11361 Results
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
People:
Date:
1980, 2009
1980, 2009
Title:
Reference materials, Canadian Navy monument, Ottawa, Ontario
Actions:
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
Reference materials, Canadian Navy monument, Ottawa, Ontario
Actions:
DR2012:0012:100:016
Description:
Ring binder and two spiral-bound books containing documents in English (predominant) and French, including reference materials related to the Royal Canadian Navy monument. Includes a photocopy of Customs and Traditions of the Canadian Armed Forces, by E.C. Russell.
Form:
textual records
textual records
Date:
1980, 2009
1980, 2009
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
People:
Date:
circa 1975-2003
circa 1975-2003
Title:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Level of archival description:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
People:
Form:
drawings, works of art
drawings, works of art
Actions:
Reference number:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
People:
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
Title:
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Album of mostly student drawings of the Orders
Actions:
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
Form:
drawings, works of art
drawings, works of art
Date:
drawings executed between 1818-1832, prints executed 1776 ?-1832
drawings executed between 1818-1832, prints executed 1776 ?-1832
People:
Form:
textual records
textual records
Reference number:
ARCH153618
Description:
transcript of a conference at Venice Biennale, Italy about American and European architectural traditions; rejected for publication by editorial board of Oppositions magazine. Participants include: Peter Eisenman, James Stirling, Carlo Aymonino, Aldo Rossi, Denise Scott Brown, Manfredo Tafuri, Giancarlo De Carlo, Raimund Abraham, John Hejduk, O.M. Ungers, Peter Smithson; in Italian and English
ARCH153618
Description:
transcript of a conference at Venice Biennale, Italy about American and European architectural traditions; rejected for publication by editorial board of Oppositions magazine. Participants include: Peter Eisenman, James Stirling, Carlo Aymonino, Aldo Rossi, Denise Scott Brown, Manfredo Tafuri, Giancarlo De Carlo, Raimund Abraham, John Hejduk, O.M. Ungers, Peter Smithson; in Italian and English
People:
Date:
1 August 1976
1 August 1976
Title:
Transcript of a conference at Venice Biennale
Actions:
ARCH153618
Description:
transcript of a conference at Venice Biennale, Italy about American and European architectural traditions; rejected for publication by editorial board of Oppositions magazine. Participants include: Peter Eisenman, James Stirling, Carlo Aymonino, Aldo Rossi, Denise Scott Brown, Manfredo Tafuri, Giancarlo De Carlo, Raimund Abraham, John Hejduk, O.M. Ungers, Peter Smithson; in Italian and English
Transcript of a conference at Venice Biennale
Actions:
ARCH153618
Description:
transcript of a conference at Venice Biennale, Italy about American and European architectural traditions; rejected for publication by editorial board of Oppositions magazine. Participants include: Peter Eisenman, James Stirling, Carlo Aymonino, Aldo Rossi, Denise Scott Brown, Manfredo Tafuri, Giancarlo De Carlo, Raimund Abraham, John Hejduk, O.M. Ungers, Peter Smithson; in Italian and English
Form:
textual records
textual records
Date:
1 August 1976
1 August 1976
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH104172
Description:
trade catalogue
ARCH104172
Description:
trade catalogue
People:
Date:
1945
1945
Form:
textual records
textual records
Date:
1945
1945
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.1985.PR02.002
Description:
Original folder entitled "Lanyon-Phillips / World Trade Terrace / WORLD TRADE CENTRE / 1999 / MISC. FOLDER".
AP075.S1.1985.PR02.002
Description:
Original folder entitled "Lanyon-Phillips / World Trade Terrace / WORLD TRADE CENTRE / 1999 / MISC. FOLDER".
People:
Date:
1999
1999
Title:
Design development for the terrace of the World Trade Centre Interior Landscape, Vancouver, British Columbia
Actions:
AP075.S1.1985.PR02.002
Description:
Original folder entitled "Lanyon-Phillips / World Trade Terrace / WORLD TRADE CENTRE / 1999 / MISC. FOLDER".
Design development for the terrace of the World Trade Centre Interior Landscape, Vancouver, British Columbia
Actions:
AP075.S1.1985.PR02.002
Description:
Original folder entitled "Lanyon-Phillips / World Trade Terrace / WORLD TRADE CENTRE / 1999 / MISC. FOLDER".
Form:
textual records
textual records
Date:
1999
1999
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
People:
Date:
1995-1997
1995-1997
Title:
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Form:
textual records
textual records
Date:
1995-1997
1995-1997
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S1.1985.PR02.001
Description:
"WOriginal folder entitled "MAINTENANCE SPECS / WORLD TRADE CENTRE / WORLD TRADE CENTRE / COST ESTIMATE 1985 / SPECIFICATIONS".
AP075.S1.1985.PR02.001
Description:
"WOriginal folder entitled "MAINTENANCE SPECS / WORLD TRADE CENTRE / WORLD TRADE CENTRE / COST ESTIMATE 1985 / SPECIFICATIONS".
People:
Date:
1985
1985
Title:
Cost estimate and specifications for the World Trade Centre Interior Landscape, Vancouver, British Columbia
Actions:
AP075.S1.1985.PR02.001
Description:
"WOriginal folder entitled "MAINTENANCE SPECS / WORLD TRADE CENTRE / WORLD TRADE CENTRE / COST ESTIMATE 1985 / SPECIFICATIONS".
Cost estimate and specifications for the World Trade Centre Interior Landscape, Vancouver, British Columbia
Actions:
AP075.S1.1985.PR02.001
Description:
"WOriginal folder entitled "MAINTENANCE SPECS / WORLD TRADE CENTRE / WORLD TRADE CENTRE / COST ESTIMATE 1985 / SPECIFICATIONS".
Form:
textual records
textual records
Date:
1985
1985
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2004:0491
Description:
trade catalogues, brochures, price lists, clippings, letter, and brochures and trade catalogue possibly from Marman project
DR2004:0491
Description:
trade catalogues, brochures, price lists, clippings, letter, and brochures and trade catalogue possibly from Marman project
People:
Title:
Trade catalogues, brochures, price lists, clippings
Actions:
DR2004:0491
Description:
trade catalogues, brochures, price lists, clippings, letter, and brochures and trade catalogue possibly from Marman project
Trade catalogues, brochures, price lists, clippings
Actions:
DR2004:0491
Description:
trade catalogues, brochures, price lists, clippings, letter, and brochures and trade catalogue possibly from Marman project
Form:
textual records
textual records
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Reference number:
DR1995:0285:063-063
Description:
Original file title: Trade Lit.
DR1995:0285:063-063
Description:
Original file title: Trade Lit.
People:
Title:
Trade catalogues and research on cattle rearing
Actions:
DR1995:0285:063-063
Description:
Original file title: Trade Lit.
Trade catalogues and research on cattle rearing
Actions:
DR1995:0285:063-063
Description:
Original file title: Trade Lit.
Form:
drawings, textual records, photographs
drawings, textual records, photographs
People:
