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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
Photography Collections
Martha Rosler, Culture class
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In this collection of essays Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today’s soft ideology of creativity, with special focus on its elaborate retooling of class distinctions. In the creative city, the neutralization or incorporation of subcultural movements, the organic translation of the gritty into the quaint, and the(...)
Critical Theory
September 2013
Martha Rosler, Culture class
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In this collection of essays Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today’s soft ideology of creativity, with special focus on its elaborate retooling of class distinctions. In the creative city, the neutralization or incorporation of subcultural movements, the organic translation of the gritty into the quaint, and the professionalization of the artist combine with armies of eager freelancers and interns to constitute a new social sphere in which an elaborate retooling of traditional markers of difference has allowed class distinctions to be dissolved or willfully suppressed. The result is a handful of cities selected for revitalization rather than desertion, where artists in search of cheap rent become the avant-garde pioneers of gentrification. And it may be for this reason that, for Rosler, it becomes all the more necessary to locate the functioning of power within this new urban paradigm, to find a position from which to make it accountable to something other than its own logic.
Critical Theory
Lynn Saville: Dark City
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Arthur Danto has described Lynn Saville as New York's answer to Eugène Atget, because she "prowls her city at the other end of the day, picking up pieces of the past in the present, just before it is swallowed by shadows." For her new monograph, Dark City, Saville focused on vacant spaces--shuttered storefronts, back alleys, blank billboards, empty lots--with the(...)
Lynn Saville: Dark City
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Arthur Danto has described Lynn Saville as New York's answer to Eugène Atget, because she "prowls her city at the other end of the day, picking up pieces of the past in the present, just before it is swallowed by shadows." For her new monograph, Dark City, Saville focused on vacant spaces--shuttered storefronts, back alleys, blank billboards, empty lots--with the occasional ghostly figure hurrying through the frame. Working at twilight and dawn with a medium-format camera (setting up her tripod quickly so as not to attract police attention), Saville captured busy city streets depopulated and emptied out, industrial spaces and storefronts alike gone quiet. Color and light come from the sky, streetlights, neon signs or surveillance lighting. Seemingly otherworldly, the images in Dark City also tell a more pragmatic story of the changing urban landscape--vacancies caused by financial crisis, and construction projects spurred on by economic recovery, gentrification and development.
Photography monographs
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''Resisting eviction'' centres tenant organizing in its investigation of gentrification, eviction and the financialization of rental housing. Andrew Crosby argues that racial discrimination, property relations and settler colonialism inform contemporary urban (re)development efforts and impacts affordable housing loss. How can the City of Ottawa aspire to become ''North(...)
Resisting eviction: Domicide and the financialization of rental housing
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''Resisting eviction'' centres tenant organizing in its investigation of gentrification, eviction and the financialization of rental housing. Andrew Crosby argues that racial discrimination, property relations and settler colonialism inform contemporary urban (re)development efforts and impacts affordable housing loss. How can the City of Ottawa aspire to become ''North America’s most liveable mid-sized city'' while large-scale, demolition-driven evictions displace hundreds of people and destroy a community? Troubling discourses of urban liveability, revitalization and improvement, Crosby examines the deliberate destruction of home—domicide—and tenant resistance in the Heron Gate neighbourhood in Ottawa, on unceded Algonquin land. Heron Gate is a large rental neighbourhood owned by one multi-billion-dollar real estate investment firm. Around 800 people—predominantly lower-income, racialized households—have been demovicted and displaced from the neighbourhood since 2016, leading to the emergence of the Herongate Tenant Coalition to fight the evictions and confront the landlord-developer. This case study is meticulously documented through political activist ethnography, making this book a brilliant example of ethical engagement and methodological integrity.
Humans and cities
Anne Lass: Triple seven
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Red, violet, and blue colors permeate the images, but there’s more at play than just form and color. The Danish-German photographer lived in Berlin from 2007 to 2014, where she was fascinated by the many gambling halls in the Berlin cityscape, most of which was located in the poorer neighborhoods. Lass visited over 100 of Berlin’s approximately 500 small casinos and went(...)
Anne Lass: Triple seven
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Red, violet, and blue colors permeate the images, but there’s more at play than just form and color. The Danish-German photographer lived in Berlin from 2007 to 2014, where she was fascinated by the many gambling halls in the Berlin cityscape, most of which was located in the poorer neighborhoods. Lass visited over 100 of Berlin’s approximately 500 small casinos and went on a picture hunt in these often closed and private environments. Here, she documented old machines, gaming tables, and the people who frequented them. Not to condemn, but to try to understand and take the players’ desires seriously: the hope for a better life and the longing for a bit of happiness. The project sheds light on a phenomenon that is relevant beyond the borders of Berlin – humanity’s eternal pursuit of (financial) happiness. At the same time, it is a visual investigation of the signs, symbols, and objects deliberately used to seduce. It is a photographic record of districts undergoing change due to crises and gentrification, and a documentation of places that have not been extensively explored until now.
Photography monographs
Retours en ville
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La ville est au cœur de l'économie mondiale. Loin d'avoir fait disparaître les effets de localisation, le développement des réseaux de communication a multiplié les espaces où circulent biens, personnes, services et capitaux. Cette évolution a profité d'abord aux métropoles. L'âge d'or des villes est de retour. Retours en ville et même retours au centre pour les classes(...)
