video
Description:
1 videocassette (VHS) (56 min.) : sd., col. and b&w ; 1/2 in.
[United States] : [A]Direct Cinema Limited in association with the Western Pennyslvania Conservancy, 1994.
Fallingwater : a conversation with Edgar Kaufmann, Jr.
Actions:
Holdings:
Description:
1 videocassette (VHS) (56 min.) : sd., col. and b&w ; 1/2 in.
video
[United States] : [A]Direct Cinema Limited in association with the Western Pennyslvania Conservancy, 1994.
audio
Description:
1 online resource.
[Place of publication not identified] : Raven Row, 2015.
Larry Johnson: On Location - Bruce Hainley and Lisa Lapinski in conversation.
Actions:
Description:
1 online resource.
audio
[Place of publication not identified] : Raven Row, 2015.
$36.95
(available to order)
Summary:
Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier(...)
Architecture and Film, Set Design
January 2009, Minneapolis, London
Skyscraper cinema : architecture and gender in American film
Actions:
Price:
$36.95
(available to order)
Summary:
Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been variously represented as unbridled aspiration, dens of iniquity and eroticism, beacons of democracy, and well-oiled corporate machines. Considering their intriguing diversity, Merrill Schleier establishes and explains the impact of actual skyscrapers on America’s ideologies about work, leisure, romance, sexual identity, and politics as seen in Hollywood movies.
Architecture and Film, Set Design
$99.00
(available to order)
Summary:
This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Projections, super-8 films and videos 1975-2008
Actions:
Price:
$99.00
(available to order)
Summary:
This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Contemporary Art Monographs
books
$47.99
(available to order)
Summary:
This book uses film to rassess post-war architecture and urbanism in London, Paris, and New York by examining such films as "Alfie", "Passport to Pimlico", "Mary Poppins", "Repulsion", and Rosemary's Baby".
Walls have feelings : architecture, film and the city
Actions:
Price:
$47.99
(available to order)
Summary:
This book uses film to rassess post-war architecture and urbanism in London, Paris, and New York by examining such films as "Alfie", "Passport to Pimlico", "Mary Poppins", "Repulsion", and Rosemary's Baby".
books
January 2001, London
Urban Theory
$29.95
(available to order)
Summary:
Berlin's history of conflict, violence, and transformation has created an arena of particular urban surfaces, from which the present-day city and its layered, wounded past are projected simultaneously. In this publication, cultural historian Stephen Barber explores the intimate connections between those surfaces and the works of art and film that have both incised(...)
The walls of Berlin: urban surfaces, art, film
Actions:
Price:
$29.95
(available to order)
Summary:
Berlin's history of conflict, violence, and transformation has created an arena of particular urban surfaces, from which the present-day city and its layered, wounded past are projected simultaneously. In this publication, cultural historian Stephen Barber explores the intimate connections between those surfaces and the works of art and film that have both incised Berlin's urban screens and been inspired by them. Drawing on a vast range of material - from the first films of Berlin in the 1890s to the city's place in contemporary digital art - this book takes the form of a series of image-propelled journeys across the face of Berlin and through its urban histories, excavating the ricochets among the city, art, and film. In Barber's hands, Berlin's walls become apertures that mediate the city's preoccupations and manias, damage and scars, strata and outgrowths, sexual obsessions, and urban vanishings. The Walls of Berlin is a cultural history of the city's memories-as well as its acts of forgetting-that illuminates overlooked spaces and the sensory presences that inhabit them.
Architecture and Film, Set Design
$62.00
(available to order)
Summary:
Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the “Bauhausbücher” series. In addition to designing and editing the “Bauhausbücher”, Moholy-Nagy produced a title of his(...)
László Moholy-Nagy: Painting, photography, film. Bauhausbücher 8
Actions:
Price:
$62.00
(available to order)
Summary:
Offered a position at the Weimar Bauhaus in 1923, László Moholy-Nagy (1895–1946) soon belonged to the inner circle of Bauhaus masters. When the school moved to Dessau, Moholy-Nagy and Walter Gropius began a fruitful collaboration as joint publishers of the “Bauhausbücher” series. In addition to designing and editing the “Bauhausbücher”, Moholy-Nagy produced a title of his own: the legendary “Painting, Photography, Film”. In this book, Moholy-Nagy’s efforts to have photography and filmmaking recognized as art forms on the same level as painting are propounded and explained at length. The artist makes the case for a radical rethinking of the visual arts and the further development of photographic design to keep pace with a radically changing technological modernity.
Modernism
$86.00
(available to order)
Summary:
Drawing on insights from the most prominent Hollywood production designers and the historical knowledge of the venerable Art Directors Guild, Designs on Filmdelves into the detailed process of how sets are imagined, drawn, built, and decorated.
Designs on film: A century of Hollywood art direction
Actions:
Price:
$86.00
(available to order)
Summary:
Drawing on insights from the most prominent Hollywood production designers and the historical knowledge of the venerable Art Directors Guild, Designs on Filmdelves into the detailed process of how sets are imagined, drawn, built, and decorated.
Architecture and Film, Set Design
$45.00
(available to order)
Summary:
Harun Farocki’s (born 1944) latest film Ein Neues Produkt looks at the structure of workplaces from architectural, social and economic perspectives, documenting a year in the life of a consulting firm. This accompanying volume includes six essays and an interview.
Brave new work : a reader on Harun Farocki's film
Actions:
Price:
$45.00
(available to order)
Summary:
Harun Farocki’s (born 1944) latest film Ein Neues Produkt looks at the structure of workplaces from architectural, social and economic perspectives, documenting a year in the life of a consulting firm. This accompanying volume includes six essays and an interview.
Architecture and Film, Set Design
$54.95
(available to order)
Summary:
Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the(...)
Picturing Mexico: from the camera lucida to film
Actions:
Price:
$54.95
(available to order)
Summary:
Picturing Mexico: From the Camera Lucida to Film explores the early artistic and cultural factors that contributed to the emergence of film in a heterogeneous media environment at the turn of the 20th century. Focusing his attention upon lithographs and photographs of Mexico created by European and North American visitors, Fullerton argues that the introduction of the illustrated press and the popular photographic album towards the end of the 19th century transformed the private space of the printed page. He contends that the dynamics of the moving image were informed by the convergence of these media forms.
Theory of Photography