3795 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Blaise Marchand fonds
Blaise Marchand fonds
Reference number:
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
People:
Date:
1927, 1938-1964
1927, 1938-1964
Title:
Blaise Marchand fonds
Actions:
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Blaise Marchand fonds
Actions:
AP086
Synopsis:
Le fonds comprend principalement des photographies prises lors de la période où Blaise Marchand travaillait au ministère des Travaux publics du Québec en tant que architecte en chef pour l'entretien (1945-1968), ainsi que des dessins et des documents textuels relatifs à 7 projets, tels que l'Église Saint-Joachim de Châteauguay (1927), le Bureau d'enregistrement de Cap-Santé (1938 et 1964), etc. Le fonds contient également trois publications relatives à l'urbanisme et à la conservation et la restauration du patrimoine bâti.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1927, 1938-1964
1927, 1938-1964
People:
Form:
drawings
drawings
Actions:
Reference number:
DR2012:0012:046:024
Description:
Includes an elevation and a planimetric map produced by the Ministère des Affaires Municipales et de la Métropole, Sherbrooke, Québec. The elevation is titled "Coupe-Place Publique, Programme de Renouveau Urbain, Restauration du Secteur Frontenac - Plan Concept d'Aménagement".
DR2012:0012:046:024
Description:
Includes an elevation and a planimetric map produced by the Ministère des Affaires Municipales et de la Métropole, Sherbrooke, Québec. The elevation is titled "Coupe-Place Publique, Programme de Renouveau Urbain, Restauration du Secteur Frontenac - Plan Concept d'Aménagement".
People:
Date:
2002
2002
Title:
Elevation and a planimetric map, Place des Moulins, Esplanade Frontenac, Sherbrooke, Québec
Actions:
DR2012:0012:046:024
Description:
Includes an elevation and a planimetric map produced by the Ministère des Affaires Municipales et de la Métropole, Sherbrooke, Québec. The elevation is titled "Coupe-Place Publique, Programme de Renouveau Urbain, Restauration du Secteur Frontenac - Plan Concept d'Aménagement".
Elevation and a planimetric map, Place des Moulins, Esplanade Frontenac, Sherbrooke, Québec
Actions:
DR2012:0012:046:024
Description:
Includes an elevation and a planimetric map produced by the Ministère des Affaires Municipales et de la Métropole, Sherbrooke, Québec. The elevation is titled "Coupe-Place Publique, Programme de Renouveau Urbain, Restauration du Secteur Frontenac - Plan Concept d'Aménagement".
Form:
drawings
drawings
Date:
2002
2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
People:
Date:
1994-1997
1994-1997
Title:
Royal Conservatory of Music, Memorial Concert Hall Renovations, Toronto (1995-1997)
Actions:
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
Royal Conservatory of Music, Memorial Concert Hall Renovations, Toronto (1995-1997)
Actions:
AP056.S1.1995.PR06
Description:
This project series documents renovations to the concert hall of the Royal Conservatory of Music in Toronto from 1995-1996. The office identified the project number as 9512. This project consisted of restauration work and renovations to the existing Castle Memorial Hall, part of the music school originally built in 1901, now renamed the Ettore Mazzoleni Concert Hall. This project was part of a larger master plan, created by KPMB in 1991 under the direction of Marianne McKenna, that outlined multiple phases of renovations and additions to the school (see file AP056.S1.1991.PR07.010 for complete master plan). The restauration work included opening bricked-over windows, removing paint and acoustic panels, and opening the original stair tower. Renovations included the addition of a curved mahogany stage, new maple floors and new acoustic controls. The 6,000 square foot performance venue held 240 seats.[1] The project is recorded through drawings and a presentation painting dating from 1994-1997. The drawings include plans, sections, elevations, details and millwork and furnishings drawings. [1]"Royal Conservatory / Ettore Mazzoleni Hall." KPMB. Accessed March 15, 2019. http://107.23.26.92/project/royal-conservatory-ettore-mazzoleni-hall/.
Level of archival description:
Project
Project
Date:
1994-1997
1994-1997
People:
Level of archival description:
Project
Project
Reference number:
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
People:
Date:
1986
1986
Title:
Casa sul Lungomare [House on Lungamore], Otranto, Italy (1986-1987)
Actions:
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
Casa sul Lungomare [House on Lungamore], Otranto, Italy (1986-1987)
Actions:
AP180.S1.1986.PR01
Description:
This project series documents the Casa sul Lungomare, an unrealized project for the restauration of a historic three-storey house on Lungamore in Otranto, Italy. This project was undertaken in the context of the Piano di recupero di Otranto, an urban renewal scheme for the north-east sector of the historic centre of Otranto. Riva worked on this project from 1986-1987. The project series contains studies for the historic building and design development drawings, including exterior elevations, floor plans, and sections. It also contains presentation drawings showing the proposed scheme, including site plans, elevations, and plans of the existing buildings in the Piano di recupero di Otranto.
