books
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440 pages : illustrations (some color), maps ; 26 cm
Cambridge, Mass. : MIT Press ; Washington, D.C. : Association of Collegiate Schools of Architecture, ©2012.
Architecture school : three centuries of educating architects in North America / Joan Ockman, editor ; with Rebecca Williamson, research editor.
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440 pages : illustrations (some color), maps ; 26 cm
books
Cambridge, Mass. : MIT Press ; Washington, D.C. : Association of Collegiate Schools of Architecture, ©2012.
video
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1 videodisc (59 min., 37 sec.) : sound, color ; 4 3/4 in.
New York, NY : Michael Blackwood Productions, ©2011.
Permanent change : plastics in architecture and engineering / produced by Michael Blackwood Productions, Inc ; producer and director, Michael Blackwood.
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1 videodisc (59 min., 37 sec.) : sound, color ; 4 3/4 in.
video
New York, NY : Michael Blackwood Productions, ©2011.
books
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142 pages, 10 unnumbered pages : illustrations (some color) ; 22 cm
[New York, N.Y.] : CLOG, [2015], ©2015
Landmark / Kyle May (editor-in-chief), Julia van den Hout (editor), Jacob Reidel (editor), Jeffrey Franklin (editor & designer), Archie Lee Coates IV (editor & designer), Stephanie Lee (assistant editor), Thomas Lozada (assistant editor), Dorin Baul (research assistant), Adam Feldman (research assistant), Patrick Sarmiento (distribution manager), Lukas Debiasi (special projects).
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142 pages, 10 unnumbered pages : illustrations (some color) ; 22 cm
books
[New York, N.Y.] : CLOG, [2015], ©2015
$34.95
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Summary:
Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after(...)
Architecture's historical turn: phenomenology and the rise of the postmodern
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Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory.
Architectural Theory
journals and magazines
Future anterior
$14.95
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Historic preservation is at an important moment of rethinking. The field has grown exponentially in America since its first academic program was founded at Columbia University in 1965. Although initially concerned only with buildings, preservation has recently expanded to include the protection and creative interpretation of entire urban environments, landscapes,(...)
Future anterior
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Historic preservation is at an important moment of rethinking. The field has grown exponentially in America since its first academic program was founded at Columbia University in 1965. Although initially concerned only with buildings, preservation has recently expanded to include the protection and creative interpretation of entire urban environments, landscapes, highways, cultural traditions, artistic practices, and even specific “experiences” such as historic view sheds. Most importantly, historic preservation is beginning a significant re-clarification of its purposes, sharpening and deepening its focus on the contributions old architecture and artifacts make to our understanding of the human condition and how we should address and live in it. Future Anterior is the first and only journal in American academia to be devoted to the study and advancement of preservation, which brings together the interests of scholars and professionals in multiple disciplines such as architecture, art, history, philosophy, law, planning, materials science, cultural anthropology, conservation, and others. Future Anterior establishes an important and much needed forum for the critical examination of this expanding discipline, to spur challenges of its motives, goals, forms of practice and results. The appearance of Future Anterior signals the maturation of the field of preservation and a shift away from nostalgic antiquarianism towards an active involvement in the understanding and creative transformation of human environments. This turn in preservation is reflected in an increased interest in historic architecture and artifacts as expressive resources of great public importance. The destruction of patrimony, from the colossal Buddhas in Afghanistan to New York’s World Trade Center, is seen not just as barbarism but as sources of understanding about where we are going wrong and what we need to do next. In response, architects, planners, urban designers, and artists have been producing works which engage the public in new ways of reflecting and taking on the past not as constraint but as provocation.
journals and magazines
October 2004, New York
Magazines
$91.00
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Summary:
The study of historic preservation theory in the United States has been limited by the lack of a comprehensive anthology of literature spanning the history of thought in the discipline. While a few key texts such as Viollet-le-Duc's "On Restoration" (1854) and John Ruskin's "Lamp of Memory" (1849) have been reprinted ad infinitum, the enormous body of preservation(...)
