236 Results
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events
events
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Date:
7 December 2017
7 December 2017
Title:
Come and Forget the Internet, with Evgeny Morozov
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Internet, with Evgeny Morozov
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
7 December 2017
7 December 2017
Form:
events
events
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Craig Hodgetts
Craig Hodgetts
Date:
29 March 2018
29 March 2018
Title:
Come and Forget the Grid, with Craig Hodgetts
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Grid, with Craig Hodgetts
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
29 March 2018
29 March 2018
Keyword(s):
Craig Hodgetts
Craig Hodgetts
Form:
events
events
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 April 2018
12 April 2018
Title:
Come and Forget the Counterculture, with Johannes Grenzfurthner
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
12 April 2018
12 April 2018
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Form:
events
events
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Date:
21 September 2017, 6:30pm
21 September 2017, 6:30pm
Title:
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
David B. Stewart, what was history for Kazuo Shinohara?
Actions:
Description:
Kazuo Shinohara was a deeply influential figure in postwar architecture in Japan best known for his individual houses, but he remains little studied today, especially outside Japan. Shinohara connected traditional forms and an investigation of modernist tenets with the high-tech and information technology moments yet to come. What was his attitude toward history, and how(...)
Form:
events
events
Date:
21 September 2017
6:30pm
21 September 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Paul Desmarais Theatre Keyword(s):
David B. Stewart, Kazuo Shinohara, What is/was history for…
Form:
events
events
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Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
photographs
photographs
Actions:
Reference number:
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
People:
Date:
1967
1967
Title:
View of the Pavilion of Burma, Expo 67, Montréal, Québec
Actions:
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
View of the Pavilion of Burma, Expo 67, Montréal, Québec
Actions:
ARCH256273
Description:
"Pavillon de la Birmanie à l'Expo 67 ....... Le pavillon de la Birmanie est de construction typiquement Birmane: son décor de laques et de sculptures sur bois aux motifs floraux en ont fait un endroit exotique où il fait bon se rencontrer. Le pavillon a d'ailleurs comme thème: l'Homme et l'amitié. / Burma's Pavilion at Expo 67 ........ Traditional Burmese architecture with decorations of elaborate floral wood carving and lacquered paintings are featured in the design of this pavilion on Ile Notre-Dame."--Description.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
People:
Date:
1967?
1967?
Title:
Night view of the Man the Producer Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
Night view of the Man the Producer Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
Form:
photographs
photographs
Date:
1967?
1967?
People:
Form:
events
events
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Actions:
Reference number:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
People:
Date:
1946-2020
1946-2020
Title:
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1946-2020
1946-2020
People:
Form:
books
books
Actions:
Holdings:
Description:
215 pages : illustrations (chiefly color) ; 20 x 21 cm.
Description:
215 pages : illustrations (chiefly color) ; 20 x 21 cm.
Author:
Subject:
Publication:
Paris : Dominique Carré, [2016]
Paris : Dominique Carré, [2016]
Title:
Ailleurs : architectes français à l'export : 50 architectures françaises dans le monde = Outwards : French architects overseas : 50 French buildings throughout the world / Frédéric Lenne.
Actions:
Holdings:
Description:
215 pages : illustrations (chiefly color) ; 20 x 21 cm.
Ailleurs : architectes français à l'export : 50 architectures françaises dans le monde = Outwards : French architects overseas : 50 French buildings throughout the world / Frédéric Lenne.
Actions:
Holdings:
Description:
215 pages : illustrations (chiefly color) ; 20 x 21 cm.
Form:
books
books
Publication:
Paris : Dominique Carré, [2016]
Paris : Dominique Carré, [2016]
Author:
Subject:
