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'The Storyteller' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, 'One-Way Street' and 'The Arcades Project'. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms,(...)
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'The Storyteller' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, 'One-Way Street' and 'The Arcades Project'. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms,(...)
Title:
The storyteller: tales out of loneliness
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'The Storyteller' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, 'One-Way Street' and 'The Arcades Project'. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.
The storyteller: tales out of loneliness
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'The Storyteller' gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, 'One-Way Street' and 'The Arcades Project'. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin. The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee.
Subject:
Critical Theory
Critical Theory
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Voici un ouvrage d'un genre nouveau, dans lequel Walter Benjamin pratique le collage à la manière de ces amoureux des télescopages poétiques que furent Dada et les surréalistes. 'Rue à sens unique' se compose de notes autobiographiques, de souvenirs d'enfance, d'aphorismes, de scènes de la vie urbaine, de considérations acérées sur l'état du monde, et de l'Allemagne en(...)
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Voici un ouvrage d'un genre nouveau, dans lequel Walter Benjamin pratique le collage à la manière de ces amoureux des télescopages poétiques que furent Dada et les surréalistes. 'Rue à sens unique' se compose de notes autobiographiques, de souvenirs d'enfance, d'aphorismes, de scènes de la vie urbaine, de considérations acérées sur l'état du monde, et de l'Allemagne en(...)
Title:
Rue à sens unique, deuxième édition
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Voici un ouvrage d'un genre nouveau, dans lequel Walter Benjamin pratique le collage à la manière de ces amoureux des télescopages poétiques que furent Dada et les surréalistes. 'Rue à sens unique' se compose de notes autobiographiques, de souvenirs d'enfance, d'aphorismes, de scènes de la vie urbaine, de considérations acérées sur l'état du monde, et de l'Allemagne en particulier, mais aussi de réflexions sur l'écriture elle-même, sur la graphologie.
Rue à sens unique, deuxième édition
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Voici un ouvrage d'un genre nouveau, dans lequel Walter Benjamin pratique le collage à la manière de ces amoureux des télescopages poétiques que furent Dada et les surréalistes. 'Rue à sens unique' se compose de notes autobiographiques, de souvenirs d'enfance, d'aphorismes, de scènes de la vie urbaine, de considérations acérées sur l'état du monde, et de l'Allemagne en particulier, mais aussi de réflexions sur l'écriture elle-même, sur la graphologie.
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Critical Theory
Critical Theory
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books
books
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422 pages : illustrations (some color) ; 28 cm
Description:
422 pages : illustrations (some color) ; 28 cm
Author:
Subject:
- Appelt, Dieter, 1935-,
- Benjamin, Walter, 1892-1940.,
- Brancusi, Constantin, 1876-1957.,
- Brown, Trisha, 1936-2017.,
- Cage, John.,
- Claus, Carlfriedrich, 1930-1998.,
- Eggeling, Viking, 1880-1925.,
- Fischinger, Oskar, 1900-1967.,
- Kiesler, Frederick.,
- Klee, Paul, 1879-1940.,
- Kricke, Norbert, 1922-1984.,
- McCall, Anthony.,
- Paik, Nam June, 1932-2006.,
- Price, Cedric.,
- Riley, Bridget, 1931-,
- Stieglitz, Alfred, 1864-1946.,
- Themerson, Stefan.,
- Tobey, Mark.,
- Twombly, Cy, 1928-2011.,
- Arts Graphic methods Exhibitions.,
- Art Technique Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Arts Méthodes graphiques Expositions.,
- Art Technique Expositions.,
- Art 20e siècle Expositions.,
- Art, Modern,
- Art Technique,
- Abstraktion,
- Kunst,
- Künste,
- Wissenschaft,
- Wissenschaft Kunst Ausstellungskatalog,
- Künste Wissenschaft Ausstellungskatalog,
- Wissenschaft Künste Ausstellungskatalog,
- Kunst Wissenschaft Ausstellungskatalog,
- Notation (Musik) Kunst Ausstellungskatalog,
- Kunst Notation (Musik) Ausstellungskatalog,
- Ausstellung Berlin 2008.,
- Publications - k - Exhibition - v.,
- Exhibition catalogs,
- Aufsatzsammlung,
- Ausstellungskatalog,
- Ausstellungskatalog Berlin (ab 3.10.1990) 2008,
- Ausstellungskatalog Berlin 2008,
- Ausstellungskatalog Karlsruhe 2009
(See more)
Publication:
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Title:
Notation : Kalkül und Form in den Künsten / herausgegeben von Hubertus von Amelunxen. Dieter Appelt und Peter Weibel in Zusammenarbeit mit Angela Lammert. ; mit Essays von Hubertus von Amelunxen [and others].
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422 pages : illustrations (some color) ; 28 cm
Notation : Kalkül und Form in den Künsten / herausgegeben von Hubertus von Amelunxen. Dieter Appelt und Peter Weibel in Zusammenarbeit mit Angela Lammert. ; mit Essays von Hubertus von Amelunxen [and others].
