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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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February 2010
February 2010
Title:
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
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books
books
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February 2010
February 2010
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$86.95
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
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Making strange: the modernist photobook in France
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
Making strange: the modernist photobook in France
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
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books
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May 2020
May 2020
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Photography Collections
Photography Collections
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$53.95
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Thoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s and the early 2000s—pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit in 2012, marking the beginning of the Fade Resistance collection of more than 4,000 Polaroids. These vivid images(...)
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Thoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s and the early 2000s—pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit in 2012, marking the beginning of the Fade Resistance collection of more than 4,000 Polaroids. These vivid images(...)
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What matters most: Photographs of black life
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Thoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s and the early 2000s—pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit in 2012, marking the beginning of the Fade Resistance collection of more than 4,000 Polaroids. These vivid images chronicle milestones such as weddings, birthdays and graduations, as well as quiet daily moments, offering contemporary views long ignored or erased by mainstream culture. Together, these works highlight the role snapshots have played in Black life, as tools to challenge stereotypical portrayals and as a means to memorialize family, culture and heritage.
What matters most: Photographs of black life
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Thoughtfully illustrated, this volume highlights a selection of photographs of African American family life between the 1970s and the early 2000s—pictures that were lost by their original owners and then found by the artist Zun Lee on a street in Detroit in 2012, marking the beginning of the Fade Resistance collection of more than 4,000 Polaroids. These vivid images chronicle milestones such as weddings, birthdays and graduations, as well as quiet daily moments, offering contemporary views long ignored or erased by mainstream culture. Together, these works highlight the role snapshots have played in Black life, as tools to challenge stereotypical portrayals and as a means to memorialize family, culture and heritage.
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books
books
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December 2022
December 2022
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Photography Collections
Photography Collections
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books
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$24.95
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of(...)
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of(...)
Title:
Daido Moriyama: Tales of Tono
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter.
Daido Moriyama: Tales of Tono
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter.
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books
books
Publication:
October 2012
October 2012
Subject:
Photography monographs
Photography monographs
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books
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"Los Angeles – Photographs: 1967-2015" is a collection of photographs taken of one of America and the world’s most fascinating cities as seen through the eyes of photographer, art director and award-winning designer Lloyd Ziff. Shot over the last 4 decades in classic black and white and contemporary color photography, Ziff’s Los Angeles captures the changing landscape of(...)
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"Los Angeles – Photographs: 1967-2015" is a collection of photographs taken of one of America and the world’s most fascinating cities as seen through the eyes of photographer, art director and award-winning designer Lloyd Ziff. Shot over the last 4 decades in classic black and white and contemporary color photography, Ziff’s Los Angeles captures the changing landscape of(...)
Title:
Lloyd Ziff: Los Angeles photographs 1967-2014
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"Los Angeles – Photographs: 1967-2015" is a collection of photographs taken of one of America and the world’s most fascinating cities as seen through the eyes of photographer, art director and award-winning designer Lloyd Ziff. Shot over the last 4 decades in classic black and white and contemporary color photography, Ziff’s Los Angeles captures the changing landscape of the city’s architecture, streets and people as only a seasoned Angeleno can.
Lloyd Ziff: Los Angeles photographs 1967-2014
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"Los Angeles – Photographs: 1967-2015" is a collection of photographs taken of one of America and the world’s most fascinating cities as seen through the eyes of photographer, art director and award-winning designer Lloyd Ziff. Shot over the last 4 decades in classic black and white and contemporary color photography, Ziff’s Los Angeles captures the changing landscape of the city’s architecture, streets and people as only a seasoned Angeleno can.
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books
books
Publication:
September 2016
September 2016
Subject:
Photography monographs
Photography monographs
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books
books
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$56.95
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
Title:
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
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books
books
Publication:
November 2019
November 2019
Subject:
Photography Collections
Photography Collections
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books
books
Title:
Viaggio in Italia
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
Subject:
Photography Collections
Photography Collections
Publication:
November 2024
November 2024
Title:
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
Viaggio in Italia
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
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books
books
Publication:
November 2024
November 2024
Subject:
Photography Collections
Photography Collections
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books
books
Title:
New York in photobooks
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
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New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
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books
books
Publication:
March 2017
March 2017
Subject:
Photography Collections
Photography Collections
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books
books
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$79.95
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský,(...)
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský,(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
March 2002, Cambridge, Massachusetts / London, England
March 2002, Cambridge, Massachusetts / London, England
Title:
Czech photographic avant-garde 1918-1948
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time. The Czech edition of this book received the "Best Photographic Publication of 1999-2000" award from Primavera Fotográfica in Barcelona and from Month of Photography in Bratislava and was one of six finalists for the 2001 Kraszna-Krausz Photography Book Award.
Czech photographic avant-garde 1918-1948
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Not until the fall of the communist regime in 1989 and the end of Czechoslovakia's cultural isolation did the world begin to appreciate the Czech avant-garde photographers of the first half of the twentieth century. This first survey of Czech avant-garde photography introduces the important work of František Drtikol, Jaromir Funke, Jaroslav Rössler, Jindøich Štyrský, Josef Sudek, and numerous others whose work made Czech photography synonymous with visions of modernity. The essays introduce the period and explore the background and connections among the photographers. Biographical profiles are also included. But the book's main attraction is its outstanding collection of duotone and color images, many published here for the first time. The Czech edition of this book received the "Best Photographic Publication of 1999-2000" award from Primavera Fotográfica in Barcelona and from Month of Photography in Bratislava and was one of six finalists for the 2001 Kraszna-Krausz Photography Book Award.
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books
books
Publication:
March 2002, Cambridge, Massachusetts / London, England
March 2002, Cambridge, Massachusetts / London, England
Subject:
Theory of Photography
Theory of Photography
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books
books
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Description:
189 pages : illustrations (chiefly color) ; 29 cm
Description:
189 pages : illustrations (chiefly color) ; 29 cm
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Publication:
Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
Title:
INUA : Inuit moving forward together = Inuit nunangat ungammuaktut atautikkut.
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Description:
189 pages : illustrations (chiefly color) ; 29 cm
INUA : Inuit moving forward together = Inuit nunangat ungammuaktut atautikkut.
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Description:
189 pages : illustrations (chiefly color) ; 29 cm
Form:
books
books
Publication:
Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
Winnipeg, MB : Winnipeg Art Gallery, [2022], ©2022
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