Level of archival description:
Project
Project
Date:
1986
1986
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
People:
Date:
2011-2018
2011-2018
Title:
Venice Biennale Canada Pavilion, Venice, Italy (2016)
Actions:
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
Venice Biennale Canada Pavilion, Venice, Italy (2016)
Actions:
AP075.S1.2016.PR01
Description:
Project series documents Cornelia Hahn Oberlander's work as a consulting landscape architect for the restauration of the landscape of the Canada Pavilion at Venice Biennale site, in Venice, Italy. Oberlander worked on this project in 2016 with Enns Gauthier Landscape Architects and in collaboration with the National Gallery of Canada. Oberlander's first goal in the redesigning of the landscape was to give better accessibility to the site. Her design consisted in creating paths to connect the Canadian Pavilion to the neighbouring British and German Pavilions, and also paths and plateforms to give access to the site that includes a cafe and a belvedere. The restored pavilion was unveiled at the 16th Venice Biennale in 2018 The project series contains predominantly presentation drawings, such as site plans, grading plants, plating plans, and details. The project is also documented through correspondence with landscape architects, proposal by Oberlander, reports, minutes of meetings, and documentation.
Level of archival description:
Project
Project
Date:
2011-2018
2011-2018
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
People:
Date:
1992-2015
1992-2015
Title:
Studio Per Il Restauro E La Riconversione Del Forte Inglese [Study for the Restoration and Conversion of the Fort Inglese], Portoferraio, Italy (1992)
Actions:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Studio Per Il Restauro E La Riconversione Del Forte Inglese [Study for the Restoration and Conversion of the Fort Inglese], Portoferraio, Italy (1992)
Actions:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Level of archival description:
Project
Project
Date:
1992-2015
1992-2015
People:
Form:
articles
articles
Actions:
Nzinga B. Mboup identifies the value of Senegal’s architectural heritage with Jean-Augustin Carvalho, Fodé Diop, Andrée Diop-Depret, and Xavier Ricou
Published:
24 February 2025
24 February 2025
Title:
Heritage, Between Education and Practice
Nzinga B. Mboup identifies the value of Senegal’s architectural heritage with Jean-Augustin Carvalho, Fodé Diop, Andrée Diop-Depret, and Xavier Ricou
Actions:
Heritage, Between Education and Practice
Nzinga B. Mboup identifies the value of Senegal’s architectural heritage with Jean-Augustin Carvalho, Fodé Diop, Andrée Diop-Depret, and Xavier Ricou
Actions:
Level of archival description:
Series
Series
Title:
Documents professionnels
Documents professionnels
Actions:
Reference number:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
People:
Date:
1949-1963
1949-1963
Title:
Documents professionnels
Actions:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
Documents professionnels
Actions:
AP086.S2
Description:
Cette série contient des documents de deux natures. D'abord, les 26 photographies que Blaise Marchand a colligées alors qu'il était architecte en chef pour l'entretien au ministère des Travaux publics du Québec (1945-1968), illustrent principalement les différentes décorations temporaires installées sur les façades de l'Hôtel du Parlement à Québec, et dans les environs, à l'occasion d'événements spéciaux entre 1949 et 1960 [1963]. Pour la grande majorité, les photographies ont été réalisées par le Service de ciné-photographie de l'Office provincial de publicité du Québec, mais aussi par le ministère des Travaux publics - Service des architectes, ainsi que par le photographe Michel, photographie artistique et commerciale (Québec) et par le studio Photo Montcalm (Québec). Ensuite, les trois publications et le manuscrit ([1956]-1963) conservés dans la série documentent l'intérêt que Marchand portait à l'urbanisme et à la conservation et la restauration du patrimoine bâti. Les titres entre guillemets ont été tirés des légendes qui accompagnaient les photographies lorsque les documents sont arrivés aux archives.
Level of archival description:
Série
Série
Date:
1949-1963
1949-1963
People:
Form:
articles
articles
Title:
5,000 Species of Trees
5,000 Species of Trees
Actions:
On conservation and recovery of Brazil’s Atlantic Forest
Keyword(s):
forest, deforestation, ecosystem, coffee, plantation, colonialism, extraction, Minas Gerais, Belo Horizonte
forest, deforestation, ecosystem, coffee, plantation, colonialism, extraction, Minas Gerais, Belo Horizonte
Published:
8 September 2025
8 September 2025
Form:
exhibitions
exhibitions
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Location:
Hall cases
Hall cases
Date:
25 January 1995 to 4 June 1995
25 January 1995 to 4 June 1995
Title:
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Photography and French Architectural Practice, 1839-1870
Actions:
Description:
Through objects drawn from the CCA collection, Photography and French Architectural Practice, 1839–1870 examines how photography became an integral and indispensable part of the processes of architectural design, construction, restoration, and publishing in the second half of the nineteenth century. Curated by David Harris, CCA, and Barry Bergdoll, Columbia University.
Form:
exhibitions
exhibitions
Date:
25 January 1995 to
4 June 1995
25 January 1995 to
4 June 1995
Location:
Hall cases
Hall cases