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Description:
422 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Berlin : Akademie der Künste ; Karlsruhe : Zentrum für Kunst und Medientechnologie Karlsruhe, 2008.
Subject:
- Appelt, Dieter, 1935-,
- Benjamin, Walter, 1892-1940.,
- Brancusi, Constantin, 1876-1957.,
- Brown, Trisha, 1936-2017.,
- Cage, John.,
- Claus, Carlfriedrich, 1930-1998.,
- Eggeling, Viking, 1880-1925.,
- Fischinger, Oskar, 1900-1967.,
- Kiesler, Frederick.,
- Klee, Paul, 1879-1940.,
- Kricke, Norbert, 1922-1984.,
- McCall, Anthony.,
- Paik, Nam June, 1932-2006.,
- Price, Cedric.,
- Riley, Bridget, 1931-,
- Stieglitz, Alfred, 1864-1946.,
- Themerson, Stefan.,
- Tobey, Mark.,
- Twombly, Cy, 1928-2011.,
- Arts Graphic methods Exhibitions.,
- Art Technique Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Arts Méthodes graphiques Expositions.,
- Art Technique Expositions.,
- Art 20e siècle Expositions.,
- Art, Modern,
- Art Technique,
- Abstraktion,
- Kunst,
- Künste,
- Wissenschaft,
- Wissenschaft Kunst Ausstellungskatalog,
- Künste Wissenschaft Ausstellungskatalog,
- Wissenschaft Künste Ausstellungskatalog,
- Kunst Wissenschaft Ausstellungskatalog,
- Notation (Musik) Kunst Ausstellungskatalog,
- Kunst Notation (Musik) Ausstellungskatalog,
- Ausstellung Berlin 2008.,
- Publications - k - Exhibition - v.,
- Exhibition catalogs,
- Aufsatzsammlung,
- Ausstellungskatalog,
- Ausstellungskatalog Berlin (ab 3.10.1990) 2008,
- Ausstellungskatalog Berlin 2008,
- Ausstellungskatalog Karlsruhe 2009
(See more)
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Summary:
“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding(...)
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Summary:
“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding(...)
Title:
A short history of photography
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Summary:
“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding with the work of August Sander and Germaine Krull, Benjamin moved beyond the medium itself to address the artistic, societal and political capabilities that photography foretold. ''A Short History of Photography'' contains the inklings of his thoughts on “reproducibility” that he would later flesh out in his best-known text, “The Work of Art in the Age of Mechanical Reproduction.” Benjamin’s view of photography gave early credence to the medium and its practitioners and shaped the methodology by which it can be analyzed.
A short history of photography
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Summary:
“The illiterate of the future … will not be the man who cannot read the alphabet, but the one who cannot take a photograph.” So declared Walter Benjamin (1892–1940) in his essay ''A Short History of Photography'', originally published in the periodical Literarische Welt in 1931. Beginning with the early experiments of Louis Daguerre and Nicéphore Niépce and concluding with the work of August Sander and Germaine Krull, Benjamin moved beyond the medium itself to address the artistic, societal and political capabilities that photography foretold. ''A Short History of Photography'' contains the inklings of his thoughts on “reproducibility” that he would later flesh out in his best-known text, “The Work of Art in the Age of Mechanical Reproduction.” Benjamin’s view of photography gave early credence to the medium and its practitioners and shaped the methodology by which it can be analyzed.
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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Form:
books
books
Publication:
Droste Effect 2016
Droste Effect 2016
Form:
books
books
Title:
The arcades project
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
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Summary:
Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin(...)
Title:
The arcades project
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Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
The arcades project
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Summary:
Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, "Das Passagen-Werk") is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas." Focusing on the arcades of nineteenth-century Paris, glass-roofed rows of shops that were early centers of consumerism, Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things, a process in which he locates the decisive shift to the modern age. "The Arcades Project" is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.
Form:
books
books
Publication:
November 1999, Cambridge, Mass.
November 1999, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Title:
Walter Benjamin : avertissement d'incendie, une lecture des thèses « Sur le concept d'histoire »
Walter Benjamin : avertissement d'incendie, une lecture des thèses « Sur le concept d'histoire »
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Les Thèses « Sur le concept d'histoire » de 1940 sont le dernier écrit de Walter Benjamin et constituent peut-être le document le plus significatif dans la pensée critique du XXe siècle. Texte allusif, sybillin, dont l'hermétisme est constellé d'images et d'allégories, semé de paradoxes, traversé d'intuitions. Ce livre en propose une étude au mot à mot. Là où d'autres ne(...)
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Summary:
Les Thèses « Sur le concept d'histoire » de 1940 sont le dernier écrit de Walter Benjamin et constituent peut-être le document le plus significatif dans la pensée critique du XXe siècle. Texte allusif, sybillin, dont l'hermétisme est constellé d'images et d'allégories, semé de paradoxes, traversé d'intuitions. Ce livre en propose une étude au mot à mot. Là où d'autres ne(...)
