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Karaoke culture
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« Pourquoi le karaoké, et quel rapport avec la culture ? » Tel est le préambule de Karaoke Culture , en forme de sous-titre. D'un point de départ des plus concret - le récit d'une soirée dans un karaoké d'Amsterdam, pour deux néophytes en la matière -, Dubravka Ugrešic élabore un essai sur les modèles culturels contemporains, notamment ceux de l'Europe post-communiste.(...)
Karaoke culture
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« Pourquoi le karaoké, et quel rapport avec la culture ? » Tel est le préambule de Karaoke Culture , en forme de sous-titre. D'un point de départ des plus concret - le récit d'une soirée dans un karaoké d'Amsterdam, pour deux néophytes en la matière -, Dubravka Ugrešic élabore un essai sur les modèles culturels contemporains, notamment ceux de l'Europe post-communiste. Comment ces populations se sont-elles approprié des codes hérités de modèles existants, désormais assistés par les nouvelles technologies et imprégnés de culture numérique ? La « métaphore ambiguë du karaoké », au spectre plus large que le post-modernisme, mais pas encore assez englobant selon l'auteure, est développée au fi l des pages, mêlant les notions d'amateurisme et d'anonymat, de plaisir et de divertissement, la volonté d'être quelque chose ou quelqu'un d'autre.
books
January 2013
Critical Theory
books
Classicism is not a style / guest-edited by Demetri Porphyrios ; [publisher/editor A.C. Papadakis].
Description:
128 pages : illustrations (some color), plans ; 28 cm.
London : Architectural Design ; New York : Distributed by St. Martin's Press, [1982], ©1982
Classicism is not a style / guest-edited by Demetri Porphyrios ; [publisher/editor A.C. Papadakis].
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128 pages : illustrations (some color), plans ; 28 cm.
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London : Architectural Design ; New York : Distributed by St. Martin's Press, [1982], ©1982
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
Magazines
May 2001, New Haven
Perspecta 32 : resurfacing modernism
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
Magazines
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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on(...)
Knossos & the prophets of modernism
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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on the site that owed at least as much to modernist architecture as they did to Bronze Age remains. In the process, he fired the imaginations of a whole generation of intellectuals and artists, whose work would drive movements as disparate as fascism and pacifism, feminism and psychoanalysis. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture.
Architectural Theory
books
Description:
xxx, 378 pages : illustrations, 1 portrait ; 22 cm
London : Penguin, 1999.
Utopias : Russian modernist texts 1905-1940 / edited by Catriona Kelly.
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xxx, 378 pages : illustrations, 1 portrait ; 22 cm
books
London : Penguin, 1999.
books
$56.00
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An architectural history primer, a showcase of classic modern homes, and an inspirational design book, "Living modern" exposes the inner workings of modernist principles. Through hundreds of photographs that display modern homes by such design luminaries as Ludwig Mies van der Rohe, Charles and Ray Eames, Alvar Aalto, Richard Neutra, and Le Corbusier, this book is a(...)
Residential Architecture
January 2002, San Francisco
Modern living: bringing modernism home
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An architectural history primer, a showcase of classic modern homes, and an inspirational design book, "Living modern" exposes the inner workings of modernist principles. Through hundreds of photographs that display modern homes by such design luminaries as Ludwig Mies van der Rohe, Charles and Ray Eames, Alvar Aalto, Richard Neutra, and Le Corbusier, this book is a resource for those who want to learn about the movement's pinnacles, as well as anyone who wants to apply its tenets to create modern creations.
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January 2002, San Francisco
Residential Architecture
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"Encounter educational modernism" productively revisits the University of Lethbridge, Alberta, an iconic campus from the late 1960s by Canadian architect Arthur Erickson. The university is recognized for its architectural vision, its linear relationship with the spectacular landscape, and its dynamic spatial imagination of education as an expansive encounter. Designing(...)
Encounter educational modernism: Arthur Erickson
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"Encounter educational modernism" productively revisits the University of Lethbridge, Alberta, an iconic campus from the late 1960s by Canadian architect Arthur Erickson. The university is recognized for its architectural vision, its linear relationship with the spectacular landscape, and its dynamic spatial imagination of education as an expansive encounter. Designing the interdisciplinary university as a city within one building, including student housing, the campus stages public spaces of encounter to activate the concept of the student as a global citizen in a new world order. This sixties humanist imagination of the student shapes the spatial program of the architecture, a program which clashes with the current neoliberal view of the student as entrepreneur. The third book in Bitter and Weber's series on architecture and the educational complex, Encounter Educational Modernism is an artistic research project on the architecture of the University of Lethbridge and on modernist imaginations of education. It includes photographs and an introduction from the artists and contributions from University of Lethbridge professor Victoria Baster and poet and educator Jeff Derksen. The series Educational Modernism is published in cooperation with Camera Austria and will be continued with a focus on The Workers University Zagreb by Yugoslavian architects Radovan Niksic and Ninoslav Kucan.
Canadian Architects
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Organic Architecture: The Other Modernism illuminates the broad brush stroke of Organic residential architecture throughout the panorama of twentieth-century Modernism. A wide-ranging style that defies definition, Organic buildings are notable in their curves and colors, as well as their exuberant, opulent, and at times,extravagant complexity of line, form, texture,(...)
Organic architecture: the other modernism
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Organic Architecture: The Other Modernism illuminates the broad brush stroke of Organic residential architecture throughout the panorama of twentieth-century Modernism. A wide-ranging style that defies definition, Organic buildings are notable in their curves and colors, as well as their exuberant, opulent, and at times,extravagant complexity of line, form, texture, structure, and color.
Green Architecture
books
Description:
xviii, 160 pages ; 24 cm
New York, NY : Routledge, 2018., ©2018
Critiquing the modern in architecture / Jaimini Mehta.
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xviii, 160 pages ; 24 cm
books
New York, NY : Routledge, 2018., ©2018
$49.95
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Jean Bossu (1912-1983) fait partie des disciples de Le Corbusier dont l'oeuvre est restée longtemps méconnue. Auteur d'innombrables projets et enseignant charismatique, il fut toute sa carrière durant un homme à la fois engagé dans le combat moderne et totalement libre. Son chef-d'oeuvre, le centre Saint-Réparatus à Orléansville (Algérie), a été détruit en 1980 lors d'un(...)
Jean Bossu: une trajectoire moderne singulière
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Jean Bossu (1912-1983) fait partie des disciples de Le Corbusier dont l'oeuvre est restée longtemps méconnue. Auteur d'innombrables projets et enseignant charismatique, il fut toute sa carrière durant un homme à la fois engagé dans le combat moderne et totalement libre. Son chef-d'oeuvre, le centre Saint-Réparatus à Orléansville (Algérie), a été détruit en 1980 lors d'un tremblement de terre. Comme en bien d'autres occasions, l'architecte y avait montré sa capacité à marier architecture vernaculaire et modernisme. Ses maisons individuelles. sur la côte vendéenne, sa contribution à la reconstruction en Picardie, ses réalisations à La Réunion et en Algérie, son fascinant projet théorique pour une artère résidentielle, enfin son inaltérable foi dans l'architecture, en font l'une des figures les plus attachantes de son temps. Cet ouvrage est la première monographie qui lui est consacrée.
Architecture Monographs