Hélio Oiticica
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which(...)
Contemporary Art Monographs
August 2021
Hélio Oiticica
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$81.95
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A concise introduction to the pioneering formal and social innovations of the Neoconcretist and Tropicália protagonist. Brazilian artist Hélio Oiticica’s oeuvre remains an indisputable influence on all aspects of avant-garde culture in his home country and abroad, from visual art to music, theater, literature and beyond. This volume demonstrates the numerous ways in which Oiticica’s work explored and expanded formal artistic modes, pushing past the boundaries of color and structure. Oiticica prioritized the inclusive and participatory possibilities of art, represented through his forays into environmental art and interactive installation. Large-scale projects such as his monumental installation Tropicália (1966–67), which satirizes the idea of Brazil as a tropical paradise, are documented alongside his works on paper and textile pieces. The text traces the evolution of Oiticica’s multidisciplinary practice and underlines the cosmological ideas that guided his approach to art and life, demonstrating the profound impact Oiticica's ideas had on the wider art world, both past and present.
Contemporary Art Monographs
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
August 2022
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts(...)
The curves of time : the memoirs of Oscar Niemeyer
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts in 1934. As a student he worked in the office of Lucio Costa, and on graduation he began collaborating with Le Corbusier on a new Ministry of Education and Health Building in Rio. Yet in contrast to the International Style, Niemeyer’s curvilinear forms reflected Brazil’s lush, undulating landscape and the emotive style of its music and dance. Here Niemeyer recounts his life in an informal, fluid narrative that moves from his childhood in Rio to friendships with intellectuals and politicians such as Jean-Paul Sartre and Fidel Castro, to tales of adventurous road trips. The book includes forty sketches by Niemeyer executed specially for these memoirs, a chronology of his life and career, notes and an index.
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October 2000, London
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The Black geographic
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The contributors to ''The Black geographic'' explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to(...)
The Black geographic
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The contributors to ''The Black geographic'' explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to show how understanding the spatial dimensions of Black life contributes to a broader understanding of race and space. They examine key sites of inquiry: Black spatial imaginaries, resistance to racial violence, the geographies of racial capitalism, and struggles over urban space. Throughout, the contributors demonstrate that Blackness is itself a situating and place-making force, even as it is shaped by spatial processes and diasporic routes. Whether discussing eighteenth- and nineteenth-century abolitionist print records or migration and surveillance in Niger, this volume demonstrates that Black Geographies is a mode of analyzing Blackness that fundamentally challenges the very foundations of the field of geography and its historical entwinement with colonialism, enslavement, and imperialism. In short, it marks a new step in the evolution of the field.
Social
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the(...)
Architecture Monographs
June 2006, Barcelona, Sao Paulo
Subtle substances : the architecture of Lina Bo Bardi
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Lina Bo Bardi, the Rome-born architect, emigrated after World War Two to Brazil, a country where she undertook her professional career. The outcome of her personal experience and of a wish to get closer to the culture and ways of life of the people, Bo Bardi’s creativity moved in the direction of an architecture that prized simplicity, spontaneity, the residual and the ephemeral; an architecture understood as 'an organism suitable for life' which incorporated everydayness and the energy of the people who use it. As a result she used the word ‘substances’, rather than ‘materials’, to explain what her architecture was made of. These substances are air, light, nature and art, to which the author, Olivia de Oliveira, adds time. The work of Lina Bo Bardi, then, is presented here via a huge array of previously unpublished drawings, images, writings and projects that enable the reader to grasp in a kaleidoscopic way the power and current importance of her architecture as a critical confrontation with established reality.
Architecture Monographs
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
White cube, green maze: new art landscapes
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
Gardens
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173 pages : illustrations ; 22 cm
Toronto, Ontario, Canada : Knopf Canada, 2025.
The city of our dreaming / Laleh Khalili, V. Mitch McEwen, Gabriela Leand ro Pereira, Leanne Betasamosake Simpson ; introduction by Christina Sharpe.
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173 pages : illustrations ; 22 cm
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Toronto, Ontario, Canada : Knopf Canada, 2025.
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120 pages : chiefly illustrations (some color) ; 19 x 26 cm
New York : Braziller : Published in association with the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design, ©1984.
Frank Lloyd Wright and the Prairie School / H. Allen Brooks.
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120 pages : chiefly illustrations (some color) ; 19 x 26 cm
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New York : Braziller : Published in association with the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design, ©1984.
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Viennese design and the Wiener Werkstätte / by Jane Kallir ; with a foreword by Carl E. Schorske.
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152 pages : illustrations (some color) ; 28 cm
New York : G. Braziller, in association with Galerie St. Etienne, 1986., ©1986
Viennese design and the Wiener Werkstätte / by Jane Kallir ; with a foreword by Carl E. Schorske.
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152 pages : illustrations (some color) ; 28 cm
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New York : G. Braziller, in association with Galerie St. Etienne, 1986., ©1986
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xiv, 106 pages : illustrations (some color) ; 24 cm
New York, NY : Harvard Design School in association with George Braziller, ©2000.
Before and after the end of time : architecture and the year 1000 / Christine Smith with James Ackerman [and others].
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xiv, 106 pages : illustrations (some color) ; 24 cm
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New York, NY : Harvard Design School in association with George Braziller, ©2000.