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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central(...)
Signs and images: Writings on art, cinema, and photography
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns—semiotics, visual culture, art, cinema, and photography—and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.
Art Theory
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xii, 343 pages : illustrations ; 25 cm
London ; New York : Routledge, 1994.
Interpreting objects and collections / edited by Susan M. Pearce.
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xii, 343 pages : illustrations ; 25 cm
books
London ; New York : Routledge, 1994.
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Over the years, construction workers seem to have developed a mysterious script made with adhesive tape that is readable by only a few. What do these signs mean? Is this some sort of secret language? Or is there no meaning at all? Are things always as they seem? Visual artist and architect SerraGlia, fascinated by cities and by semiotics, decided to create an artistic and(...)
Signs fiction: seeking a new language
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Over the years, construction workers seem to have developed a mysterious script made with adhesive tape that is readable by only a few. What do these signs mean? Is this some sort of secret language? Or is there no meaning at all? Are things always as they seem? Visual artist and architect SerraGlia, fascinated by cities and by semiotics, decided to create an artistic and slightly ironic visual statement about these found signs. He is not seeking to reveal their absolute truth. Instead, he wants to question our perception of our surroundings.
Contemporary Art Monographs
Ryan McGuiness : works
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Ryan McGinness is an artist whose skate-punk aesthetic incorporates carefully rendered personal iconography, contemporary semiotics, and layered neo-baroque compositions. His works are in multiple mediums and his signature symbols and visual code have influenced an entire generation of graphic designers. This publication is a collection of the artist’s most recent pieces,(...)
Ryan McGuiness : works
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Ryan McGinness is an artist whose skate-punk aesthetic incorporates carefully rendered personal iconography, contemporary semiotics, and layered neo-baroque compositions. His works are in multiple mediums and his signature symbols and visual code have influenced an entire generation of graphic designers. This publication is a collection of the artist’s most recent pieces, including installations, prints, sculpture, and paintings. Each body of work is illustrated and discussed in detail, and the process behind each project is told through the use of sketches, diagrams, details, and photographs. With contributions from David Byrne, Tom Greenwood, Peter Halley, Greg Lindquist and Jonathan T.D. Neil.
Graphic Designers, Monographs
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and(...)
Re-framing identities: Architecture's turn to history, 1970-1990. East-West central, vol. 3
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and the care of architectural monuments gained importance. This development also increasingly challenged the ideologically based division between East and West. Instead of emphasizing the differences, the search was for a joint cultural heritage. The contributions in this volume question terms such as "Moderne" and "post-modern", and show how architecture could again represent local, regional, and national identity.
Architectural Theory
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
Landscape Theory
Digital media revisited
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Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary(...)
Architectural Theory
September 2004, Cambridge, Mass.
Digital media revisited
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Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary theory, semiotics, philosophy, aesthetics, ethics, media studies, sociology, and education, the contributors construct new positions from which to observe digital media in fresh and meaningful ways. Throughout they explore to what extent interpretation of and experimentation with digital media can inform theory. It also asks how our understanding of digital media can contribute to our understanding of social and cultural change.
Architectural Theory
Grafts: writings on plants
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Taking as his starting point the simple vegetal conception of grafting, Michael Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended(...)
Grafts: writings on plants
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Taking as his starting point the simple vegetal conception of grafting, Michael Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended to preserve, improve, and modify both the grafted materials and the body that receives them. To graft is to create unlikely encounters, hybrid mixes, and novel surfaces. Moving across disciplinary lines, "Grafts" combines the lessons of plant science with the history of philosophy, semiotics, literary compositions, and political theory. Co-authoring some of the texts with other philosophers, plant scientists and artists, Marder allows their insights to be grafted onto his own, and vice versa.
Environment and environmental theory
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Theory of Photography
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Miniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and(...)
January 1993, Durham
On longing : Narratives of the miniature, the gigantic, the souvenir, the collection
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Miniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and now available in paperback for the first time, this highly original book draws on insights from semiotics and from psychoanalytic, feminist, and marxist criticism. Addressing the relations of language to experience, the body to scale, and narratives to objects, Susan Stewart looks at the "miniature" as a metaphor for interiority and at the "gigantic" as an exaggeration of aspects of the exterior. In the final part of her essay Stewart examines the ways in which the "souvenir" and the "collection" are objects mediating experience in time and space.