Title:
Walter Benjamin : avertissement d'incendie, une lecture des thèses « Sur le concept d'histoire »
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$15.95
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Summary:
Les Thèses « Sur le concept d'histoire » de 1940 sont le dernier écrit de Walter Benjamin et constituent peut-être le document le plus significatif dans la pensée critique du XXe siècle. Texte allusif, sybillin, dont l'hermétisme est constellé d'images et d'allégories, semé de paradoxes, traversé d'intuitions. Ce livre en propose une étude au mot à mot. Là où d'autres ne voient que contradiction ou ambiguïté, il met en évidence une cohérence fondamentale, dont la clé est constituée par la fusion de trois discours hétérogènes: le romantisme allemand, le messianisme juif, le marxisme révolutionnaire.
Walter Benjamin : avertissement d'incendie, une lecture des thèses « Sur le concept d'histoire »
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$15.95
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Summary:
Les Thèses « Sur le concept d'histoire » de 1940 sont le dernier écrit de Walter Benjamin et constituent peut-être le document le plus significatif dans la pensée critique du XXe siècle. Texte allusif, sybillin, dont l'hermétisme est constellé d'images et d'allégories, semé de paradoxes, traversé d'intuitions. Ce livre en propose une étude au mot à mot. Là où d'autres ne voient que contradiction ou ambiguïté, il met en évidence une cohérence fondamentale, dont la clé est constituée par la fusion de trois discours hétérogènes: le romantisme allemand, le messianisme juif, le marxisme révolutionnaire.
Subject:
Critical Theory
Critical Theory
Form:
books
books
Holdings:
Description:
494 pages : illustrations ; 24 cm.
Description:
494 pages : illustrations ; 24 cm.
Subject:
- Camera obscuras.,
- Photography, Artistic.,
- Photography Philosophy.,
- Chambres noires (Optique),
- Photographie artistique.,
- Photographie Philosophie.,
- camera obscuras.,
- art photography.,
- Camera obscura.,
- Perspektive.,
- Kunst.,
- Optik.,
- Ästhetik.,
- Rezeption.,
- Photographie.,
- Film.,
- Aesthetics Philosophy of arts Optic instruments
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Publication:
Paris : L'Harmattan, ©2010.
Paris : L'Harmattan, ©2010.
Title:
La camera obscura : philosophie d'un appareil / Martine Bubb.
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Description:
494 pages : illustrations ; 24 cm.
La camera obscura : philosophie d'un appareil / Martine Bubb.
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Description:
494 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
Paris : L'Harmattan, ©2010.
Paris : L'Harmattan, ©2010.
Subject:
- Camera obscuras.,
- Photography, Artistic.,
- Photography Philosophy.,
- Chambres noires (Optique),
- Photographie artistique.,
- Photographie Philosophie.,
- camera obscuras.,
- art photography.,
- Camera obscura.,
- Perspektive.,
- Kunst.,
- Optik.,
- Ästhetik.,
- Rezeption.,
- Photographie.,
- Film.,
- Aesthetics Philosophy of arts Optic instruments
(See more)
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$25.95
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Summary:
Walter Benjamin is one of the most fascinating and enigmatic intellectual figures of this century. Not only was he a thinker who made an enormous impact with his critical and philosophical writings, he shattered disciplinary and stylistic conventions. This collection, introduced by Susan Sontag, contains the most representative and illuminating selection of his work(...)
$25.95
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Summary:
Walter Benjamin is one of the most fascinating and enigmatic intellectual figures of this century. Not only was he a thinker who made an enormous impact with his critical and philosophical writings, he shattered disciplinary and stylistic conventions. This collection, introduced by Susan Sontag, contains the most representative and illuminating selection of his work(...)
Title:
One-way street and other writings
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$25.95
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Summary:
Walter Benjamin is one of the most fascinating and enigmatic intellectual figures of this century. Not only was he a thinker who made an enormous impact with his critical and philosophical writings, he shattered disciplinary and stylistic conventions. This collection, introduced by Susan Sontag, contains the most representative and illuminating selection of his work over a twenty-year period, and thus does full justice to the richness and the multi-dimensional nature of his thought. Included in these pages are aphorisms and townscapes, esoteric meditation and reminiscences of childhood, and reflections on language, psychology, aesthetics and politics.
One-way street and other writings
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$25.95
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Summary:
Walter Benjamin is one of the most fascinating and enigmatic intellectual figures of this century. Not only was he a thinker who made an enormous impact with his critical and philosophical writings, he shattered disciplinary and stylistic conventions. This collection, introduced by Susan Sontag, contains the most representative and illuminating selection of his work over a twenty-year period, and thus does full justice to the richness and the multi-dimensional nature of his thought. Included in these pages are aphorisms and townscapes, esoteric meditation and reminiscences of childhood, and reflections on language, psychology, aesthetics and politics.
Subject:
Critical Theory
Critical Theory
Form:
books
books
Actions:
Form:
books
books
Publication:
Droste Effect 2016
Droste Effect 2016