8372 Results
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audio
audio
Title:
Anna Mladentseva.
Anna Mladentseva.
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1 online resource.
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Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
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audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
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books
books
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Description:
xiii, 415 pages ; 21 cm
Description:
xiii, 415 pages ; 21 cm
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Publication:
New York : PublicAffairs, 2014.
New York : PublicAffairs, 2014.
Title:
To save everything, click here : the folly of technological solutionism / Evgeny Morozov.
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Description:
xiii, 415 pages ; 21 cm
To save everything, click here : the folly of technological solutionism / Evgeny Morozov.
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Description:
xiii, 415 pages ; 21 cm
Form:
books
books
Publication:
New York : PublicAffairs, 2014.
New York : PublicAffairs, 2014.
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Subject:
Form:
audio
audio
Title:
American Artist.
American Artist.
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Description:
1 online resource.
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Subject:
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
Form:
audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
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Form:
books
books
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Description:
1 online resource
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Publication:
[Place of publication not identified] : Link Editions, 2016.
[Place of publication not identified] : Link Editions, 2016.
Form:
books
books
Publication:
[Place of publication not identified] : Link Editions, 2016.
[Place of publication not identified] : Link Editions, 2016.
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Subject:
Form:
books
books
Title:
IOCOSE: In the Long Run.
IOCOSE: In the Long Run.
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1 online resource.
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[Place of publication not identified], Aksioma Institute for Contemporary Art, 2014.
[Place of publication not identified], Aksioma Institute for Contemporary Art, 2014.
Form:
books
books
Publication:
[Place of publication not identified], Aksioma Institute for Contemporary Art, 2014.
[Place of publication not identified], Aksioma Institute for Contemporary Art, 2014.
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books
books
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$54.95
(available to order)
Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
$54.95
(available to order)
Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have(...)
Title:
Rogue archives: digital cultural memory and the media fandom
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$54.95
(available to order)
Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Rogue archives: digital cultural memory and the media fandom
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Price:
$54.95
(available to order)
Summary:
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Archive, library and the digital
Archive, library and the digital
Form:
books
books
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$22.95
(available to order)
Summary:
Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
$22.95
(available to order)
Summary:
Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Title:
Charles Sheeler : across media
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$22.95
(available to order)
Summary:
Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Charles Sheeler : across media
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Price:
$22.95
(available to order)
Summary:
Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Form:
books
books
Publication:
July 2006, Berkeley, Los Angeles, London
July 2006, Berkeley, Los Angeles, London
Subject:
sale books
sale books
Form:
audio
audio
Title:
Paola Antonelli.
Paola Antonelli.
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1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
Form:
audio
audio
Publication:
[Place of publication not identified] : Art and Obsolescence, 2022.
[Place of publication not identified] : Art and Obsolescence, 2022.
Author:
Subject:
Form:
books
books
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$54.95
(available to order)
Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
$54.95
(available to order)
Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an(...)
Title:
Jet age aesthetic: the glamour of media in motion
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$54.95
(available to order)
Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Jet age aesthetic: the glamour of media in motion
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Price:
$54.95
(available to order)
Summary:
Vanessa R. Schwartz engagingly presents the jet plane’s power to define a new age at a critical moment in the mid-20th century, arguing that the craft’s speed and smooth ride allowed people to imagine themselves living in the future. Exploring realms as diverse as airport architecture, theme park design, film, and photography, Schwartz argues that the jet created an aesthetic that circulated on the ground below. Visual and media culture, including Eero Saarinen’s airports, David Bailey’s photographs of the jet set, and Ernst Haas’s experiments in color photojournalism glamorized the imagery of motion. Drawing on unprecedented access to the archives of The Walt Disney Studios, Schwartz also examines the period’s most successful example of fluid motion meeting media culture: Disneyland. The park’s dedication to “people-moving” defined Walt Disney’s vision, shaping the very identity of the place. The jet age aesthetic laid the groundwork for our contemporary media culture, in which motion is so fluid that we can surf the internet while going nowhere at all.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
journals and magazines
journals and magazines
Title:
The Old-house journal.
The Old-house journal.
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Description:
volumes illustrations 28 cm
Description:
volumes illustrations 28 cm
Subject:
Publication:
[Brooklyn] Old-House Journal Corp., Boulder, CO : Home Group, Active Interest Media
[Brooklyn] Old-House Journal Corp., Boulder, CO : Home Group, Active Interest Media
Form:
journals and magazines
journals and magazines
Publication:
[Brooklyn] Old-House Journal Corp., Boulder, CO : Home Group, Active Interest Media
[Brooklyn] Old-House Journal Corp., Boulder, CO : Home Group, Active Interest Media
Subject:
