madrid (AP164.S1.1999.D6); - Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid (AP164.S1.1996.D4); - Integración del ferrocarril, Logroño (AP164.S1.2004.D10); - The Collection building, Miami (AP164.S1.2003.D12); - Hotel Toyo, Almería (AP164.S1.2002.D11); - Urbanización del sector La Lastra, León (AP164.S1.2003.D10); - Edificio de equipamiento, Alcalá de Henares (AP164.S1.2004.D2); - EPFL learning center, Lausanne (AP164.S1.2004.D9); - Sagüés, San Sebastián (AP164.S1.2003.D5); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Estación Zaragoza (AP164.S1.1999.D5).
textual records
March 2005
photographs
PH1986:0777:001-096
Description:
First edition of an album containing 96 photographs of sculptural and ornamental details (mostly fragments) of the models made in stone, wood, bronze, iron cast and carton-pierre by sculptor Emile Knecht for the Palais des Tuileries and the Louvre, Paris, under the direction of Mr. H. Lefuel, architect of the Emperor. The photographs show details of ornamentation for the Palais des Tuileries: for the staircase of Sa Majesté l'Impératrice; the door to her apartments; the ceiling of the vestibule; the apartments of Sa Majesté le Prince Impérial; the Salle des Gardes; the Salon de famille and the dining room of the Minister of State; the Pavillon de la Bibliothèque of the Louvre; the door to the Pavillon Richelieu of the Louvre; the chimney for the Bibliothèque; the Daru, Denon, Nollieu and Lesdiguière Pavilions of the Louvre; the Ancienne Chapelle of the Louvre; the door of the Museum; the old Louvre and the Hôtel de Monsieur Fould. Two lithographs from "Les artistes industriels" show a table and a gun; other photographs show a barometer and thermometer on a sculpted panel, a sculpted Madonna and Child in a niche, a sculpted table and a small armoire by Tahan photographed by Franck.
architecture, ornament, sculpture
1853-1860
Le Palais des Tuileries and the Louvre, views of sculptural details cast for the buildings, Paris, France
Actions:
PH1986:0777:001-096
Description:
First edition of an album containing 96 photographs of sculptural and ornamental details (mostly fragments) of the models made in stone, wood, bronze, iron cast and carton-pierre by sculptor Emile Knecht for the Palais des Tuileries and the Louvre, Paris, under the direction of Mr. H. Lefuel, architect of the Emperor. The photographs show details of ornamentation for the Palais des Tuileries: for the staircase of Sa Majesté l'Impératrice; the door to her apartments; the ceiling of the vestibule; the apartments of Sa Majesté le Prince Impérial; the Salle des Gardes; the Salon de famille and the dining room of the Minister of State; the Pavillon de la Bibliothèque of the Louvre; the door to the Pavillon Richelieu of the Louvre; the chimney for the Bibliothèque; the Daru, Denon, Nollieu and Lesdiguière Pavilions of the Louvre; the Ancienne Chapelle of the Louvre; the door of the Museum; the old Louvre and the Hôtel de Monsieur Fould. Two lithographs from "Les artistes industriels" show a table and a gun; other photographs show a barometer and thermometer on a sculpted panel, a sculpted Madonna and Child in a niche, a sculpted table and a small armoire by Tahan photographed by Franck.
photographs
1853-1860
architecture, ornament, sculpture