December 2022
Historic preservation theory: an anthology. Readings from the 18th to 21st century
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$91.00
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The study of historic preservation theory in the United States has been limited by the lack of a comprehensive anthology of literature spanning the history of thought in the discipline. While a few key texts such as Viollet-le-Duc's "On Restoration" (1854) and John Ruskin's "Lamp of Memory" (1849) have been reprinted ad infinitum, the enormous body of preservation knowledge produced since the Renaissance remains obscure to most American students, who until now have had no easy way to access it. This anthology offers classic texts from the United States, China, France, Germany, the United Kingdom, Russia, Norway, Sweden, Finland, Austria, Czech Republic, Spain, Italy, Greece, Egypt, Mexico, Brazil, Australia, and more, offering a broad introduction to the history of preservation theory.
books
$25.00
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Summary:
Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University’s Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koohaas describes alternative strategies for preserving Beijing, China. The second talk marks(...)
Preservation is over taking us
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Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University’s Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koohaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas’ thinking on preservation, including his practice’s entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas’ readers, Otero-Pailos reworks the lectures into a retroactive manifesto, using it to interrogate OMA’s work from within the discipline of preservation. This is the first book in the new GSAPP Transcripts series.
books
November 2014
Architectural Theory
Experimental Preservation
$35.00
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Summary:
Old things, historic things, smelly dirty things, all the things that were considered the very opposite of “contemporary,” have suddenly irrupted forcefully into architecture and art, blurring their boundaries. This book takes stock of the emerging generation behind this turn, and examines their experimental engagements with the preservation of culturally charged objects.(...)
October 2016
Experimental Preservation
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$35.00
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Summary:
Old things, historic things, smelly dirty things, all the things that were considered the very opposite of “contemporary,” have suddenly irrupted forcefully into architecture and art, blurring their boundaries. This book takes stock of the emerging generation behind this turn, and examines their experimental engagements with the preservation of culturally charged objects. Structured around a series of interdisciplinary dialogues among practitioners and thinkers, and illustrated with recent projects, the book provides a window into the unfolding intellectual frameworks, aesthetic modes, cultural ambitions, and political commitments that are the basis of experimental preservation.
$40.00
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Summary:
In Jorge Otero-Pailos' installations, the act of preservation is freed from its historic investment in stabilizing architecture. In The Ethics of Dust, he employs the cutting edge of conservation science to probe cultural, political, ethical and aesthetic definitions of architecture as it intersects with science and psychoanalysis.
Jorge Otero-Pailos: the ethics of dust
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$40.00
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Summary:
In Jorge Otero-Pailos' installations, the act of preservation is freed from its historic investment in stabilizing architecture. In The Ethics of Dust, he employs the cutting edge of conservation science to probe cultural, political, ethical and aesthetic definitions of architecture as it intersects with science and psychoanalysis.
Architectural Theory
AA files 57
$41.95
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Summary:
Published by the Architectural Association, London. With contributions by Georges Teyssot, Pedro Ignacio Alonso, Celia Scott, Max Kahlen, Michael J Lewis, Briony Fer, Madelon Vriesendorp, Paul Virilio in conversation with Juan Carlos Sanchez Tappan & Tilemachos Andrianopoulos, Jorge Otero-Pailos, Elizabeth Wilson, Jaoson Griffiths & Alex Gino, Hal Foster, Henderson(...)
AA files 57
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$41.95
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Summary:
Published by the Architectural Association, London. With contributions by Georges Teyssot, Pedro Ignacio Alonso, Celia Scott, Max Kahlen, Michael J Lewis, Briony Fer, Madelon Vriesendorp, Paul Virilio in conversation with Juan Carlos Sanchez Tappan & Tilemachos Andrianopoulos, Jorge Otero-Pailos, Elizabeth Wilson, Jaoson Griffiths & Alex Gino, Hal Foster, Henderson Downing, Mitchell Schwarzer, Adam Furman, Christopher Woodward, David Dunster, John Morgan.
Magazines