Pollution is colonialism
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution,(...)
Pollution is colonialism
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$33.95
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Summary:
In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR) — an anticolonial science laboratory in Newfoundland, Canada — to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
Environment and environmental theory
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In 'As we have always done', Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking. Indigenous resistance is a radical rejection of contemporary colonialism focused around the refusal of the dispossession of both Indigenous bodies and land. Simpson makes clear that(...)
As we have always done: Indigenous freedom through radical resistance
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In 'As we have always done', Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking. Indigenous resistance is a radical rejection of contemporary colonialism focused around the refusal of the dispossession of both Indigenous bodies and land. Simpson makes clear that its goal can no longer be cultural resurgence as a mechanism for inclusion in a multicultural mosaic. Instead, she calls for unapologetic, place-based Indigenous alternatives to the destructive logics of the settler colonial state, including heteropatriarchy, white supremacy, and capitalist exploitation.
indigenous
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums(...)
Voluntary detours: small town and rural museums
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums very differently. Case studies include the World Famous Gopher Hole Museum, Fort Chipewyan Bicentennial Museum, Blackfoot Crossing Historical Park, and the Museum of Fear and Wonder. A key chapter analyzing sites devoted to resource extraction explores how these places promote settler colonial understandings of land use. By contrast, Indigenous museums and cultural centres defy colonial messages in displays that adapt and refuse conventional museum formats. Honouring local, rural, and Indigenous knowledge, 'Voluntary Detours' enriches critical accounts of the past, present, and future of museums.
Museology
books
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xiii, 191 pages : illustrations (some color) ; 28 cm.
Honolulu : University of Hawaiʻi Press, [2013]
Architecture and urbanism in modern Korea / Inha Jung.
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xiii, 191 pages : illustrations (some color) ; 28 cm.
books
Honolulu : University of Hawaiʻi Press, [2013]
books
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xvi, 406 pages : illustrations (some color) ; 29 cm.
Austin : University of Texas Press, [2014]
Modern architecture in Latin America : art, technology, and utopia / Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur.
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xvi, 406 pages : illustrations (some color) ; 29 cm.
books
Austin : University of Texas Press, [2014]
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
Slow Scrape
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Contemporary Art Monographs
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x, 400 pages : illustrations (some color), maps (some color), plans (some color), portraits (some color) ; 26 cm
Princeton : Princeton University Press, [2022], ©2022
Dividing Paris : urban renewal and social inequality, 1852-1870 / Esther da Costa Meyer.
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x, 400 pages : illustrations (some color), maps (some color), plans (some color), portraits (some color) ; 26 cm
books
Princeton : Princeton University Press, [2022], ©2022
$37.95
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures(...)
The elsewhere is black: ecological violence and improvised life
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures concentrate environmental risk in an elsewhere that is routinely Black. Solomon emphasizes that ecological violence is a form of racialized heteropatriarchal environmental control that upholds whiteness as a propertied way of life and criminalizes Black survival. As she points to acute sites of toxicity, Solomon theorizes the relationship between the devaluation of land and Black and more-than-human life to reveal how the risks of poisoning, police violence, dispossession, and poverty hold Black life captive.
Social
books
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416 pages : illustrations, maps ; 26 cm
Cambridge, MA : Da Capo Press, ©2007.
Fortress America : the forts that defended America, 1600 to the present / J.E. Kaufmann and H.W. Kaufmann ; illustrated by Tomasz Idzikowski.
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416 pages : illustrations, maps ; 26 cm
books
Cambridge, MA : Da Capo Press, ©2007.
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Architectural Theory