Retours en ville
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La ville est au cœur de l'économie mondiale. Loin d'avoir fait disparaître les effets de localisation, le développement des réseaux de communication a multiplié les espaces où circulent biens, personnes, services et capitaux. Cette évolution a profité d'abord aux métropoles. L'âge d'or des villes est de retour. Retours en ville et même retours au centre pour les classes moyennes supérieures. Les anglo-saxons parlent de « gentrification » pour désigner cette évolution. Plus récemment, les projets urbains qui l'ont accompagnée ont privilégié le vocabulaire de la « régénération » ou de la « revitalisation », alors qu'ils sont souvent à l'origine de nouvelles polarisations socio-spatiales. Les études de cas proposées ici se situent dans plusieurs villes européennes et américaines du nord et du sud (New York, Bruxelles, Lyon, Naples, Barcelone, Mexico, São Paulo). Dans des contextes très différents, on retrouve des référents communs, dans les modèles d'habitat et les styles de vie, mais aussi dans les politiques urbaines mises en oeuvre, donnant à penser que les couches sociales qui les portent ont tendance, elles aussi, à se mondialiser.
Urban Theory
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts,(...)
Rent
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The problem of rent is at the root of vital social concerns in the twenty-first century, ranging from the climate emergency and spiralling economic inequality to the repercussions of global economic crises. But while many of us may be familiar with rent (especially paying it), how should we really understand it? Examining both concrete contexts and complex concepts, in this book Joe Collins provides a comprehensive but concise survey of the theories and debates over rent and rentier capitalism. He examines global gentrification from São Paolo to Dublin, the tyranny of technology from Taipei to San Francisco, and the excesses of extractivism from Sekondi to Karratha. In doing so, he reveals how rent is fundamental to the current dominant form of capitalist social organization across the globe and how we can prevent the next generation from seeing our societies rent asunder. An essential resource for students and scholars alike, this groundbreaking book will be of interest to anyone working on capitalism, property, political economy, economic sociology and contemporary politics.
Social
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With its emphasis on permanence and stability, architecture at first resists an easy pairing with live performance, usually considered ephemeral and elusive. But architecture and performance share a core concern: the interplay of bodies and space. 'Bodybuilding' examines the use of live performance by architects. Looking past the unbuilt, utopian projects of the early(...)
Architectural Theory
January 2019
Bodybuilding: architecture and performance
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With its emphasis on permanence and stability, architecture at first resists an easy pairing with live performance, usually considered ephemeral and elusive. But architecture and performance share a core concern: the interplay of bodies and space. 'Bodybuilding' examines the use of live performance by architects. Looking past the unbuilt, utopian projects of the early modernists or the postwar avant-garde, the authors unearth an alternative canon of architects who actually employ performance to fortify the process of building, or else to explore architecture’s enmeshment with labor, security, race, migration, the environment, gentrification, and public assembly. For these architects, performance can be a tool, a method, or a heuristic device; in every case, performance is a blade that cuts into the matter of architecture. With rates of construction plummeting after the financial crisis of 2007–08, newly minted architects have had to find alternative ways to continue working within the field. 'Bodybuilding' grounds these new practices within a century of precedents, and insists that performance is a critical tool to rethink architecture’s agency, goals, and aesthetics.
Architectural Theory
May our joy endure
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Céline Wachowski, internationally renowned architect and accidental digital-culture icon, unveils her plans for the Webuy Complex, her first megaproject in Montreal, her hometown. But instead of the triumph she anticipates in finally bringing her reputation to bear in her own city, the project is excoriated by critics, who accuse her of callously destroying the social(...)
May our joy endure
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Céline Wachowski, internationally renowned architect and accidental digital-culture icon, unveils her plans for the Webuy Complex, her first megaproject in Montreal, her hometown. But instead of the triumph she anticipates in finally bringing her reputation to bear in her own city, the project is excoriated by critics, who accuse her of callously destroying the social fabric of neighborhoods, ushering in a new era of gentrification, and many even deadlier sins. When she is deposed as CEO of her firm, Céline must make sense of the charges against herself and the people in her elite circle. For the first time in danger of losing their footing, what fictions must they tell themselves to justify their privilege and maintain their position in the world that they themselves have built? Moving fluidly between Céline’s perspective and the perspectives of her critics, and revealing both the ruthlessness of her methods and the brilliance of her aesthetic vision, "May our joy endure" is a shrewd examination of the microcosm of the ultra-privileged and a dazzling social novel that depicts with razor-sharp acuity the terrible beauty of wealth, influence, and art.
Literature and poetry
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and(...)
Space, the city and social theory : social relations and urban forms
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"Space, the city and social theory" offers a critical account of key approaches to cities and urban space within social theory and analysis. It explores the relation of the social and the spatial in the context of critical urban themes: community and anonymity; social difference and spatial divisions; politics and public space; gentrification and urban renewal; gender and sexuality; subjectivity and space; experience and everyday practice in the city. The text adopts an international and interdisciplinary approach, drawing on a range of debates on cities and urban life. It brings together classic perspectives in urban sociology and social theory with the analysis of contemporary urban problems and issues. Rather than viewing the urban simply as a backdrop for more general social processes, the discussion looks at how social and spatial relations shape different versions of the city: as a place of social interaction and of solitude; as a site of difference and segregation; as a space of politics and power; as a landscape of economic and cultural distinction; as a realm of everyday experience and freedom. Similarly, it examines how core social categories - such as class, culture, gender, sexuality and community - are shaped and reproduced in urban contexts.
Urban Theory